Gavin MacLeod . THR . Variety .
As he told the story, one night he was driving, while drunk, on Mulholland Drive in the hills above Los Angeles when he impulsively decided to kill himself by driving off the road. But he stopped himself, jamming on the brakes at the last moment. Shaken, he recalled, he made his way to the nearby house of a friend, the actor Robert Blake, who persuaded him to see a psychiatrist.
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After his divorce, Mr. MacLeod married Patti Kendig, a dancer, in 1974. They also divorced, in early 1982, but remarried in 1985, by which time they had both become born-again Christians. Mr. MacLeod documented their story, as well as his decades-long struggle with alcoholism, in a 1987 book, “Back on Course: The Remarkable Story of a Divorce That Ended in Remarriage.”
B.J. Thomas .
Mr. Thomas placed 15 singles in the pop Top 40 from 1966 to 1977. “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” a monument to heartache sung in a bruised, melodic baritone, reached No. 1 on both the country and pop charts in 1975. “Hooked on a Feeling,” an exultant expression of newfound love from 1968, also reached the pop Top 10. (Augmented by an atavistic chant of “Ooga-chaka-ooga-ooga,” the song became a No. 1 pop hit as recorded by the Swedish rock band Blue Swede in 1974.)
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Faye Schulman .
The Germans enlisted her to take commemorative photographs of them and, in some cases, their newly acquired mistresses. (“It better be good, or else you’ll be kaput,” she recalled a Gestapo commander warning her before, trembling, she asked him to smile.) They thus spared her from the firing squad because of their vanity and their obsession with bureaucratic record-keeping — two weaknesses that she would ultimately wield against them.
At one point the Germans witlessly gave her film to develop that contained pictures they had taken of the three trenches into which they, their Lithuanian collaborators and the local Polish police had machine-gunned Lenin’s remaining Jews, including her parents, sisters and younger brother.
She kept a copy of the photos as evidence of the atrocity, then later joined a band of Russian guerrilla Resistance fighters. As one of the only known Jewish partisan photographers, Mrs. Schulman, thanks to her own graphic record-keeping, debunked the common narrative that most Eastern European Jews had gone quietly to their deaths.
“I want people to know that there was resistance,” she was quoted as saying by the Jewish Partisan Educational Foundation. “Jews did not go like sheep to the slaughter. I was a photographer. I have pictures. I have proof.”
Rusty Warren .
In the wholesome era of “Our Miss Brooks” and “Father Knows Best” on television, Ms. Warren, who died at 91 on Tuesday in Orange County, Calif., developed a scandalous comedy routine that was full of barely veiled innuendo about sex, outrageous references to breasts and more, much of it delivered in a husky shout.
With that new risqué routine, she began packing larger clubs all over the country. The release in 1960 of her second comedy album, the brazenly titled “Knockers Up!,” only increased her fame.
It was a booming time for live comedy and comedy records — “The Button-Down Mind of Bob Newhart,” Mr. Newhart’s Grammy-winning breakthrough, was released the same year — and Ms. Warren emerged as a star in an out-of-the-mainstream sort of way.
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She released more than a dozen albums, including “Rusty Warren Bounces Back” (1961), “Banned in Boston” (1963), “Bottoms Up” (1968) and “Sexplosion” (1977), selling hundreds of thousands of copies (“Knockers Up!” was a longtime resident of the Billboard 200 chart) even though for much of her career some retailers wouldn’t display them prominently and television producers wouldn’t give her the bookings that more mainstream comics got.
If it hasn’t already been written, somebody could get a good book out of the history of comedy records roughly mid-century (I’m guessing 1950-1975, maybe slightly later). Especially if they went into the history of “blue” or “party” records: not just Ms. Warren, but Redd Foxx , Moms Mabley , Rudy Ray Moore , and lots of other now mostly forgotten folks.
Lawrence sent over two: Shane Briant , British actor. (“Frankenstein and the Monster from Hell”, “Cassandra”, “The Picture of Dorian Gray”)
Paul Robert Soles .
Best known today for portraying Hermey the Elf in Rudolph the Red-Nosed Reindeer (1964) and Peter Parker and his crime-fighting alter ego in the 1967 cartoon Spider-Man he worked extensively in every medium, his favourites being radio drama and live theatre.
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Among his many memorable dramatic performances three stand out: the lead in the Canadian premiere in 1987 of ‘I’m Not Rappaport’; the first Jewish Canadian to play Shylock in the 2001 production of ‘The Merchant of Venice’ at the Stratford Festival and the Dora-nominated role in the 2005 two-hander ‘Trying’.
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Beyond work and family he had three life-long passions: sports cars, music and flying. A racing nut he drove the winning foreign entry in the American International Rally (1959) speaking only German and passing himself off as a factory driver from Mercedes in a zero-mileage model W120. A bigtime jazz fan, particularly of the big-bands, he was a fixture at clubs on both sides of the border and he forged friendships with a number of performers. An aviation enthusiast and pilot he owned two RCAF primary trainers, first a Fleet 16-B Finch open cockpit biplane acquired to barnstorm across the continent as part of The Great Belvedere Air Dash of 1973 and later a DeHavilland DHC-1 Chipmunk. He was a performing member of the Great War Flying Museum (Brampton), an air show participant for 20 years and a perennial volunteer for the Canadian International Air Show.