Bob Herron, stuntman. He was 97.
Other work included “L.A. Confidential”, “Diamonds Are Forever”, “Bearcats!”…and “Mannix”! (“Deadfall: Part 2”, season 1, episode 18. “Eight to Five, It’s a Miracle”, season 1, episode 21.)
Ruthie Tompson, Disney animator. She was 111.
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Ms. Tompson joined Disney as an inker and painter. She later trained her eye on the thousands of drawings that make up an animated feature, checking them for continuity of color and line. Still later, as a member of the studio’s scene planning department, she devised exacting ways for its film cameras to bring those flat, static drawings to vivid animated life.
“She made the fantasies come real,” John Canemaker, an Oscar-winning animator and a historian of animation, said in an interview for this obituary in 2017. “The whole setup then was predigital, so everything was paper, camera, film and paint.”
Among the totemic films into which Ms. Tompson helped breathe life are “Pinocchio” (1940), “Fantasia” (1940) and “Dumbo” (1941), along with countless animated shorts, including the anti-Nazi cartoon “Der Fuehrer’s Face,” which won a 1943 Academy Award.
In 2000, Ms. Tompson was named a Disney Legend, an honor bestowed by the Walt Disney Company for outstanding contributions. (Previous recipients include Fred MacMurray, Julie Andrews and Angela Lansbury; later recipients include Elton John and Tim Conway.)
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In 1948, she was promoted to the dual role of animation checker and scene planner. As an animation checker, she scrutinized the artists’ work to see, among other things, that characters literally kept their heads: In the animators’ haste, different parts of a character’s body, often done as separate drawings, might fail to align.
The scene planner was tasked with working out the intricate counterpoint between the finished setups and the cameras that photographed them: which camera angles should be used, how fast characters should move relative to their backgrounds, and the like.
“She really had to know all the mechanics of making the image work on the screen as the director, the layout person and the animator preferred: how to make Peter Pan walk, or fly, in the specified time,” Mr. Canemaker explained. “What she did ended up on the screen — whether you see her hand or not — because of the way she supported the directors’ vision.”
In 1952, Ms. Tompson became one of the first women admitted to the International Photographers Union, an arm of the International Alliance of Theatrical Stage Employees representing camera operators. She retired in 1975 as the supervisor of Disney’s scene planning department.
Iohan Gueorguiev. I had not heard of him previously, but he had a popular YouTube channel.
Mr. Gueorguiev made his name overcoming challenges hurled at his body and spirit. He was a star in the world of “bikepacking,” long-distance bike travel conducted off main roads. Calling himself the Bike Wanderer, he stood out for his Beatnik-like romanticism about the open road, in contrast to the competitiveness of many bike jocks and gear heads.
Though Mr. Gueorguiev’s exact movements could be hard to pin down, it seems clear he spent from April 2014 to March 2020 biking from the Canadian Arctic Circle to its South American antipode, the icy mountains and valleys of Patagonia. It was not a straight path. Mr. Gueorguiev occasionally flew back to Canada to earn money planting trees, he said. While biking, he would get sidetracked by serendipitous encounters and eccentric trails.
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He shot his videos with a simple GoPro camera charged by a portable solar panel. He would sometimes position the camera at a distance, making it appear as if he traveled with a cinematographer. He earned about $3,000 a month through the funding website Patreon and received bikepacking sponsorships, enabling him to exchange the basic touring bike he started with for one with fat tires designed for riding off-road.
However much Mr. Gueorguiev tried to cast the obstacles he encountered as part of a grand adventure, his videos showed genuine hardships. Headwinds on desert plains required him to take long breaks sheltered behind rocks and make a campsite in a stray shipping container, which itself shook from powerful gusts. He would go as long as 30 days without seeing a fellow cyclist and, when biking was not feasible, could wait two days on the road to get picked up as a hitchhiker.
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With the onset of the pandemic, Mr. Gueorguiev found himself stuck in Canada, unable to cross borders because of travel restrictions. His videos grew shorter, and he ceased appearing onscreen as an enthusiastic narrator of his own experiences. Abiding by social distancing guidance, he avoided his habitual short stays at the homes of new friends he had met on the road. In his online journal, he described biking in the cold for days on end and spending nights without indoor heating.
“I had big expectations for the Farewell Canyon,” he wrote about a scenic area in British Columbia a few days before he died, “but it was very empty, gloomy and void of all traffic.”
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Mr. Gueorguiev (generally pronounced gyor-ghee-ev) died on Aug. 19 in Cranbrook, British Columbia, where he had been using the home of friends as a base for travel during the pandemic. He was 33.
The cause was suicide, said Matthew Bardeen, a friend who was helping to oversee Mr. Gueorguiev’s affairs. His death was announced on biking websites late last month.
The number for the National Suicide Prevention Lifeline is 1-800-273-TALK (8255). If you live outside of the United States or are looking for other help, TVTropes has a good page of additional resources. The Canada Suicide Prevention Service. La prévention du suicide et le soutien.