Bernard Bragg, actor.
He graduated from the New York School for the Deaf in 1947 and enrolled at what was then Gallaudet College, studying theater there and acting in school plays. Though he enjoyed performing, there was no obvious career path in show business for a deaf person; instead he took a teaching job at the California School for the Deaf in Berkeley, occasionally performing skits and directing small shows at conventions and clubs for the deaf. Then, in 1956, he made a life-changing trip to see Marceau perform in San Francisco.
Marceau’s ability to hold the crowd’s attention without words so struck Mr. Bragg that he sought Marceau out after the show and, with a note, introduced himself and asked where he could study mime. Marceau asked him to return the next day with a sample of his work, which he did: He performed two original sketches, one in which he played Noah and all the animals on the ark, the other in which he depicted all the instruments of an orchestra. Marceau invited him to study with him in France.
He spent the summer of 1956 doing just that, and when he returned to the United States he began performing in nightclubs, schools and universities in the San Francisco area. His routines were generally a mix of set pieces and improvisation.
He went on to become one of the founders of the National Theater of the Deaf.
Paul “Dr. Z” Zimmerman, SI writer. I really didn’t follow his work for the magazine, but I do have a copy of A Thinking Man’s Guide to Pro Football somewhere. (I’ve heard good things about it.)
I read and enjoyed Dr. Z’s column Back In The Day. He inserted his stupid political opinions a lot less frequently than Peter King came to.
It’s a shame that his strokes robbed him of the ability to write.