Paul La Farge, author. He wasn’t someone I’d heard of before, but he sounds interesting:
Mr. La Farge’s novels and short stories defied easy categorization, but they were all characterized by a sort of writer’s derring-do.
“With each novel he would set out, and then it would become clear to him that he had set what seemed like an impossible formal challenge for himself,” Ms. Stern, the artistic director of the Vineyard Theater in Manhattan, said by email, “but he would keep on, wrestling forward and sideways and backwards, and eventually the story and its form would be inextricable in a way that was awe-inspiring and yet felt inevitable.”
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Mr. La Farge began “Haussmann: Or the Distinction” (2001) by presenting it as a translation of an unearthed French text from 1922. The novel goes on to tell a made-up tale about the real-life French official Georges-Eugène Haussmann, who oversaw the redesign of Paris in the 1800s.“The Facts of Winter” (2005) was another exercise in fiction-as-reality. Mr. La Farge presented it as his translation of a minor French poet, Paul Poissel, whom he had invented out of whole cloth.
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“Luminous Airplanes” (2011), about a San Francisco programmer who returns to upstate New York to sort through his dead grandfather’s possessions, is perhaps the most realistic of Mr. La Farge’s novels, but it had its own unexpected element: Readers were invited to go to a website where Mr. La Farge posted elaborations on and continuations of the story.
His most recent novel, “The Night Ocean” (2017), again takes a real historical figure — the writer H.P. Lovecraft — and weaves a story around him.
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Lance Kerwin. Other credits include “FBI: The Unheard Music The Untold Stories”, “The Fourth Wise Man”, and “Young Joe, the Forgotten Kennedy”.