Archive for May 20th, 2019

Sports firings.

Monday, May 20th, 2019

It is…well, not exactly “rare”, but at least uncommon for a player to be thrown out of a league completely. The most recent example I can think of before last week was Johnny Manziel’s CFL expulsion.

But we had two last week.

Lawrence pointed out that Tyreke Evans had been “dismissed and disqualified” from the NBA. Mr. Evans was a guard with the Indiana Pacers last season: his dismissal was for unspecified violations of the NBA’s anti-drug policy.

He can apply for reinstatement in two years, but that will require approval from both the NBA and the player’s association. More from ESPN.

Meanwhile, in Australia (we love you, amen) rugby player Israel Folau had his contract voided for a “high level breach of the players’ Code of Conduct”.

Apparently the breach involved Folau posting a Bible verse that condemned “homosexuals” as well as “drunks, adulterers, liars, fornicators, thieves, atheists and idolators” on social media. (I’m not clear if this was a tweet or an Instagram post. I’m also not clear if the post is still up.)

Rod Dreher put up a couple of posts last week about this, and there’s lively discussion on both sides in the comments. He also suggests that Folau’s punishment may have been a factor in the election results. More on those from everyone’s favorite political blogger.

I’m not sure what side I come down on in the Folau situation, though I do think the parallels to Kapernick made by some of the commenters are instructive. Then again, as I’ve also said, if Kapernick could produce at the level of a Tom Brady or Drew Brees for an NFL team, nobody would give a flying flip at a rolling doughnut what he said or thought. I don’t know enough about rugby to know if Folau is that kind of star player.

Obit watch: May 20, 2019.

Monday, May 20th, 2019

Machiko Kyo, noted Japanese actress.

Her US career was limited to “Teahouse of the August Moon”, but she was in a lot of significant Japanese film: Kenji Mizoguchi’s “Ugetsu“, Teinosuke Kinugasa’s “Gate of Hell“, and she was the female lead in Kurosawa’s “Rashomon“.

During rehearsals, Kurosawa recalled, he had been “left speechless” by Ms. Kyo’s dedication to learning her craft.
“She came in to where I was sleeping in the morning and sat down with the script in hand,” he wrote in “Something Like an Autobiography” (1982), his memoir. “‘Please teach me what to do,’ she requested, and I lay there amazed.”