These tweets are a few days old, but I think they are still relevant.
Here are some links for background:
“Inside Amazon Studios: Big Swings Hampered by Confusion and Frustration“.
“Hollywood Focus Groups Choose Fake Show Over Woke Show“.
$50 million an episode is just too much to process so I plugged it into an inflation calculator to think of it in 1990s TV terms, back when a typical genre show budget was like $1.5 million/episode
CITADEL is the equivalent of a 1990s genre show costing $25 MILLION PER EPISODE
— David Hines (@hradzka) April 4, 2023
This is for Lawrence:
I read a quote once "half of the cocaine in Atlanta flowed through the Sid & Marty Kroft offices"
…re how your entertainment dollar is spent
— ⓘ Dogs don't have thumbs (@MorlockP) April 4, 2023
I had Amazon on the other day so I could watch a couple of episodes of “Judy Justice”, and caught a trailer for “Citadel”. I watched the whole thing. “Citadel” looks like an expensive, beautifully produced show about “hot spies”, with excellent production design…
…and after watching the trailer, I have zero interest in watching even one second of the show.
The “Fake Show” article cites a story (not attributed to Amazon in the original article, but tied to Amazon by other sources) about an A-B test of two shows.
The A show was a proposed real show about a lesbian POC law enforcement officer who breaks up with her girlfriend, moves to a southern town, and “is shocked by the racism, sexism and abuse of power of her new colleagues as well as their poor relations with the communities they serve. With few friends, she doesn’t know who are the good guys and who are the bad guys anymore and has to watch her back on and off duty while she tries to initiate change both in her department and in her community.”
The B show:
…
I have two thoughts on this:
1. I would watch the crap out of “Vegas Detectives”.
2. I’ve written before about the “Mannix” episode “Death in a Minor Key” (season 2, episode 18) which has the same theme of detective goes to a Southern town and confronts racism.
Without spoiling that episode (much) it goes in a different direction than you’d expect from the initial setup. If the producers of “Mannix” knew in 1969 that the “Southern racist” plot was already cliched, and did interesting things with it instead, why didn’t the producers of “Show A” figure that out for thenselves?