Whipped Cream Difficulties

I am not a musician or a musicologist. I have no talent for music, and I try to leave the musicology to Mike.

But there’s something about the obit for Vivian Perlis that I find touching and interesting. Back in the day, she was a research librarian at the Yale School of Music. She went to pick up some archival material from one of Charles Ives’s business partners.

Thinking that he might have some recollections to share, Ms. Perlis brought along a portable tape recorder. She was fascinated by the stories that Mr. Myrick, an elderly, hard-of-hearing former Southerner, told about the iconoclastic, curmudgeonly Ives.
This led her to conduct a series of more than 60 interviews over several years with people who had known and worked with Ives. A nephew in Danbury, Conn., Ives’s hometown, recounted playing baseball with “Uncle Charlie.” The composer Lehman Engel recalled hearing Ives talk about the “old days,” when the “sissies,” meaning timidly conservative performers, refused to play Ives’s flinty music.

This was the seed crystal from which grew the Yale University Oral History of American Music.

The oral history project includes some 3,000 recordings of interviews with composers and other major musical figures, from Aaron Copland to Elliott Carter, from Duke Ellington to John Adams. The eminent musicologist H. Wiley Hitchcock described it as an “incomparable resource.”

…

“Most composers are part of a neglected minority and are very grateful to have the opportunity to speak,” she told The Times in 2005. “They don’t have another chance to answer critics and say what they think and feel.”

Also among the dead: Jim Bouton. WP (and a tip of the hat to Borepatch for the heads-up.) He was a pitcher with several teams (Yankees, Seattle Pilots, and even the Astros). Apparently, he was not an outstanding pitcher (the paper of record uses the phrase “a pitcher of modest achievement but a celebrated iconoclast”).
He went on to greater fame as the author of Ball Four, one of the early “inside baseball” books.

When it was published in 1970, “Ball Four,” which reported on the selfishness, dopiness, childishness and meanspiritedness of young men often lionized for playing a boy’s game very well, was viewed by many readers, either approvingly or not, as a scandalous betrayal of the so-called sanctity of the clubhouse.

…

In Bouton’s telling, players routinely cheated on their wives on road trips, devised intricate plans to peek under women’s skirts or spy on them through hotel windows, spoke in casual vulgarities, drank to excess and swallowed amphetamines as if they were M&Ms.
Mickey Mantle played hung over and was cruel to children seeking his autograph, he wrote. Carl Yastrzemski was a loafer. Whitey Ford illicitly scuffed or muddied the baseball and his catcher, Elston Howard, helped him do it. Most coaches were knotheads who dispensed the obvious as wisdom when they weren’t contradicting themselves, and general managers were astonishingly penurious and dishonest in dealing with players over their contracts.

…

“Ball Four” is “arguably the most influential baseball book ever written,” baseball historian Terry Cannon told the San Diego Union-Tribune in 2005, “and one which changed the face of sportswriting and our conception of what it means to be a professional athlete.”
Sports Illustrated named it the third-best book written on sports, after A.J. Liebling’s “The Sweet Science,” about boxing, and Roger Kahn’s elegy to the Brooklyn Dodgers, “The Boys of Summer.”

I’ve never read Ball Four, though I’ve heard it described as sceamingly funny. But the obits make it sound like the book is as much about a man struggling to hold on to his dream of being a major league pitcher as much as it is a tell-all about the wild antics of players in the late 60s – early 70s.

“I feel sorry for Jim Bouton,” Dick Young wrote in The Daily News. “He is a social leper. His collaborator on the book, Leonard Shecter, is a social leper. People like this, embittered people, sit down in their time of deepest rejection and write. They write, oh hell, everybody stinks, everybody but me, and it makes them feel much better.”

As a side note, Mr. Bouton has a limited career as an actor: there was apparently a short-lived “Ball Four” TV series in 1976 that I don’t remember. He was also “Terry Lennox” in Robert Altman’s “The Long Goodbye“, a movie you do not want to get me started on.

Edited to add 7/12: Wow. Neil deMause over at “Field of Schemes” has a really nice tribute to Mr. Bouton up.

The image I’ll always retain of Jim, though, was of getting ice cream with him near his home in Great Barrington, Massachusetts, and him looking at my cup and exclaiming, “Sprinkles! That’s a great idea!” and then sprinting back into the shop to get some added to his as well. To the end, Jim Bouton remained boyishly intense about things that were truly important, whether fighting General Electric to save an old ballpark or eating ice cream, and that’s a rare and precious gift.

This entry was posted on Thursday, July 11th, 2019 at 10:30 am and is filed under 1970s, Books, Movies, Music, Obits, Sports, TV. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.