Whipped Cream Difficulties

I’m aware of Rosalynn Carter, but I think it’d be better to wait until tomorrow to post an obit roundup.

Captain Don Walsh (USN – retired). Regular readers of this blog might recall the name. For everyone else: on January 23, 1960, Lt. Walsh and Jacques Piccard descended in the bathyscaph Trieste seven miles under the ocean, to the very bottom of the Mariana Trench, into the Challenger Deep.

Late in life, Dr. Walsh began to revisit his pioneering dive site. In 2012, at age 80, he advised the filmmaker James Cameron when he became the first person since Dr. Walsh and Mr. Piccard to make a dive into the Challenger Deep. “I feel so fortunate,” Dr. Walsh said at the time. “Dudes my age are mostly sitting in rockers passing around snapshots of grandkids and great-grandkids.”
He also advised the undersea explorer Victor L. Vescovo when he dived into the Challenger Deep in 2019. The next year, Mr. Vescovo once again made the dive; this time, he took Dr. Walsh’s son, Kelly, as a passenger. The two men spent four hours exploring the planet’s deepest spot.

He was 92. According to his son, he died “sitting in his favorite chair”.

Viktor Belenko passed away on September 24th, but his death was not widely reported back then. Mr. Belenko was the Soviet pilot who defected to Japan in his MIG-25 in 1976.

The MiG-25 turned out to be a paper eagle. Its giant wingspan was not for maneuverability but simply to lift the plane and its 15 tons of fuel off the ground. It couldn’t even do its job: Though it flew fast, it was no match for the American aircraft it was meant to take down.
Of great value, though, was what Lieutenant Belenko told the Americans about conditions and morale within the Soviet armed forces.
American officials had long believed that Soviet military personnel were chiseled supermen. Lieutenant Belenko revealed that they were often half-starved and beaten down, forced into cramped living spaces and subject to sadistic punishment at the tiniest infraction.
During a visit to a U.S. aircraft carrier, he was astonished that sailors were allowed unlimited amounts of food, at no cost. He once bought a can of cat food at a grocery store, not knowing it was for pets; when someone pointed out his error, he shrugged and said it still tasted better than the food sold for human consumption in the Soviet Union.

John Barron’s book MIG Pilot: The Final Escape of Lt. Belenko is available in a Kindle edition.

David Del Tredici, composer. I remember hearing the name a lot in the 80s and 90s when I was buying music, but I don’t think I ever owned a Tredici recording.

Flamboyant and gregarious, Mr. Del Tredici cultivated a reputation as a beloved scamp who did what he wanted. But he also had a gift for explaining his musical goals and how he had settled upon them. And he was frank about his personal life and his demons — alcoholism, for one. If the composer George Antheil had not already laid claim to the phrase “Bad Boy of Music,” Mr. Del Tredici could easily have adopted it himself.

…

But his fascination with Lewis Carroll’s “Alice” books led him toward the lushness of a neo-Romanticism that erupted with full force in “Final Alice” (1975), a 70-minute score for soprano and a huge orchestra that was packed with hummable melodies, as well as just enough chaotic brashness to keep its late-20th-century provenance clear.
Some atonalists regarded “Final Alice” as a betrayal. But a PBS broadcast and a recording by the soprano Barbara Hendricks, with Georg Solti conducting the Chicago Symphony Orchestra (which had commissioned the work), brought “Final Alice” to a large audience that embraced it enthusiastically — as did many musicians.

…

Some modernists looked askance at the work. But Harold C. Schonberg, the chief classical music critic of The New York Times, found it heartening. After a Carnegie Hall performance by the Philadelphia Orchestra in 1978, he wrote: “‘Final Alice’ may not be a profound score, and some of it is kitsch, but it does have life, imagination and — mirabile dictu! — audience appeal. People were coming out of Carnegie Hall humming and whistling the ‘Alice’ theme.”

Suzanne Shepherd, actress. Other credits include the LawnOrder trifecta (original recipe, “Criminal Intent”, Sport Utility Vehicle), “Uncle Buck”, and “Requiem for a Dream”.

This entry was posted on Sunday, November 19th, 2023 at 3:02 pm and is filed under Geek, Music, Obits, Planes, Politics, TV. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.