Those of you who have been following Radley Balko and The Agitator know that Balko’s been on the story of Mississippi forensic pathologist Dr. Steven T. Hayne like flies on a severed cow’s head at a Damien Hirst exhibition.
For those of you who don’t follow Balko (I don’t click through as regularly since he moved to the Huffington Post), the NYT summarizes the story:
The filings, based on new information obtained as part of a lawsuit settled last spring, charge that Dr. Hayne made “numerous misrepresentations” about his qualifications as a forensic pathologist. They say that he proposed theories in his testimony that lie far outside standard forensic science. And they suggest that Mississippi officials ignored these problems, instead supporting Dr. Hayne’s prolific business.
More:
In one case, Dr. Hayne performed an autopsy of a young boy and concluded he had been suffocated. Some weeks after the boy was buried, his 3-year-old brother told the police that he had been killed by his mother’s boyfriend. Officials exhumed the body, and Dr. Hayne had a cast made of the boy’s face. By comparing his initial notes of face wounds with the cast, Dr. Hayne testified, he found it probable that the boy had been suffocated by a large male hand. The boyfriend was convicted.
Worth noting for the record: the Innocence Project has also been involved with Dr. Hayne. Dr. Hayne and the project settled a lawsuit out of court last year, and the project paid him $100,000. The NYT article touches on this some: one key point is that, in the process of preparing their defense, the project claims to have discovered new evidence that contradicts Dr. Hayne’s sworn testimony in various cases.
Bob Dylan: The Copyright Extension Collection, Vol. 1. No, that’s the real title.
…the point of the release was to keep the recordings under copyright protection in Europe, where the laws are in flux. Currently, recordings can be copyrighted in Europe for 50 years, a much shorter term than in the United States, where recordings made since 1978 will remain copyrighted until 70 years after the death of the last surviving author.
This entry was posted on Tuesday, January 8th, 2013 at 11:15 am and is filed under Clippings, Law, Music. You can follow any responses to this entry through the RSS 2.0 feed.
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