Terrence McNally, noted playwright.
Mr. McNally’s Tony Awards attest to his versatility. Two were for books for musicals, “Kiss of the Spider Woman” (1993) and “Ragtime” (1998), and two were for plays, and vastly different ones: “Love! Valour! Compassion!” (1995), about gay men who share a vacation house, and “Master Class” (1996), in which the opera diva Maria Callas reflects on her career.
And those prize winners were only a small part of his oeuvre. With some three dozen plays to his credit, as well as the books for 10 musicals, the librettos for four operas and a handful of screenplays for film and television, Mr. McNally was a remarkably prolific and consistent dramatist.
Hattip on this to Lawrence, who also pointed out that Mr. McNally did a guest shot on “The Greatest American Hero”. He actually did guest shots on a small hand full of TV shows, including “Salvage I” (that sounds like a “blink and you’d miss it” appearance), “CHiPs”, and “The Young and the Restless”.
Speaking of hattips, great and good FOTB Borepatch sent over an obit for Albert Uderzo, co-creator (with the late René Goscinny) of Asterix and Obelix.
Edited to add: NYT obit.
A followup from “The Drive” that I’ve been meaning to post for a couple of days: Kenny Rogers, dirt racer.