Whipped Cream Difficulties

Mort Sahl.

Gregarious and contentious — he was once described as “a very likable guy who makes ex-friends easily” — Mr. Sahl had a long, up-and-down career. He faded out of popularity in the mid-1960s, when he devoted his time to ridiculing the Warren Commission report on the assassination of President John F. Kennedy; then, over the following decades, he occasionally faded back in. But before that he was a star and a cult hero of the intelligentsia.
He had regular club dates in New York, Chicago and San Francisco, with audiences full of celebrities. He recorded what the Library of Congress has cited as “the earliest example of modern stand-up comedy on record,” the album “At Sunset.” (Though recorded in 1955, it was not released until 1958, shortly after the release of his official first album, “The Future Lies Ahead.”) By 1960, he had starred in a Broadway revue, written jokes for Kennedy’s presidential campaign, hosted the Academy Awards, appeared on the cover of Time and been cast in two movies (he would later make a handful of others).
An inveterate contrarian and a wide-ranging skeptic, Mr. Sahl was a self-appointed warrior against hypocrisy who cast a jaundiced eye on social trends, gender relations and conventional wisdom of all sorts. Conformity infuriated him: In one early routine he declared that Brooks Brothers stores didn’t have mirrors; customers just stood in front of one another to see how they looked. Sanctimony infuriated him: “Liberals are people who do the right things for the wrong reasons so they can feel good for 10 minutes.”

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His own political leanings were difficult to track. The left wanted to claim him, especially early in his career, but they couldn’t quite do so. Among other things, he could be crudely sexist and, though he supported civil rights, he was acerbic in confrontation with knee-jerk liberal dogma on the subject. Over the course of his life he kept company with politicians of varying stripes, from Stevenson, Kennedy and Eugene McCarthy to Alexander Haig and Ronald and Nancy Reagan. He said he had voted for Ross Perot; he praised Ron Paul and defended Sarah Palin; he cast a skeptical eye on Barack Obama’s presidency and was as scathing about Hillary Clinton as he was about Donald Trump.

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Mr. Sahl worked on radio and on local television in Los Angeles, but he didn’t help his cause with what some felt was an obsession with the Kennedy assassination. His performances began to include reading scornfully from the Warren Commission report. And he worked as an unpaid investigator for Jim Garrison, the New Orleans district attorney, who claimed to have uncovered secret evidence that Lee Harvey Oswald was not the assassin, and who accused a New Orleans businessman, Clay Shaw, of conspiring to murder the president. No convincing evidence, secret or otherwise, was produced at Mr. Shaw’s trial, and the jury acquitted him in less than an hour.
“I spent years talking with people, Garrison notably, about the Kennedy assassination,” Mr. Sahl wrote in “Heartland,” a score-settling, dyspeptic memoir published in 1976, “and I was said to have hurt my career by being in bad company. I don’t think Gene McCarthy is bad company. I don’t think that Jack Kennedy is bad company. I don’t think that Garrison is bad company.
“I learned something, though. The people that I went to Hollywood parties with are not my comrades. The men I was in the trenches with in New Orleans are my comrades.” He concluded, “I think Jack Kennedy cries from the grave for justice.”

Richard Evans, actor. He was “Paul Hanley” in the first season of “Peyton Place”. Other credits include a lot of 1970s cop/PI shows, “Lancer”, “Bonanza”, one episode of a minor 1960s SF TV series…

…and “Mannix”! (“Bird of Prey”, season 8 episodes 20 and 21. He played “Victor Valdek”.)