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The Germans enlisted her to take commemorative photographs of them and, in some cases, their newly acquired mistresses. (“It better be good, or else you’ll be kaput,” she recalled a Gestapo commander warning her before, trembling, she asked him to smile.) They thus spared her from the firing squad because of their vanity and their obsession with bureaucratic record-keeping — two weaknesses that she would ultimately wield against them.
At one point the Germans witlessly gave her film to develop that contained pictures they had taken of the three trenches into which they, their Lithuanian collaborators and the local Polish police had machine-gunned Lenin’s remaining Jews, including her parents, sisters and younger brother.
She kept a copy of the photos as evidence of the atrocity, then later joined a band of Russian guerrilla Resistance fighters. As one of the only known Jewish partisan photographers, Mrs. Schulman, thanks to her own graphic record-keeping, debunked the common narrative that most Eastern European Jews had gone quietly to their deaths.
“I want people to know that there was resistance,” she was quoted as saying by the Jewish Partisan Educational Foundation. “Jews did not go like sheep to the slaughter. I was a photographer. I have pictures. I have proof.”
In the wholesome era of “Our Miss Brooks” and “Father Knows Best” on television, Ms. Warren, who died at 91 on Tuesday in Orange County, Calif., developed a scandalous comedy routine that was full of barely veiled innuendo about sex, outrageous references to breasts and more, much of it delivered in a husky shout.
With that new risqué routine, she began packing larger clubs all over the country. The release in 1960 of her second comedy album, the brazenly titled “Knockers Up!,” only increased her fame.
It was a booming time for live comedy and comedy records — “The Button-Down Mind of Bob Newhart,” Mr. Newhart’s Grammy-winning breakthrough, was released the same year — and Ms. Warren emerged as a star in an out-of-the-mainstream sort of way.
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If it hasn’t already been written, somebody could get a good book out of the history of comedy records roughly mid-century (I’m guessing 1950-1975, maybe slightly later). Especially if they went into the history of “blue” or “party” records: not just Ms. Warren, but Redd Foxx, Moms Mabley, Rudy Ray Moore, and lots of other now mostly forgotten folks.
Lawrence sent over two: Shane Briant, British actor. (“Frankenstein and the Monster from Hell”, “Cassandra”, “The Picture of Dorian Gray”)
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