Glenda Jackson. NYT (archived).
Other credits include “T.Bag’s Christmas Ding Dong”, “The Patricia Neal Story” (she played Patricia Neal), and “The Nelson Affair”.
Robert Gottlieb, noted editor.
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His memoir offered a highlight reel of snarky critiques of authors — the Nobel laureate V.S. Naipaul (“a snob”), Ms. Tuchman (“her sense of entitlement was sometimes hard to deal with”), William Gaddis (“unrelentingly disgruntled”), Roald Dahl (“erratic and churlish”).
“He wasn’t just an editor, he was the editor,” Mr. le Carré told The Times. “I never had an editor to touch him, in any country — nobody who could compare with him.” He noted that Mr. Gottlieb, using No. 2 pencils to mark up manuscripts, often signaled changes with hieroglyphics in the margins: a wavy line for language too florid, ellipses or question marks advising a writer to “think harder and try again.”
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Mr. Gottlieb joined Knopf in 1968 as vice president and editor in chief. He edited Robert Caro’s Pulitzer-Prize winning biography of Robert Moses, “The Power Broker” (1974), cutting 400,000 words from a million-word manuscript with the author fuming at his elbow. Despite the brutal cuts, their collaboration endured for five decades and became the subject of a 2022 documentary, “Turn Every Page,” directed by Lizzie Gottlieb, Mr. Gottlieb’s daughter.
“I have never encountered a publisher or editor with a greater understanding of what a writer was trying to do — and how to help him do it,” Mr. Caro said in a statement on Mr. Gottlieb’s death.
Flashing his range, Mr. Gottlieb also edited “Miss Piggy’s Guide to Life” (1981), by Henry Beard, ghosting for the Muppets starlet, and Salman Rushdie’s “The Satanic Verses” (1988), which prompted the outraged Iranian leader, Ayatollah Ruhollah Khomeini, to issue a fatwa urging Muslims to kill the author.
LeAnn Mueller, co-owner of the highly regarded Austin barbecue restaurant la Barbecue and member of the prominent Mueller barbecue family. She was 51.
I have not seen any updates on the criminal case against the la Barbecue owners. The only obit I’ve found that even mentions it is from the Austin Chronicle.
Jim Turner, former kicker for the Jets.
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The most memorable game of Turner’s career was the Jets’s face-off against the Baltimore Colts on the afternoon of Jan. 12, 1969.
The Colts belonged to the older and better established National Football League, while the Jets were part of its upstart competitor, the American Football League. The Super Bowl, held for the first time in 1967, then pitted the best team from each league against the other.
The Colts, led by quarterback Johnny Unitas and coach Don Shula, had beaten the powerhouse Green Bay Packers, winners of the previous two Super Bowls, en route to qualifying for the 1969 championship.
While Unitas and Shula epitomized the stoic masculinity that many fans associated with football, Namath, the Jets’ quarterback, nicknamed Broadway Joe, was a figure of loudmouth swagger, and none of his public comments had ever seemed less creditable than his guarantee that the Jets would become the first A.F.L. team to win the Super Bowl by beating the Colts.
Namath played well — completing 17 of 28 passes for 206 yards, earning him the Most Valuable Player Award — but it was Turner, a decidedly Off Off Broadway figure, who was the decisive player. He provided the Jets with their margin of victory and alone scored more points than the Colts did.
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Homer Jones, wide receiver for the New York Football Giants.
Jones was a member of the Giants from 1964-1969, where he was named to the Pro Bowl in 1967 and 1968.
“Homer Jones had a unique combination of speed and power and was a threat to score whenever he touched the ball,” said John Mara, the Giants president and chief executive officer.
“He was one of the first players (if not the first) to spike the ball in the end zone after scoring a touchdown and he quickly became a fan favorite. I remember him as an easygoing, friendly individual who was well liked by his teammates and coaches.”
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Not quite an obit, but Nautilus reran a nice article about Cormac McCarthy at the Santa Fe Institute by one of his co-workers.
The entrance to SFI also serves as a mail room. When I first entered the building there was behind the front desk a permanent massif of book boxes. It was clear that the boxes were constantly cleared and just as quickly replenished. In this way the boxes achieved a dynamical equilibrium. In the study of complex systems this is called self-organized criticality and was made famous as an explanation for the constant gradient of sand piles and the faces of sand dunes.
The agent of this critical state was Cormac, who busied himself digging—like Kobo Abe’s entomologist in Women in the Dunes—to ensure balance at SFI and the growth of his library.