Whipped Cream Difficulties

Roger Corman. Variety. NYT.

Yeah, yeah, yeah. “King of the B’s” and all that crap. But it’s worth noting that he gave a lot of obscure filmmakers – Martin Scorsese, Francis Ford Coppola, Jonathan Demme, etc. – their starts in movie making. It’s also worth noting that his company took chances on a lot of foreign films that ended up doing well over here.

It’s also worth noting that (from what I hear) he was responsible for the only decent “Fantastic 4” movie.

Corman had certain aesthetic rules and qualitative guidelines, which he delivered with his characteristic insouciance: “In science fiction films, the monster should be always be bigger than the leading lady.” He pioneered such cinematic staples as the girls’ shower scene, usually the second scene in a Corman teen film. He insisted his directors practice proper professionalism: namely, always have the girls lather up their arms and stomachs so as not to obscure the integrity of the breast shots.

…

Ever restless, Corman ventured into weightier territory, producing The Intruder (1962), a hard look at racial prejudice. It was his first “message” film, and he financed it himself when the major distributors balked at the subject. The story centered on a hatemongering racist (William Shatner) who organized violent opposition to court-ordered school desegregation. It used the N-word in a realistic, non-gratuitous manner, but the film was denied the Production Code’s seal and screened in only a few movie houses in the country.
Although it received commendations from such critics as The Hollywood Reporter‘s Arthur Knight and The New York Times’ Bosley Crowther, it was to be Corman’s first money-losing film. He vowed never again to make a movie with “so obviously a personal statement.”

I’m hoping Lawrence is going to do his own tribute to Corman later, and he’ll almost certainly talk about “The Intruder”, so I’ll just say: if you haven’t seen it, go watch it. Shatner is amazing.

Susan Backlinie. Other credits include “Two Minute Warning”, “The Fall Guy” (the TV show), and “Quark”.

Mary Wells Lawrence, noted advertising executive.

She splashed jazzy colors on Braniff airliners. She put the “plop plop, fizz fizz” into Alka-Seltzer. She warned Benson & Hedges smokers that long cigarettes might pop balloons or set fire to beards. And from Niagara Falls to Broadway, she reached millions with her “I ♥ NY” campaign.