“What you gonna do when you get out of jail?…” part 156
Some people may be surprised by this, but: I like poetry.
I know, maybe I should turn in my man card. But I’m weird about the poetry I like. I find much of T. S. Eliot incomprehensible, but his imagery! Rod Dreher wrote a while back about the Australian poet Les Murray, and I want to read more of his work. Someone gave me a coffee mug with a quote from James Merrill’s “The Black Swan” on it and now I want to read more Merrill.
And Penny Arcade introduced me to “i sing of Olaf glad and big” which I find comforting from time to time.
I believe there are two poets you don’t have to turn in your man card to like.
One is Kipling.
Charles Dance reads “The Road to Mandalay” during a 70th anniversary of VJ Day commemoration in London.
“The Power of the Dog”.
The other poet you don’t have to turn in your man card for? Robinson Jeffers. I think even TJIC would concede this point: you have to like a poet who apprenticed himself out so that he could learn stonemasonry, then used that skill to keep adding on to Tor House for the rest of his life.
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3 Responses to ““What you gonna do when you get out of jail?…” part 156”
For the story of the friendship between Judith Anderson and Robinson Jeffers see my biography Judith Anderson: Australian Star,First Lady of the American Stage 2019.
Only parts of “The Wasteland” really falls into the incomprehensible category. try:
* “The Hollow Men”
* “The Love Song of J. Alfred Prufrock”
* “Ash Wednesday”
Surely Robert W. Service qualifies as a “manly poet” as well.
And Wallace Stevens is essential, especially “The Emperor of Ice Cream” and “The Idea of Order at Key West.”
I second Lawrence’s comment on The Wasteland, and it certainly has memorable immagery
For the story of the friendship between Judith Anderson and Robinson Jeffers see my biography Judith Anderson: Australian Star,First Lady of the American Stage 2019.