Obit watch: May 24, 2024.

Kabosu, the Shiba Inu who became a symbol of Dogecoin.

Hatitp to RoadRich, whose eulogy I will borrow: “Much sad. Very respect. No bite.”

Bob McCreadie. This is kind of a weird one, but actually not that weird by NYT standards. He was a prominent dirt track racer. Dirt track racing is apparently a big deal in parts of the East Coast, but not so much in NYC. The slightly surprising thing to me is that the paper of record treats him and his career with respect:

McCreadie was dirt racing’s perfect Everyman: Scrawny, bespectacled, with a bushy beard, he chain-smoked, cursed vigorously and hauled his racecars with his own pickup truck instead of the fancy trailers that many of his contemporaries used.
In northern New York, where he lived, the news media covered him with roughly the same exuberance with which New York City newspapers covered Babe Ruth in his heyday. The Post-Standard of Syracuse mentioned him more than 1,200 times in his career.
“He looked like a country bumpkin,” Ron Hedger, a longtime writer for Speed Sport Insider, said in a phone interview. “The fans identified with him, and they really loved him. There was always a mob of people waiting in line for an autograph.”

He started racing in 1971 and won his first race four years later. He then began dominating the circuit. In 1986, he won the Miller American 200 at the New York State Fairgrounds — the Super Bowl of dirt racing. His best year was 1994, when he won 47 of 93 races.

In his best year, McCreadie won somewhere between $300,000 and $400,000 in race prizes. But his aggressive racing style had an occupational hazard: dozens, perhaps even hundreds, of crashes.
“You’re looking at someone who’s run thousands of races,” he told The Post-Standard in 2006. “If you tried to do percentage-wise out of the total — maybe 5 percent.”

This just in: Caleb Carr, author. You’ve probably at least heard of The Alienist:

Mr. Carr had first pitched the book as nonfiction; it wasn’t, but it read that way because of the exhaustive research he did into the period. He rendered the dank horrors of Manhattan’s tenement life, its sadistic gangs and the seedy brothels that were peddling children, as well as the city’s lush hubs of power, like Delmonico’s restaurant. And he peopled his novel with historical figures like Theodore Roosevelt, who was New York’s reforming police commissioner before his years in the White House. Even Jacob Riis had a cameo.

He was also a prominent military historian. And he was horribly abused as a young boy by his father, the Beat author Lucien Carr.

“There’s no question that I have a lifelong fascination with violence,” Caleb Carr told Stephen Dubner of New York magazine in 1994, just before “The Alienist” was published, explaining not just the engine for the book but why he was drawn to military history. “Part of it was a desire to find violence that was, in the first place, directed toward some purposeful end, and second, governed by a definable ethical code. And I think it’s fairly obvious why I would want to do that.”

Morgan Spurlock, of “Super Size Me” fame. NYT (archived) which I prefer:

But the film also came in for subsequent criticism. Some people pointed out that Mr. Spurlock refused to release the daily logs tracking his food intake. Health researchers were unable to replicate his results in controlled studies.
And in 2017, he admitted that he had not been sober for more than a week at a time in 30 years — meaning that, in addition to his “McDonald’s only” diet, he was drinking, a fact that he concealed from his doctors and the audience, and that most likely skewed his results.
The admission came in a statement in which he also revealed multiple incidents of sexual misconduct, including an encounter in college that he described as rape, as well as repeated infidelity and the sexual harassment of an assistant at his production company, Warrior Poets.

Comments are closed.