Archive for May 3rd, 2022

Three things I’m kind of looking forward to.

Tuesday, May 3rd, 2022

1. The Bunk lies down on Broadway.

Wendell Pierce is ready for another run as Willy Loman.
The American actor, best known for his work in “The Wire,” first took on the titanic title role in “Death of a Salesman” in London in 2019, and even then he hungered to bring the performance to New York.

Rod Dreher and his family saw the London production, and he raved about it. This might actually be enough to get me to go to NYC. (Also, Mike the Musicologist and Andrew the Colossus of Roads were talking about Peter Luger on Saturday, and I’d like to take a shot at that.)

2.

(The Last Dangerous Visions explained, for those of my readers who are not SF fans.)

3. There’s a movie tentatively scheduled for February 2023. It sounds like trash, but fun trash.

Cocaine Bear follows an oddball group of cops, criminals, tourists and teens converging in a Georgia forest where a 500-pound apex predator has ingested a staggering amount of the white powder and goes on a coke-fueled rampage seeking more blow — and blood.

That’s right, a movie inspired by the true story of Cocaine Bear. How can you not be entertained?

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Obit watch: May 3, 2022.

Tuesday, May 3rd, 2022

I know this sounds like the setup to a joke, but it isn’t: Ric Parnell has passed away.

Mr. Parnell was perhaps best known as “Mick Shrimpton”, one of Spinal Tap’s many drummers.

Parnell played in multiple bands, including Horse, Atomic Rooster, Nova and Stars. He claimed he declined invitations to play in Journey and Whitesnake, but is credited with playing drums on Toni Basil’s song “Hey Mickey” in 1981.

David Birney.

Mr. Birney’s theater career began in earnest in 1965, when he won the Barter Theater Award, enabling him to spend a season acting in shows at the prestigious Barter Theater in Abingdon, Va. He moved on to the Hartford Stage Company in Connecticut, and in 1967 he played Antipholus of Syracuse in a New York Shakespeare Festival production of “A Comedy of Errors.”
Mr. Birney made his Broadway debut two years later in Molière’s “The Miser.” And in 1971 he starred in a Broadway production of J.M. Synge’s “The Playboy of the Western World” at the Vivian Beaumont Theater at Lincoln Center. Mr. Birney played Christy Mahon, who enters an Irish pub in the early 1900s telling a story about killing his father.

…

Over the rest of his theatrical career, Mr. Birney played a wide variety of roles, including Antonio Salieri, as a replacement, in Peter Shaffer’s “Amadeus” on Broadway; Benedick in “Much Ado About Nothing” at the McCarter Theater in Princeton, N.J.; Hamlet at the PCPA Theaterfest in Santa Maria, Calif.; and James Tyrone Jr. in Eugene O’Neill’s “A Moon for the Misbegotten” at the Miniature Theater of Chester, Mass.

He also did a lot of TV work, including a recurring role on the first season of “St. Elsewhere”. Credits other than “Bridget Loves Bernie” include one of the spin-offs of a minor SF TV show from the 1960s, “FBI: The Untold Stories”, the good “Hawaii Five-0”, Serpico on the “Serpico” TV series, “McMillan & Wife”, and “The F.B.I.”

Ron Galella, photographer and historical footnote. He was one of the early “paparazzi” – indeed, it seems to me that he was one before the term came into common use.

He was perhaps most famous for relentlessly photographing Jacqueline Kennedy Onassis.

Mrs. Onassis waged a running court battle with him throughout the 1970s and early ’80s, testifying in one court hearing that he had made her life “intolerable, almost unlivable, with his constant surveillance.” Mr. Galella in turn claimed the right to earn a living by taking pictures of famous people in public places.
In 1972, a judge ordered him to keep 25 feet away from Mrs. Onassis and 30 feet away from her children. A decade later, facing jail time for violating the order — hundreds of times — Mr. Galella agreed never to take another picture of them. And he never did.

…

Reviewing “Smash His Camera,” a 2010 documentary about Mr. Galella, the critic Roger Ebert articulated the ambivalence many felt toward him, whether or not they knew the name of the photographer behind the memorable pictures he took. “I disapproved of him,” Mr. Ebert said, “and enjoyed his work.”

Posted in 1970s, History, Law, Movies, Obits, Photography, Theatre, TV | Comments Closed