Whipped Cream Difficulties

Joe Wanenmacher, founder and owner of the Tulsa Arms Show, one of (if not the) largest gun shows in the world.

Mike the Musicologist and I have been lucky enough to attend a few of the Tulsa shows. The obit says that Mr. Wanenmacher had mostly handed off operational responsibilities to his other family members, but he still built the show into what it is today. Our hat is off to him.

(Hattip on this to our great and good friend David Carroll.)

Sandy Nelson, drummer and subject of one of the most interesting obits I’ve read in the NYT recently.

He had a big hit in 1959 with “Teen Beat”, which was based on a drum riff he heard in a strip club:

“While they were looking at these pretty girls in G-strings, guess what I was doing?” he told The Las Vegas Weekly in 2015. “I was looking at the drummer in the orchestra pit.”
“He was doing kind of a ‘Caravan’ beat,” he added, referring to a jazz standard. “‘Bum ta da da dum’ — small toms, big toms. That’s what gave me the idea for ‘Teen Beat.’”

He had a second big hit with “Let There Be Drums” in 1961. In 1963, he had a motorcycle accident and lost part of his right leg: he retrained himself to play the bass with his left leg.

He did a bunch of instrumental albums in the 1960s and 1970s, many of which featured covers:

“I think the worst version ever of the Rolling Stones’ ‘Satisfaction’ was done by me,” Mr. Nelson told L.A. Weekly in 1985, “and, oddly enough, it was a big seller in the Philippines. I guess they like squeaky saxophones or something.”

But he also continued to do experimental work:

His friend and fellow musician Jack Evan Johnson said that Mr. Nelson was especially proud of “The Veebles,” a whimsical five-track concept album released on cassette in 2016 that had an extraterrestrial sound and theme.
“It’s about a race of people from another planet,” he told The Las Vegas Sun in 1996, when the long-gestating project was just beginning to take shape. “They’re gonna take over the Earth and make us do nothing but dance, sing and tell dumb jokes.”

(I checked: there was a CD version of this, but it is out of print. Amazon and Apple Music do not show a digital version, though some of Mr. Nelson’s other work is available from both.)

Mr. Nelson acknowledged that he had not handled his early success well.
“I spent most of the money on women and whiskey, and the rest I just wasted,” he told The Review-Journal.

…

Mr. Nelson settled in Boulder City, Nev., in about 1987 and became a colorful local fixture, running a pirate radio station out of his house for about seven years before the FCC shut him down, Mr. Johnson said. And then there was the cave.

Yes. He dug a cave in his backyard.

The project took him 12 years.
“I got a ‘cave tour’ once,” Mr. Johnson said by email, “and it was quite something, precarious even — dug down at a very steep angle into the hard desert soil, with no kind of support structure whatsoever and just enough room to scoot down into it for a ways until the room opened up at the bottom.”
“He had an electric keyboard down there,” he added.

Kenny Burrough, wide receiver for the Houston Oilers during the 1970s.

Burrough, who famously wore No. 00 with the Oilers, played 11 seasons in Houston and made the Pro Bowl in 1975 and 1977. His 6,906 receiving yards still ranks third all-time in Houston Oilers/Tennessee Titans history behind only Ernest Givins (7,935) and Drew Hill (7,477). His 47 touchdowns ties him for second on the franchise list behind 1960s Oilers receiver Charley Hennigan.

Sally Kellerman. THR.

Other than the original “Hot Lips”, credits include a guest spot on an early episode of a minor 1960s SF TV series, “Back to School”, “T.H.E. Cat”, “Coronet Blue”, the legendary “Delgo“, and a whole bunch of other stuff…

…including “Mannix”. (“The Solid Gold Web“, season 2, episode 23. She plays a former love interest of Mannix.)