Whipped Cream Difficulties

Traute Lafrenz (who also went by Traute Lafrenz Page) has passed away at 103.

She was the last surviving member of the White Rose.

The White Rose was short-lived and never counted more than a few dozen members, most of whom were young and idealistic. Ms. Lafrenz (who later in life went by the name Traute Lafrenz Page) carried political leaflets and helped the group gain access to ink, paper and envelopes to produce and disseminate its anti-Hitler tracts, and to urge Germans to turn against the Nazis.
But the response to its activities, peaceful as they were, seemed to betoken the profound intolerance displayed by the Third Reich to any hint of opposition among Germans, even as it pursued the extermination of European Jewry and what it called “total war” against its adversaries.

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While Ms. Lafrenz was a medical student in Hamburg, she met Alexander Schmorell, a central player in the White Rose, who introduced her to the leaders of the group, the siblings Hans and Sophie Scholl, when she moved to Munich to continue her medical studies in the early 1940s.
Other leading players included Christoph Probst, Willi Graf and the group’s older mentor, Kurt Huber, a professor of philosophy who was committed to liberal democracy.

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The White Rose’s leaflets began appearing in the summer of 1942, but the project faltered in February 1943 with the arrest of Sophie and Hans Scholl, who were distributing fliers in a university building in Munich when Jakob Schmid, a janitor, spotted them and tipped off the Gestapo. Four days after their arrest, on Feb. 18, 1943, they were executed. Ms. Lafrenz attended her friends’ funeral, even though it was conducted under Gestapo surveillance.
Other members of the White Rose followed the grisly trail to execution; they were among an estimated 5,000 people beheaded under a revival of the use of the guillotine ordered by Hitler. The beheadings continued until January 1945.

Ms. Lafrenz was arrested in March of 1943. She was set to be tried at Bayreuth in April of 1945, but the US Army liberated the prison (and the prisoners) before the trial started.

“Traute Lafrenz was not at the center of the White Rose,” Mr. Waage wrote. “She did not physically write any of the leaflets — but she did just about everything else. She helped lay the foundation for the revitalization of cultural heritage as a weapon against brutality; she helped make the distribution of the leaflets as practical as possible and helped to spread them.”
In the postwar era, Ms. Lafrenz remained stubbornly reticent about her activities. “I was a contemporary witness,” she told Bild Zeitung in 2018. “Given the fates of the others, I am not allowed to complain.” Her daughter Renee told the newspaper that she had not learned of her mother’s wartime struggle until 1970.
Indeed, it was only on Ms. Lafrenz’s 100th birthday, on May 3, 2019, that she was awarded Germany’s Order of Merit, a high civilian honor. The citation said she “belonged to the few who, in the face of the crimes of national socialism, had the courage to listen to the voice of her conscience and rebel against the dictatorship and the genocide of the Jews. She is a heroine of freedom and humanity.”

Suzy McKee Charnas, noted SF writer. I believe Lawrence mentioned this to me a while back, but I could not find a link I was willing to use. The NYT obit says she passed away January 2nd, but “her death was not widely reported at the time”.

Ms. Charnas, whose books were well regarded but who, by her account, did not make a living from her writing, was best known for her science fiction. But she also wrote vampire fiction, young adult fantasy novels with women as central characters, and a memoir about taking care of her father in his later years after a long period of estrangement.

The obit gives a lot of space to her “The Holdfast Chronicles” series.

In an epic that began with “Walk to the End of the World” (1974) and concluded 25 years later with “The Conqueror’s Child,” Ms. Charnas conceived a dystopic world in which an escaped female slave, Alldera, leads the rebellious Free Fems to brutally conquer and enslave their former male masters. The men had faulted women for the near-destruction of humanity, called the Wasting.

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The other books in the Holdfast series are “Motherlines” (1978) and “The Furies” (1994). “The Conqueror’s Child” won the 1999 James Tiptree Jr. Award (now called the Otherwise), a literary prize for works of science fiction or fantasy that explore gender.
She also won two other science fiction and fantasy awards: a Nebula for a novella, “Unicorn Tapestry,” which is a chapter in her 1980 novel, “The Vampire Tapestry,” and the basis for her play, “Vampire Dreams”; and a Hugo, for “Boobs,” a short story.
“Suzy, to me, was a lot like David Bowie,” said Jane Lindskold, a science fiction and fantasy writer who knew Ms. Charnas from a writers’ group in Albuquerque. “She followed her own muse. She could have just written only vampire books, but she did what she wanted to do.”

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Science fiction was not the only genre she explored. In “The Vampire Tapestry,” she created Dr. Edward Weyland, a vampire posing as an anthropology professor.Writing in The Washington Post, the fantasy writer Elizabeth A. Lynn praised the novel, saying it “works on many levels — as pure adventure, as social description, as psychological drama and as a passionate exploration of the web that links instinct, morality and culture. It is a serious, startling and revolutionary work.”
The director Guillermo del Toro, who is known for his science fiction and horror films, was an admirer of “The Vampire Tapestry.” He called it “flawless” on Twitter in 2015 and, after Ms. Charnas’s death, said, “It may be her masterpiece.”

The paper of record has a habit of running retrospective obits under the heading “Overlooked No More” for people who didn’t get an obit at the time. To the best of my knowledge, they still have not published an obit for Gardner Dozois.

However, this one struck home for me: Dilys Winn, mystery bookstore founder and writer.

When she opened Murder Ink — believed to be the nation’s first bookstore devoted entirely to the genre — she didn’t even have a window sign. But inside the store, compact though it was, one could find every type of mystery: British cozies, unsettling gothics, suspense thrillers, novels about hard-boiled detectives, police procedurals and even unpublished manuscripts — 1,500 titles in all.

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Winn enjoyed hosting events so much that she sold the bookstore in 1975 and began holding Sunday afternoon mystery talks (admission $5) at the Steinway Concert Hall on the Upper West Side featuring mystery writers, editors and other guest speakers. She organized a 16-day mystery reader’s tour of the United Kingdom, with sites of interest that included the Tower of London, Jack the Ripper’s London neighborhood and the London docks. Excursions to Scotland and Wales provided more opportunities to commune with mystery writers, crime reporters and, supposedly, ghosts.
All the while, Winn was feverishly working on her opus: “Murder Ink.” Published by Workman Press in 1977, it included offbeat essays by established figures and Winn herself (under various nom de plumes), along with character studies, photographs, quizzes and even a guide to “terrible edibles” one might avoid — or seek, depending on the motive. In 1978, the Mystery Writers of America conferred an Edgar Allan Poe award on Winn, and the next year she published a sequel, “Murderess Ink: The Better Half of Mystery.”

I bought my mother a copy of Murder Ink as a present one year, so of course I read it. I loved it. I still think that’s a pretty swell book, and I want to say that’s one of the key books in influencing my lifelong love of mysteries.

“Spot”, or Glen Lockett, noted record producer for SST Records.

As the in-house producer for SST from 1979 to 1985, Mr. Lockett controlled the mixing board on landmark recordings that helped bring American punk from deafening gigs in garages and basements to the mainstream — the college-radio mainstream, at least.
He produced or engineered more than 100 albums for SST, including classics like Black Flag’s “Damaged” (1981), Descendents’ “Milo Goes to College” (1982), Meat Puppets’ first album (1982), Minutemen’s “What Makes a Man Start Fires?” (1982) and Hüsker Dü’s “Zen Arcade” (1984).

I never got into any of SST’s stuff (I tried listening to Hüsker Dü) but I’ve always liked the SST poster I saw once at a record store in Houston. “Home taping is killing the music industry. Keep up the good work.”

Rick Scheckman. He was David Letterman’s film coordinator.

Scheckman joined Late Night With David Letterman in March 1982, a month after the show debuted on NBC. The writers called on Scheckman so often, he was given a full-time job as film coordinator.
“If 20 minutes before tape time, the writers suddenly came up with a bit that required film of a monkey washing a cat, Shecky knew where to find it,” writer Mark Evanier wrote on his blog.
When Letterman moved to CBS in 1993, Scheckman came along and remained with the Late Show through its 2015 conclusion. For those 33-plus years, his stuff was referred to as “Shecky Footage,” Letterman archivist Don Giller pointed out in a tribute post on YouTube.
As did many Letterman behind-the-scenes staffers, Scheckman often wound up in front of the camera, playing, for example, Elvis Presley; a naked man in the shower with a copy machine; a fan of Star Wars and Pokémon; and himself, getting shot by Bruce Willis (“Yippee ki yay, Shecky!!”), as seen in another tribute video.

Tributes from Mark Evanier and Leonard Maltin.

Otis Taylor, of the Kansas City Chiefs.

Over an 11-year career that began in 1965, when Kansas City was one of the top teams in the American Football League, Taylor was one of quarterback Len Dawson’s key offensive targets. (Dawson died last year at 87.) Tall and acrobatic with soft hands, he was the prototype for the big receivers who would come to dominate the position.
In 1966, his breakout season, Taylor caught 58 passes for 1,297 yards, an average of 22.4 yards a catch. Five years later, after the A.F.L.’s merger with the N.F.L was finalized, Taylor led the league with 1,110 receiving yards, and United Press International named him the N.F.L.’s player of the year.

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When the Chiefs faced the Vikings in Super Bowl IV on Jan. 11, 1970, it was their second appearance in the championship game. They had lost to the Green Bay Packers, 35-10, in the first Super Bowl.
The Vikings were 13 ½-point favorites, but the Chiefs handled them easily. Kansas City was leading, 16-7, late in the third quarter when Dawson tossed a short pass to Taylor. He shook off a tackle from Earsell Mackbee, a cornerback; faked Karl Kassulke, a safety; and ran in for a 46-yard touchdown. Their 23-7 victory would be the Chiefs’ only Super Bowl win until 2020; they won the championship again last month.
“That’s it, boys!” Chiefs coach Hank Stram said gleefully from the sideline. “Otis!”

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In his rookie season, when he started four of Kansas City’s 14 games, he caught 26 passes for 446 yards. He emerged as a star the next season, and over his career he was chosen for the Pro Bowl three times and was a first-team All-Pro twice.
He caught a total of 410 passes in his career for 7,306 yards, with 57 touchdowns. He ranks third in Chiefs history in receiving yards, after Tony Gonzalez and Travis Kelce.