Whipped Cream Difficulties

Wilhelmenia Wiggins Fernandez, soprano.

Trained at the Academy of Vocal Arts in Philadelphia and later at the Juilliard School in New York City, Ms. Fernandez made her mark in the 1970s as Bess in the Houston Grand Opera’s international traveling production of Gershwin’s “Porgy and Bess.” The tour took her to Europe, where she caught the eye of Rolf Liebermann, the impresario known for reviving the Paris Opera. He offered her a two-year contract.

…

…it was merely a prelude to a long career that included her New York City Opera debut in 1982, once again as Musetta in “La Bohème,” as well as performances throughout Europe.
In addition to making Musetta her own, she also made the title role in Verdi’s “Aida,” an Ethiopian princess held captive in ancient Egypt, a signature. At one point she even performed the role amid the temples of Luxor in Egypt itself.
In 1992, Ms. Fernandez won a Laurence Olivier Award, the British equivalent of a Tony, for best actress in a musical for her rendition of Carmen in “Carmen Jones.”

The prelude was her role in a movie, which is what she may be most famous for.

“Diva” was considered a high-water mark in the movement known as the cinéma du look, a high-sheen school of French film often centered on stylish, disaffected youth in the France of the 1980s and ’90s. A film with all the saturated color and gloss of a 1980s music video, it was an art-house hit that became a cult favorite for the initiated.
The story revolves around a young opera fan named Jules (played by Frédéric Andréi) who grows so infatuated with an American opera star named Cynthia Hawkins that he surreptitiously tapes one of her performances — despite her well-known decree that none of her work be recorded, since it would capture only a part of the power and immediacy of her grandeur.

Ms. Fernandez played Cynthia, and the tape plays the MacGuffin.

That grandeur is on full display in Ms. Fernandez’s opening scene, as she takes the stage in a hauntingly weathered old theater wearing a shimmering white gown and metallic eye shadow. She proceeds to mesmerize the house — and Jules — with a soaring rendition of the aria “Ebben? Ne andrò lontana” (“Well, then? I’ll go far away”) from Alfredo Catalani’s opera “La Wally.”

When this came out in 1981, Siskel and Ebert reviewed it, and I wanted to see it. A moped chase through a subway? I was there, man. But at that time, it was hard for me to see foreign films in a theater, or on home video. I don’t recall “Diva” being re-released or playing anywhere when I was in college, even at the Union when they still had a film program.

Now, of course, I have “Diva” on blu-ray from Kino Lorber. And it is on our big movie list. I’ve been waiting until we can watch it as a group.

“Diva” was her only film role as an actress, though IMDB also credits her with a 1980 “TV movie” of “La Bohème” in which she sang “Musetta”. (Kiri Te Kanawa sang “Mimi”.)

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