Whipped Cream Difficulties

Tom T. Hall. THR.

Known to his fans and fellow musicians as “the Storyteller,” Mr. Hall was among a small circle of Nashville songwriters, including Kris Kristofferson, Roger Miller and others, who imbued country lyrics with newfound depth and insight in the 1960s and ’70s. As his nickname suggests, he was a skilled narrator, although he told his stories less through the unfurling of linear plots than through the presentation of one-sided conversations or interior monologues that invited listeners into the lives of his often conflicted protagonists.

…

Backed by lean, uncluttered arrangements typically played by first-call Nashville session musicians, Mr. Hall’s songs were both straightforward and closely observed, forcing listeners to look at the world, and their preconceived notions about it, in a new light. Concerned with everyday lives and struggles, Mr. Hall’s concise, understated tales had the impact of well-wrought short stories. (He also wrote two volumes of short fiction and two novels.)

…

In Mr. Hall’s career as a recording artist, which spanned more than two decades, he placed a total of 54 singles on the country charts. He also released more than three dozen albums, including two bluegrass projects: “The Magnificent Music Machine,” a 1976 collaboration with Bill Monroe, and “The Storyteller and the Banjoman” (1982), with Earl Scruggs.

…

In 2015, music legend Bob Dylan singled out Hall for some harsh criticism in a rambling speech at a MusiCares event. He called Hall’s song, “I Love,” “a little overcooked,” and said that the arrival of Kristofferson in Nashville “blew ol’ Tom T. Hall’s world apart.”
The criticism apparently confused Hall, as he considered Kristofferson a friend and a peer, and when asked about Dylan’s comments in an 2016 article for American Songwriter magazine, he responded, “What the hell was all that about?”

Don Everly.

The most successful rock ’n’ roll act to emerge from Nashville in the 1950s, Mr. Everly and his brother, Phil, who died in 2014, once rivaled Elvis Presley and Pat Boone for airplay, placing an average of one single in the pop Top 10 every four months from 1957 to 1961.
On the strength of ardent two-minute teenage dramas like “Wake Up Little Susie” and “Cathy’s Clown,” the duo all but single-handedly redefined what, stylistically and thematically, qualified as commercially viable music for the Nashville of their day. In the process they influenced generations of hitmakers, from British Invasion bands like the Beatles and the Hollies to the folk-rock duo Simon and Garfunkel and the Southern California country-rock band the Eagles.
In 1975 Linda Ronstadt had a Top 10 pop single with a declamatory version of the Everlys’ 1960 hit “When Will I Be Loved.” Alternative-country forebears like Gram Parsons and Emmylou Harris were likewise among the scores of popular musicians inspired by the duo’s enthralling mix of country and rhythm and blues.
Paul Simon, in an email interview with The Times the morning after Phil Everly’s death, wrote: “Phil and Don were the most beautiful sounding duo I ever heard. Both voices pristine and soulful. The Everlys were there at the crossroads of country and R&B. They witnessed and were part of the birth of rock ‘n’ roll.”

Tony Mendez, David Letterman’s “Cue Card Boy” and star of “The Tony Mendez Show”.

This entry was posted on Sunday, August 22nd, 2021 at 4:52 pm and is filed under Music, Obits, TV. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.