Archive for February 6th, 2021

“What you gonna do when you get out of jail?…” part 312

Saturday, February 6th, 2021

Ever hear of Camp Century?

The US military had a clever idea back in the 1950s: let’s build missile launch sites under the ice in Greenland. That project was called “Project Iceworm” and was secret: as a cover story, and to test the feasibility of this idea, Camp Century was built.

Powered by a nuclear reactor, the camp operated from 1959 until 1967. The base consisted of 21 tunnels with a total length of 9,800 feet (3.0 km).

You can imagine this was a massive logistical operation. Especially when you consider that everything had to be hauled across the ice from Thule AFB, 150 miles away.

“Camp Century, The City Under The Ice”.

The snow trimming required to maintain the trenches, and sewage disposal were both ongoing problems. The sewage sump was 150 feet from the nearest building and initially not vented. As a result, the odor of sewage became almost unbearable in the nearest quarters after the first year of operation. Subsequent venting of the sump reduced the odor but did not completely eliminate the condition. In 1962 core samples were taken in the areas near the sump and found that liquid wastes had horizontally permeated up to 170 feet (52 meters). Thus odor from the sump affected near by trenches with sleeping quarters and also accelerated trench deformation.

See also. See also.

Spoiler: it turns out that the ice sheet shifts. A lot. Which makes missile bases under the ice really not feasible.

Bonus: from the same source, the Charlie Dean Archives, “Faces of Rescue”, documenting a typical rescue mission for an Air Force pilot shot down over Vietnam.

Obit watch: February 6, 2021.

Saturday, February 6th, 2021

Christopher Plummer. THR. Variety.

He also had charm and arrogance in equal measure, and a streak both bibulous and promiscuous, all of which he acknowledged in later life as his manner softened and his habits waned. In one notorious incident in 1971, he was replaced by Anthony Hopkins in the lead role of “Coriolanus” at the National Theater in London; according to the critic Kenneth Tynan, who at the time was the literary manager of the National, Mr. Plummer was dismissed in a vote by the cast for crude and outrageous behavior.
For years, until he came to share the widely held opinion of his best-known film — the beloved 1965 musical “The Sound of Music,” in which he starred as the Austrian naval officer Georg von Trapp opposite Julie Andrews — as a pinnacle of warmhearted family entertainment, Mr. Plummer disparaged it as saccharine claptrap, famously referring to it as “S&M” or “The Sound of Mucus.”
“That sentimental stuff is the most difficult for me to play, especially because I’m trained vocally and physically for Shakespeare,” Mr. Plummer said in a People magazine interview in 1982. “To do a lousy part like von Trapp, you have to use every trick you know to fill the empty carcass of the role. That damn movie follows me around like an albatross.”

To be fair:

Despite all the recognition he received as an octogenarian, Plummer is probably most widely recognized for his performance as Captain Von Trapp opposite Julie Andrews in The Sound of Music (1965), the syrupy family classic that he once referred to as “The Sound of Mucous.”
“It was so awful and sentimental and gooey,” he told THR in 2011. “You had to work terribly hard to try to infuse some minuscule bit of humor into it.” He also said most of his singing parts in the movie were performed by someone else.
Plummer, however, had changed his tune when he appeared with Andrews before a screening of the musical at the 2015 TCM Classic Film Festival in Hollywood and added his hand- and footprints to the collection outside the TCL Chinese Theatre.
“The world has lost a consummate actor today and I have lost a cherished friend,” Andrews said Friday in a statement. “I treasure the memories of our work together and all the humor and fun we shared through the years.”

He played Hamlet, Macbeth, Richard III, Mark Antony and others of Shakespeare’s towering protagonists on prominent stages to consistent acclaim, and he starred in “Hamlet at Elsinore,” a critically praised 1964 television production, directed by Philip Saville and filmed at Kronborg Castle in Denmark, where (under the name Elsinore) the play is set.
But he also accepted roles in a fair share of clinkers, in which he made vivid sport of some hoary clichés — as the evil bigot hiding behind religiosity in “Skeletons” (1997), for example, one of his more than 40 television movies, or as the somber emperor of the galaxy who appears as a hologram in “Starcrash,” a 1978 rip-off of “Star Wars.”

In the movies, his performance in “The Sound of Music” as von Trapp, a severe widower and father whose heart is warmed and won by the woman he hires as a governess, propelled a parade of distinctive roles, more character turns than starring parts, across a formidable spectrum of genres. They included historical drama (“The Last Station,” about Tolstoy, and “The Day That Shook the World” about the onset of World War I); historical adventure (as Kipling in John Huston’s rollicking adaptation of “The Man Who Would Be King,” with Sean Connery and Michael Caine); romantic comedy (“Must Love Dogs,” with John Cusack and Diane Lane); political epic (“Syriana”); science fiction (as Chang, the Klingon general, in “Star Trek VI”); and crime farce (“The Return of the Pink Panther,” in which, opposite Peter Sellers’s inept Inspector Clouseau, he played a retiree version of the debonair jewel thief originally portrayed by David Niven).

I enthusiastically recommend “The Man Who Would Be King”. I have not seen “Star Trek VI”, but I know some other readers of this blog have and may be able to comment upon that film.

Mr. Plummer made notable Broadway appearances in works by Archibald MacLeish (the Devil-like Nickels in “J.B.” in 1958), Bertolt Brecht (the Hitler-like title role in “Arturo Ui” in 1963), Peter Shaffer (the Spanish conquistador Francisco Pizarro in “The Royal Hunt of the Sun” in 1965), Neil Simon (the Chekhov-like narrator in “The Good Doctor” in 1973) and Harold Pinter (“No Man’s Land,” opposite Jason Robards, in 1994).
He won a Tony in the title role of “Cyrano,” a 1973 musical version of Edmond Rostand’s “Cyrano de Bergerac,” and in 2007 he was nominated for a Tony for the Clarence Darrow-like role of Henry Drummond, opposite Brian Dennehy, in “Inherit the Wind,” his final Broadway appearance.

“The performance of a lifetime,” Ben Brantley wrote in The Times of Mr. Plummer’s “King Lear,” which arrived on Broadway in 2004 after first being produced at the festival. “He delivers a Lear both deeply personal and universal: a distinctly individual man whose face becomes a mirror for every man’s mortality.”
Ms. Taylor, his wife, said that at his death Mr. Plummer had been preparing to appear as Lear on film for the first time, under the direction of Des McAnuff.
But it was his portrayal of Iago in a 1981 Connecticut production of “Othello,” which starred James Earl Jones in the title role and came to Broadway in 1982, that defined his reputation as a Shakespearean of profound depth, worthy of comparison to the likes of Laurence Olivier, Michael Redgrave and John Gielgud.
“He gives us evil so pure — and so bottomless — that it can induce tears,” Frank Rich wrote in The Times. “Our tears are not for the dastardly Iago, of course — that would be wrong. No, what Mr. Plummer does is make us weep for a civilization that can produce such a man and allow him to flower.”
The praise was amplified by the senior Times critic of the day, Walter Kerr, who wrote, “It is quite possibly the best single Shakespearean performance to have originated on this continent in our time.”

Noted: THR claims he was a die-hard “Star Trek” fan, even before doing “Star Trek VI”. The THR story includes a clip from “The Captains” with Mr. Plummer and William Shatner talking.