Whipped Cream Difficulties

Jules Feiffer, artist. He was perhaps most famous as a cartoonist for the “Village Voice”, but he also did some movie and theater work.

In the mid-1950s, Norton Juster, a neighbor of Mr. Feiffer’s in Brooklyn, invited him to illustrate a children’s book he was writing, “The Phantom Tollbooth.” An ingenious kaleidoscope of wordplay arguably akin in style to Lewis Carroll, the book, published in 1961, was an instant hit.

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Around 1980, the movie producer Robert Evans recruited Mr. Feiffer to write the screenplay for Robert Altman’s “Popeye.” Mr. Feiffer patterned his script after the Segar newspaper strip, not the animated adaptations made by the Fleischer brothers in the 1930s and ’40s. When E.C. Segar’s daughter saw the movie, Mr. Feiffer told The Comics Journal in 1988, she called to tell him that he had captured the essence of her father’s creation — at which, Mr. Feiffer added, he cried. Though it met a mixed critical reaction, the film, starring Robin Williams as Popeye and Shelley Duvall as Olive Oyl, was a hit.

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In May 1997, Mr. Feiffer ended his affiliation with The Village Voice over a salary dispute. “It’s not that I’ve slipped,” he said at the time. “It’s that I’m too expensive.” (In April 2008, he returned for a one-shot, full-page take on Hillary Clinton’s presidential campaign.)
Later in life he derived great pleasure from writing and drawing children’s books, some in collaboration with his daughter Kate, among them “The Man in the Ceiling” (1993), “Bark, George” (1999), “By the Side of the Road” (2002), “The Daddy Mountain” (2004) and “A Room With a Zoo” (2005). A 2010 reunion project with Mr. Juster, “The Odious Ogre,” was warmly reviewed.

Garth Hudson, of the Band.

During its peak, the Band was famously a collaborative operation informed by the songwriting and barbed guitar playing of Robbie Robertson and the soulful singing and musicianship of Levon Helm, Rick Danko and Richard Manuel. But critics and his fellow band members agreed that Mr. Hudson played an essential role in raising the group to another level entirely.
Mr. Robertson, quoted in Barney Hoskyns’s 1993 book, “The Band: Across the Great Divide,” called him “far and away the most advanced musician in rock ’n’ roll.” “He could just as easily have played with John Coltrane or the New York Symphony Orchestra as with us,” Mr. Robertson said.

This entry was posted on Wednesday, January 22nd, 2025 at 2:56 pm and is filed under Media, Movies, Music, Obits, Theatre. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.