Obit watch: April 11, 2023.

April 11th, 2023

This is one I’ve been holding for a couple of days because I am lazy and shiftless: James Bowman. countertenor.

When Mr. Bowman started singing professionally in the 1960s, the countertenor — the highest of the male voices, working the same range as female contraltos and mezzo-sopranos — was something of a rarity on opera and concert stages. Alfred Deller, who died in 1979, was the go-to countertenor of the day, but his voice and his acting ability were said to have been limited.
“Bowman was a revolutionary talent,” the critic Rupert Christiansen, revisiting one of Mr. Bowman’s 1970s recordings, wrote in The Daily Telegraph of Britain in 2019, adding that “his technique brought a new power to the countertenor repertory.”

“A friend came up from London and told me that Benjamin Britten was holding auditions for ‘A Midsummer Night’s Dream,’” Mr. Bowman said, referring to Mr. Britten’s 1960 opera, whose Oberon role had originally been written for Mr. Deller. “This is sort of a fairy story — I’d never done anything onstage in my life, but I wrote to Britten and I said, ‘I think I am eminently suited to the role of Oberon.’”
He was invited to audition.
“I knew that you could barely hear the people who had sung the part before,” he said. “So I went to Covent Garden and I made a big noise and socked them between the eyeballs — and it worked! The next thing I knew I was on tour.”
Oberon became one of his signature roles. Mr. Britten wrote other works for him as well, including the part of Apollo in “Death in Venice,” the 1973 Britten opera.

Mr. Bowman was heard frequently in concert settings as well, and he had a knack for deploying his musical gifts to striking effect in famed performance spaces. Tim Page, writing in The New York Times about a two-hour concert of works by Handel recorded at Westminster Abbey in 1985, called his voice “unusually versatile and pleasing.” Twenty years later, also in The Times, Bernard Holland, after catching him in a “Messiah” at St. Thomas Church in Manhattan, said that Mr. Bowman “sang the countertenor parts with a voice and a dramatic personality able to command attention in a crowd.”
His performances and his dozens of recordings encouraged other singers to explore the countertenor repertory, and Mr. Winwood said he was always generous with advice and support for younger singers.
“He would think nothing of hiring a studio and arranging a meeting with young singers who he had never even met,” Mr. Winwood said by email, “and I’m pretty sure he would never charge for his time.”

“He was such a brilliant, instinctive singer and musician, a huge character and incredibly kind and generous,” Mr. Short wrote, “but my fondest memories will always be of him giggling and snorting loudly at something totally outrageous he’d just whispered in the ears of anyone standing close by.”

“We’re a down-to-earth bunch who just happen to like singing in a high register,” he told The Sunday Telegraph of Britain in 1996. “When I look around at my colleagues, I’m struck by how normal most of them are.”

Al Jaffee has passed at 102. THR. Tribute from Mad.

For those who don’t know, he was one of the great old-time “Mad Magazine” guys, perhaps most famous as the creator of the “fold-in” and “Snappy Answers to Stupid Questions”.

Al was named the Reuben Awards’ Outstanding Cartoonist of the Year in 2008 and was inducted into the Will Eisner Hall of Fame in 2013 and the Society of Illustrators’ Hall of Fame in 2014. He holds the Guinness World Record for the longest career as a comic artist, beginning with his first publication in Joker Comics in 1942 and continuing through his time at MAD until his retirement last year.

“I had two jobs all my life,” Jaffee told the Times upon his retirement. “One of them was to make a living. The second one was to entertain. I hope to some extent that I succeeded.”

Myriam Ullens. Noted here because this is an odd story.

She was a single mom and successful pastry chef when she went looking for investors to expand her business. One of the people she went to seek investment from was the billionaire Baron Guy Ullens de Schooten Whettnal (who apparently prefers “Ullens” as the short form).

They fell in love and married. The two of them got out of the business world and into philanthropy, founding (among other ventures) the Ullens Center for Contemporary Art in Beijing.

According to reports, Ms. Ullens and her husband were shot by her stepson while sitting in their car. Her husband was wounded in the leg.

According to the prosecutor’s statement, Nicolas attributed his actions to a family fight over money and said that moments before he shot his stepmother he had been arguing with her and his father at their home and had been asked to leave. He was being held in jail and has been charged with premeditated murder and violating weapons laws, the prosecutor’s office said.

For the record: NYT obit for Michael Lerner.

Elizabeth Hubbard, actress. She doesn’t have that many screen credits beyond the two soaps (“As the World Turns” and “The Doctors”) she was in, but she also did a fair amount of work on Broadway.

Obit watch: April 10, 2023.

April 10th, 2023

NYT obit for Craig Breedlove.

Michael Lerner, actor. 186 credits in IMDB (counting the three upcoming), including “Mayor Ebert” in “Godzilla”, “Today’s F.B.I.”, four “Rockford Files”, “The Bold Ones: The New Doctors”, and “Banacek”.

Francesca Cappucci. She worked for KABC-TV in LA.

Out of the blue, Quentin Tarantino named the glamorous Italian movie star wife of Leonardo DiCaprio’s Rick Dalton after her in Once Upon a Time in Hollywood (2019).

Jacques Haitkin, cinematographer. Other credits include “Fist of the North Star”, “Team Knight Rider”, and “The Girl, The Gold Watch, and Everything”.

Hobie Landrith.

The Mets and the Houston Colt .45s (now the Astros), founded as 1962 National League expansion teams, began stocking their rosters in an October 1961 draft. They alternated in selecting players whom the eight N.L. teams viewed as too young, too old or too ordinary to keep.
Houston chose Eddie Bressoud, a shortstop with the San Francisco Giants, as the first pick of the draft. The Mets chose Landrith, also a Giant, as their first selection.
When reporters asked Mets Manager Casey Stengel why Landrith, 31 years old, was anointed as the first Met, he replied: “You gotta have a catcher or you’d have a lot of passed balls.”

(Side note: as best as I can tell, Eddie Bressoud is still alive at 90. He was traded to the Red Sox before he played a game with Houston, and then went from the Red Sox to the Mets.)

Landrith had a career batting average of .233 with 34 home runs and 203 runs driven in.
“I was in the major leagues more because I was a good defensive catcher, and the fact that I was good at handling pitchers,” he once told the baseball history website This Great Game. “I always thought I was a fairly decent hitter, but I realized that I wasn’t in the big leagues for my bat.”

Obit watch: April 8, 2023.

April 8th, 2023

Today is a busy day. As it turns out, though, I have a few minutes to try and sneak some obits in.

Benjamin B. Ferencz has died at 103. The significance: he was the last surviving prosecutor from the Nuremberg trials.

Fulfilling an Allied pledge to bring war criminals to justice, 13 trials were held in Nuremberg, where Nazi rallies had celebrated Hitler’s rise to power in the 1930s. In the first and most important trial, held in 1945 and 1946, the International Military Tribunal convicted 24 of the Third Reich’s senior leaders, including Hermann Göring, Hitler’s designated successor, who committed suicide on the eve of his execution, and the military commander Wilhelm Keitel, who was hanged. The chief prosecutor was Associate Justice Robert H. Jackson of the United States Supreme Court.
A dozen subsequent trials at the Palace of Justice in Nuremberg put German judges, doctors, industrialists, diplomats and less senior military leaders in the dock in cases supervised by Justice Jackson’s successor, Gen. Telford Taylor. Mr. Ferencz was assigned to prosecute the notorious Einsatzgruppen case, which for its staggering volume of victims has been called the biggest murder trial in history.
It was the case against 22 Nazis, including six generals, who organized, directed and often joined roaming SS extermination squads — 3,000 killers, aided by the local police and other authorities, who rounded up and slaughtered a million specifically targeted people, or groups, in Nazi-occupied lands: the intelligentsia of every nation, political and cultural leaders, members of the nobility, clergy, teachers, Jews, Gypsies and other “undesirables.” Most were shot, others gassed in mobile vans.
They were crimes that beggar the imagination — 33,771 men, women and children shot or buried alive in the ravine near Kyiv called Babi Yar; the two-day liquidation of 25,000 Latvian Jews from Riga’s ghetto, forced to lie down in pits and shot; the spectacle of a barbarian in Lithuania who killed Jews with a crowbar while crowds cheered and an accordion played marches and anthems.
Unfolding in 1947 and 1948, the Einsatzgruppen trial was Mr. Ferencz’s first court case. But the evidence — mostly detailed records of killings kept by the Nazis themselves — was overwhelming and irrefutable.
“In this case, the defendants are not charged with sitting in an office hundreds of miles away from the slaughter,” the court said in a unanimous judgment. “These men were in the field actively superintending, controlling, directing and taking an active part in the bloody harvest.”
All the defendants were convicted of war crimes and crimes against humanity. Fourteen were sentenced to death and two to life in prison. Only four executions were ultimately carried out, however, which was typical of the Nuremberg trials: convictions, heavy sentences and later commutations. Analysts said leniency arose because the new realities of the Cold War with the Soviet Union meant that the Western powers needed Germany politically.

After earning his law degree in 1943, he enlisted in the wartime Army and became a private in an antiaircraft artillery unit. He joined the Normandy invasion in 1944 and fought across France and Germany. In 1945, his legal training and war-crimes expertise were recognized by the Army, and he was assigned to General Patton’s Third Army headquarters and then to investigate newly liberated concentration camps for evidence of war crimes.
What he witnessed was seared into memory. At Buchenwald, he said, “I saw crematoria still going. The bodies starved, lying dying, on the ground. I’ve seen the horrors of war more than can be adequately described.”
At Mauthausen, he found incriminating ledgers kept by the Nazi commandant on the number and manner of prisoners killed each day, on starvation rations and on horrific conditions in the lice-infested barracks. Sergeant Ferencz mustered out of the Army in Germany late in 1945.

I haven’t seen this reported elsewhere, or I would have been on it like flies on a severed cow’s head at a Damien Hirst installation. But Lawrence sent over an obit from Road and Track for Craig Breedlove, land speed record setter.

In a three-year span from 1963 through 1965, Breedlove’s successive conquering of the 400-, 500-, and 600-mph barriers made him a household name. Blessed with the looks of a movie star, his LSR exploits caught the attention of Hollywood and New York where television appearances and cover features in sports and lifestyle magazines and routine newspaper coverage brought him the same kind of fame that elevated fellow racers Dan Gurney, A.J. Foyt, and Mario Andretti to national acclaim.

Along with Walt and Art Arfons, Gary Gabelich, and other domestic land-speed heroes and record-setters, Breedlove took pride in defending America’s ownership of all major LSR speed titles. Breedlove’s 600.601-mph blast stood until 1970 when Gabelich’s Blue Flame moved the new standard out to 622.407 mph. As the 1970s beckoned, the country’s fascination with land-speed daredevils started to wane, but that didn’t stop England’s Richard Noble from chasing history at Bonneville in 1983.

Harry Lorayne, memory expert.

Fleet of mind and fleet of mouth, Mr. Lorayne was a sought-after guest on television shows and a particular favorite of Johnny Carson’s, appearing on “The Tonight Show” some two dozen times.
Mr. Lorayne had begun his professional life as a sleight-of-hand artist and well into old age was considered one of the foremost card magicians in the country. As both magician and mnemonist, he was a direct, gleeful scion of the 19th-century midway pitchman and the 20th-century borscht belt tummler.
By the 1960s, Mr. Lorayne was best known for holding audiences rapt with feats of memory that bordered on the elephantine. Such feats were born, he explained in interviews and in his many books, of a system of learned associations — call them surrealist visual puns — that seemed equal parts Ivan Pavlov and Salvador Dalí.
Mr. Lorayne demonstrated his act on the night of July 23, 1958, when, in his first big break, he appeared on the TV game show “I’ve Got a Secret.”
While the host, Garry Moore, was introducing members of the show’s panel, Mr. Lorayne was at work in the studio audience, soliciting the names of its members.He was then called onstage. Mr. Moore asked the audience members who had given Mr. Lorayne their names to stand. Hundreds did.
“That’s Mr. Saar,” Mr. Lorayne began, pointing to a man in the balcony. (The transcriptions here are phonetic.)
“Mr. Stinson,” he continued in his rapid-fire New Yorkese, gathering speed. “Miss Graf. Mrs. Graf. Miss Finkelstein. If I can see correctly, I believe that’s the Harpin family: Mr. and Mrs. Harpin; there was Dorothy Harpin and Esther Harpin. Mrs. Pollock. And way in the corner — it’s a little dark there — but I believe that’s Mrs. Stern.”
And so it went, through scores of names, each impeccably recalled.

Absent the time constraints of television, Mr. Lorayne often said, he could handily memorize the names of 500, or even a thousand, people in a single outing. Over the years, he said, he had met and recalled the names of more than 20 million people.
To naysayers who contended that he routinely seeded his audiences with friends, Mr. Lorayne’s reply was unimpeachable: “Who’s got 500 friends?”

At the height of his renown, Mr. Lorayne traveled the country demonstrating his prowess on theater stages, at trade shows and in corporate training seminars.
During the 1960s, he ran a memory-training school in New York. In later years, he starred in TV infomercials for his home memory-improvement system. His scores of books were translated into many languages.

Maybe this is a silly thought, but I like to think of Mr. Lorayne pulling up a chair and joining the conversation at the table with Ricky Jay, Harry Houdini, and all the other greats.

Ethan Boyes, cyclist. He was 44.

According to USA Cycling, Mr. Boyes was the reigning masters track world champion in the men’s 40-44 age group for the time trial and sprint events, and he held several records in his age group, including from a flying start race (when cyclists start already in motion as opposed to from a standstill) in Aguascalientes, Mexico, in 2018, at a high-altitude track.

He was struck by a car and killed while riding in San Francisco. (I apologize for using the NYT obit, but the SF papers are virtually unlinkable without a subscription.)

For the record: Bill Butler and Nora Forster.

The Hello Deli. At least in current form.

“Dave always joked that whenever they were out of ideas, they’d come to the deli,” he said.

Obit watch: April 7, 2023.

April 7th, 2023

Mimi Sheraton, former food critic for the NYT. “Remembering Mimi Sheraton’s Writing and Cooking“.

An adventurer with a passion for offbeat experiences, an eclectic taste for foods and the independence to defy pressures from restaurateurs and advertisers, Ms. Sheraton was the first female food critic for The Times. She pioneered reviewing-in-disguise, dining in wigs and tinted glasses, and using aliases for reservations, mostly in high-end places where people knew her from repeat visits and lavished their attentions on her.
“The longer I reviewed restaurants, the more I became convinced that the unknown customer has a completely different experience from either a valued patron or a recognized food critic,” she wrote in her memoir, “Eating My Words: An Appetite for Life” (2004). “For all practical purposes, they might as well be in different restaurants.”
Colleagues and other restaurant critics described her reviews as tough but fair and scrupulously researched. The Times required three visits to a restaurant before publishing a review; she dined six to eight times before passing judgment. For an article on deli sandwiches, she collected 104 corned beef and pastrami samples in one day to evaluate the meat and sandwich-building techniques.

Another of her reviews, based on blind tastings by several Times staff members, favored private-label liquors over popular brand names of Scotch, bourbon, rye, vodka and gin. The review ran weeks before Christmas, the busy liquor-selling season.
“I heard that two million dollars’ worth of advertising had been canceled,” Ms. Sheraton recalled in her memoir. She approached the executive editor. “I asked Abe Rosenthal if that was true. He said, ‘That’s none of your business. It was a great story.’”

In her Greenwich Village townhouse, she had 2,000 cookbooks and a spacious kitchen overlooking a backyard where she grew chives, tarragon, mint, sage, rosemary and basil. And she read other restaurant critics, with whom she often disagreed.
“Well, whether they’re right or not, which means they agree with me,” she told The Times wryly in 2004, “food writers in general devote too much space to chefs’ philosophies. They’re not Picasso, after all — this is supper. So I don’t want to hear about a chef’s intentions. Call me when it’s good.”

Bill Butler, noted cinematographer. Other credits include “Raid on Entebbe”, “Capricorn One”, and “Hot Shots!”.

Nora Forster, John Lydon’s wife.

The punk rock icon and Forster met in 1975 at Vivienne Westwood’s famed punk shop Sex and married in 1979, according to Rolling Stone.
The two remained married till Forster’s death and did not have children.

Paul Cattermole, of S Club 7.

Notes on popular culture.

April 6th, 2023

These tweets are a few days old, but I think they are still relevant.

Here are some links for background:

Inside Amazon Studios: Big Swings Hampered by Confusion and Frustration“.

Hollywood Focus Groups Choose Fake Show Over Woke Show“.

This is for Lawrence:

I had Amazon on the other day so I could watch a couple of episodes of “Judy Justice”, and caught a trailer for “Citadel”. I watched the whole thing. “Citadel” looks like an expensive, beautifully produced show about “hot spies”, with excellent production design…

…and after watching the trailer, I have zero interest in watching even one second of the show.

The “Fake Show” article cites a story (not attributed to Amazon in the original article, but tied to Amazon by other sources) about an A-B test of two shows.

The A show was a proposed real show about a lesbian POC law enforcement officer who breaks up with her girlfriend, moves to a southern town, and “is shocked by the racism, sexism and abuse of power of her new colleagues as well as their poor relations with the communities they serve. With few friends, she doesn’t know who are the good guys and who are the bad guys anymore and has to watch her back on and off duty while she tries to initiate change both in her department and in her community.”

The B show:

Two young detectives (two white guys, one Ivy League and the other a good o’l boy) are partnered in Vegas where they cultivate informants, recurring girlfriends, every episode includes a fistfight with chairs and bottles flying, every second episode has a car chase, alleys with blowing newspapers, jumping from rooftop to rooftop, unnecessarily overpowered firearms, muscle cars on the strip, Vegas location used to the hilt – from grungy and run down to full on glam, an explosion per episode, tough police chief who supposedly hates the two rookies but he really has a heart of gold, good natured camaraderie among officers, helicopter unit heavily featured along with a K9 as a semi regular. Vegas is Vegas, cops are good, bad guys are the bad guys and they either get shot, blown up or caught and go to jail.

The production house went on to pitch show A to a couple of streamers (one was Netflix) with a few modifications. It was always their intent to pitch show A, show B was only there as a control, an assemblage of classic cop show beats to learn from. Here’s the kicker: While episodes for show A where adapted outlines done by the real writers of the proposed show, show B episodes where quickly hacked up adapted old episodes of Starsky & Hutch, with the car swapped out for a Dodge Challenger. Very little effort was put on the audio and the animatics (we objected at the discrepancy in quality of the presentation materials)… but it didn’t matter…. Show B popped huge, just huge! The leads, the chief, Vegas, the women, explosions, the helicopter, the Car, the Dog! All!

I have two thoughts on this:

1. I would watch the crap out of “Vegas Detectives”.

2. I’ve written before about the “Mannix” episode “Death in a Minor Key” (season 2, episode 18) which has the same theme of detective goes to a Southern town and confronts racism.

Without spoiling that episode (much) it goes in a different direction than you’d expect from the initial setup. If the producers of “Mannix” knew in 1969 that the “Southern racist” plot was already cliched, and did interesting things with it instead, why didn’t the producers of “Show A” figure that out for thenselves?

Obit watch: April 5, 2023.

April 5th, 2023

Klaus Teuber, creator of “Settlers of Catan” (which I guess is just called “Catan” now).

In that game, players build settlements in a new land by collecting brick, lumber, wool, ore and grain. Trading with other players is part of the strategy, lending a social element to the game play. In 1995 the game won both the game of the year award and the Deutscher Spiele Preis, the German Games Award. It caught on, first in Germany and then, as editions in other languages became available, all over.

Catan has been widely hailed as being challenging yet intuitive — children play it — and has been credited with jump-starting a new era of board games, which moved beyond the staid confines of Scrabble and Monopoly. Instead of sitting idly while other players take their turns, as in Monopoly, Catan invites constant wheeling and dealing.

Judy Farrell. Credits other than “MASH” include “Quincy, M.E.”, “Get Smart”, “The Rookies”, and an uncredited role in the original “The Andromeda Strain”. She also did some work as a TV writer.

Your loser update: April 5, 2023.

April 5th, 2023

MLB teams that still have a chance to go 0-162:

None.

Kansas City, Philadelphia, and Washington are all 1-4 right now.

Bagatelle (#84)

April 4th, 2023

Shot:

A 6-year-old Australian girl was bitten in the head by a dingo that then dragged her underwater — until her heroic family members rushed in to save her from the wild dog.

Chaser:

Obit watch: April 4, 2023.

April 4th, 2023

Sister Emahoy Tsegué-Maryam Guèbrou.

She was a world-class pianist:

…music that drew on her classical training but seemed to partake of rhythm and blues, jazz and other influences. The relatively few who discovered it knew they had found their way to something singular.
The musician Norah Jones was one who did, especially after hearing the album “Éthiopiques 21,” a collection of Sister Guèbrou’s piano solos that was part of a record series spotlighting folkloric and pop music from Ethiopia.
“This album is one of the most beautiful things I’ve ever heard: part Duke Ellington, part modal scales, part the blues, part church music,” Ms. Jones told The New York Times in 2020. “It resonated in all those ways for me.”

As you may have guessed from the “Sister”, and the categories on this post, she went in a different direction:

She had a chance to study at the Royal Academy of Music in London and seemed on the way to a career as a concert pianist, the BBC documentary says, but that prospect fell through for reasons Sister Guèbrou would not detail. That led her to a spiritual reassessment of her life, and by her early 20s, she was a nun. She spent 10 years in a hilltop monastery in Ethiopia.
“I took off my shoes and went barefoot for 10 years,” she told Ms. Molleson. “No shoes, no music, just prayer.”
She returned to her family and by the 1960s was recording some of her music; her first album was released in Germany in 1967, according to the website of a foundation established in her name to promote music education.
She made several other records over the next 30 years, donating the proceeds to the poor. In the mid-1980s, she left Ethiopia and settled into an Ethiopian Orthodox monastery in Jerusalem, spending the rest of her life there. Information on her survivors was not available.

She was 99.

Sharon Acker passed over the weekend.

The “Perry Mason” mentioned in the headline was actually “The New Perry Mason”, in which she played “Della Street” opposite Monte Markham’s Perry Mason. It lasted one season. Other credits include three “Quincy, M.E.” appearances, “The Rockford Files”, “Hec Ramsey”, “The Bold Ones: The Senator”, and a minor SF TV series from the 1960s.

Roy McGrath. Mr. McGrath was the former chief of staff for the governor of Maryland. Three weeks ago, he went on the run: the day his corruption trial was supposed to start. He was charged with “wire fraud, embezzlement, misconduct in office and improper use of state funds”.

Authorities tracked him down in Tennessee yesterday. There was a confrontation with FBI agents, and Mr. McGrath was shot. He died in a local hospital. At this point, it isn’t clear if his wound was self-inflicted or if he was shot by the FBI.

Your loser update: April 4, 2023.

April 4th, 2023

It has been a few days. Where are we in the season?

MLB teams that still have a chance to go 0-162:

Philadelphia

Obit watch: April 3, 2023.

April 3rd, 2023

Ryuichi Sakamoto, Japanese musician. THR.

Cool story, bro:

In summer 2018, it emerged that Sakamoto had found the music so bad at his favorite Japanese restaurant in Manhattan (he had long divided his time between Tokyo and New York) that he contacted the chef and offered to create a playlist. He went on to do the same for a new bar and restaurant the chef opened, without payment or fanfare.

More:

Equally comfortable in futuristic techno, orchestral works, video game tracks and intimate piano solos, Mr. Sakamoto created music that was catchy, emotive and deeply attuned to the sounds around him. Along with issuing numerous solo albums, he collaborated with a wide range of musicians across genres, and received an Oscar, a BAFTA, a Grammy and two Golden Globes.
His Yellow Magic Orchestra, which swept the charts in the late 1970s and early ’80s, produced catchy hits like “Computer Game” on synthesizers and sequencers, while also satirizing Western ideas of Japanese music.
“The big theme of him is curiosity,” the musician Carsten Nicolai, a longtime collaborator, said in a phone interview in 2021. “Ryuichi understood, very early, that not necessarily one specific genre will be the future of music — that the conversation between different styles, and unusual styles, may be the future.”

He also acted a little:

Mr. Sakamoto was beginning to achieve wide recognition in the early 1980s when the director Nagisa Oshima asked him to co-star, alongside David Bowie, in “Merry Christmas, Mr. Lawrence,” a 1983 film about a Japanese P.O.W. camp. Mr. Sakamoto, having no background in acting, agreed under the condition that he could also score the film.
The movie’s synth-heavy title track remained one of Mr. Sakamoto’s most famous compositions. He often adapted it, including for “Forbidden Colors,” a vocal version with the singer David Sylvian, as well as piano renditions and sweeping orchestral arrangements.

He began piano lessons at age 6, and started to compose soon after. Early influences included Bach and Debussy — whom he once called “the door to all 20th century music” — and he discovered modern jazz as he fell in with a crowd of hipster rebels as a teenager. (At the height of the student protest movement, he and his classmates shut down their high school for several weeks.)
Mr. Sakamoto was drawn to modern art and especially the avant-garde work of Cage. He studied composition and ethnomusicology at Tokyo University of the Arts and began playing around with synthesizers and performing in the local pop scene.

In 1978, Mr. Sakamoto released his debut solo album, “Thousand Knives,” a trippy amalgam that opens with the musician reciting a poem by Mao through a vocoder, followed by a reggae beat and a procession of Herbie Hancock-inspired improvisations. That year, the bassist Haruomi Hosono invited him and the drummer Yukihiro Takahashi to form a trio that became Yellow Magic Orchestra. (Mr. Takahashi died in January.)
The band’s self-titled 1978 album was a huge hit, and influenced numerous electronic music genres, from synth pop to techno. The group broke up in 1984, in part because Mr. Sakamoto wanted to pursue solo work. (They have periodically reunited since the 1990s.) Mr. Sakamoto continued tinkering with outré, high-tech approaches in his 1980 album “B-2 Unit,” which included the otherworldly electro single “Riot in Lagos.”

Lawrence mentioned that we’ve actually seen two films scored by Mr. Sakamoto in the past 12 months (“The Last Emperor” and “The Revenant”).

Your loser update: March 31, 2023.

March 31st, 2023

MLB teams that still have a chance to go 0-162:

Boston
Cleveland
Detroit
Kansas City
Houston
LA Angels
Miami
Philadelphia
Washington
Cincinnati
Milwaukee
St. Louis
Arizona
San Diego
San Francisco

In other news, the Astros lost to the White Sox yesterday. As we all know, this means they won’t be able to sell beer at Minute Maid Park this year…

…because they lost the opener.