Whipped Cream Difficulties

Pelé. ESPN.

“Pelé is one of the few who contradicted my theory,” Andy Warhol once said. “Instead of 15 minutes of fame, he will have 15 centuries.”

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In his 21-year career, Pelé — born Edson Arantes do Nascimento — scored 1,283 goals in 1,367 professional matches, including 77 goals for the Brazilian national team.
Many of those goals became legendary, but Pelé’s influence on the sport went well beyond scoring. He helped create and promote what he later called “o jogo bonito” — the beautiful game — a style that valued clever ball control, inventive pinpoint passing and a voracious appetite for attacking. Pelé not only played it better than anyone; he also championed it around the world.

Dave Whitlock, fly fisherman.

“He was Everyman’s fly-fishing mentor,” Kirk Deeter, the editor in chief of Trout magazine, said in a phone interview. “He made fly fishing more accessible and tore down the notion that fly fishing was a stuffy sport. He just took the pins out from under that.”

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In 2021, Mr. Whitlock, along with Lefty Kreh, Joe Brooks and Lee Wulff, was named to what Fly Fisherman called its Mount Rushmore of the sport. The magazine cited Mr. Whitlock for “his artistic creativity in his fly tying and his painting”; his love of teaching; and his improvements in the 1970s to the Vibert Box, an incubator and nursery for salmon and trout eggs that had been invented two decades earlier by Richard Vibert, a French fisheries researcher, to better stock streams. It is now called the Whitlock-Vibert Box.

Vivienne Westwood, fashion designer.

Ms. Westwood was just 30 when she and her boyfriend, Malcolm McLaren — who as a music impresario would go on to manage the Sex Pistols — opened a shop called Let It Rock at 430 King’s Road in London. The business, which had a pink vinyl sign out front, was an unconventional one, selling fetish wear and fashions inspired by the Teddy Boy look of the 1950s.
In shaping the look of the era, Ms. Westwood came to be known as the godmother of punk. After her partnership with Mr. McClaren ended, she began designing collections under her own name, and she soon established an international reputation. She went on to open more stores in London and across the globe; her provocative creations appeared on supermodels and celebrities and influenced mainstream fashion. The corsets, platform shoes and mini-crinis (a combination Victorian crinoline and miniskirt) became her hallmarks.
“People really associate her with punk and that whole aesthetic, which is accurate and how she made her name, but she’s so much more than that,” Véronique Hyland, the author of “Dress Code: Unlocking Fashion From the New Look to Millennial Pink” (2022), said in an interview for this obituary. “She was influenced by art history, old master paintings. She’s very focused on the English tradition of tailoring.”

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Chrissie Hynde, who would later become the lead singer of the Pretenders, was an assistant at the shop. She was quoted in Ms. Westwood’s memoir as saying that “I don’t think punk would have happened without Vivienne and Malcolm.”
“Something would have happened,” she continued, “and it might have been called punk, but it wouldn’t have looked the way it did, even in America. And the look was important.”

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They saw the store as a laboratory and a salon. When Mr. McLaren managed the Sex Pistols, Ms. Westwood dressed them in T-shirts from the shop and bondage pants accessorized with chains and razor blades. Their aggressively delivered songs, with names like “Anarchy in the U.K.” and “God Save the Queen,” were a soundtrack to the nihilism of Britain in the 1970s.

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