We were watching movies last night, and a question came up. I don’t remember the exact context, but basically: was The Paper Chase actually John Houseman’s first film?
The answer turns out to be: yes, and no, and it’s interesting.
Before The Paper Chase, Houseman is listed as having an uncredited (and I assume small) role in the film adaptation of Seven Days In May.
But before that, in 1938, Houseman was in something called Too Much Johnson. Just the name sparked immense hilarity among our little group (though to be fair, it was also late) but there’s an interesting story here. Too Much Johnson was never shown in public while Houseman was alive…
As most of my readers probably know, long before he was Professor Kingsfield, Houseman had quite a stage career. Among his other credits, he was a leading member of Orson Welles’ Mercury Theatre. Welles had an idea: he wanted the Mercury Theatre to do an adaptation of a 1894 comedy, also called “Too Much Johnson”, by William Gillette. But he also wanted to integrate a silent film into the stage production.
There’s some very funny stuff about Welles editing the film, in his hotel suite, while up to his knees (according to Houseman) in nitrate film. Another of Welles collaborators recalls the film catching fire in the projector, Welles being so absorbed in the editing he didn’t even notice…
Anyway, they put the film together and went to stage “Too Much Johnson” at a place called the Stony Creek Theatre in Connecticut before they took it to Broadway. But there was a problem: the ceiling in the Stony Creek Theatre was “too low” for film projection. So the Mercury Theatre staged “Too Much Johnson” without the movie part. Depending on who you believe, the audience reaction was poor. In any case, Welles shelved the “Too Much Johnson” project before he finished editing it: in later years, he claimed that he’d looked at the stored footage, and it still looked pristine. But that footage was destroyed in a 1970 fire at Welles home, and the movie was presumed lost…
…until 2008, when a copy was discovered in Spain. The film was restored and shown for the first time in late 2013. In 2015, the combined film/stage production was staged for the first time. And now you can watch the 66 minute work print and reconstructed 34 minute edit of “Too Much Johnson” at the National Film Preservation Foundation website.
This is probably too much “Too Much Johnson” for most of you, but I make no apologies for my interest in Welles and his work, and I think this is a great story even without Welles and Houseman.
After the jump, topic changes…