Whipped Cream Difficulties

I’m thinking about no longer posting obits.

Recently, it seems like as soon as I post one obit watch, two or three or more people die. Clearly, correlation implies causality: my posting obits is making people die, therefore, if I stop posting, people will stop passing away. Right?

Well, it’s a theory, anyway.

David McCullough, historian and author. It is an odd thing: I enjoy history, but I mostly haven’t read any of McCullough’s work, and I don’t know why. (I say “mostly” because we did have some of those Reader’s Digest Condensed Books volumes around the house when I was very young, and one of them had The Johnstown Flood in it. I remember being fascinated, but more for the account of the actual flood itself than the human and engineering factors leading up to it. I should probably grab a copy of the real book somewhere and read it.)

Olivia Newton-John.

In 1970, she was asked to join a crudely manufactured group named Toomorrow, formed by the American producer Don Kirshner in an attempt to repeat his earlier success with the Monkees. Following his grand design, the group starred in a science-fiction film written for them and recorded its soundtrack. Both projects tanked.
“It was terrible, and I was terrible in it,” she later told The New York Times.

The name of the film is also “Toomorrow“, as best as I can tell. There’s a PAL DVD listed on Amazon as “currently unavailable”, but you can get the soundtrack on vinyl.

Lawrence emailed the obit for Lamont Dozier.

In collaboration with the brothers Brian and Eddie Holland, Mr. Dozier wrote songs for dozens of musical acts, but the trio worked most often with Martha and the Vandellas (“Heat Wave,” “Jimmy Mack”), the Four Tops (“Bernadette,” “I Can’t Help Myself”) and especially the Supremes (“You Can’t Hurry Love,” “Baby Love”). Between 1963 and 1972, the Holland-Dozier-Holland team was responsible for more than 80 singles that hit the Top 40 of the pop or R&B charts, including 15 songs that reached No. 1. “It was as if we were playing the lottery and winning every time,” Mr. Dozier wrote in his autobiography, “How Sweet It Is” (2019, written with Scott B. Bomar).

…

Sometimes he would have an idea for a song’s feel: He wrote the Four Tops’ “Reach Out I’ll Be There” thinking about Bob Dylan’s phrasing on “Like a Rolling Stone.” Sometimes he concocted an attention-grabbing gimmick, like the staccato guitars at the beginning of the Supremes’ “You Keep Me Hangin’ On” that evoked a radio news bulletin.
And sometimes Mr. Dozier uttered a real-life sentence that worked in song, as he did one night when he was in a Detroit motel with a girlfriend and a different girlfriend started pounding on the door. He pleaded with the interloper, “Stop, in the name of love” — and then realized the potency of what he had said. The Holland-Dozier-Holland team quickly hammered the sentence into a three-minute single, the Supremes’ “Stop! In the Name of Love.”

This entry was posted on Tuesday, August 9th, 2022 at 12:30 pm and is filed under Books, History, Movies, Music, Obits. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.