Archive for the ‘Theatre’ Category

Obit watch: May 3, 2022.

Tuesday, May 3rd, 2022

I know this sounds like the setup to a joke, but it isn’t: Ric Parnell has passed away.

Mr. Parnell was perhaps best known as “Mick Shrimpton”, one of Spinal Tap’s many drummers.

Parnell played in multiple bands, including Horse, Atomic Rooster, Nova and Stars. He claimed he declined invitations to play in Journey and Whitesnake, but is credited with playing drums on Toni Basil’s song “Hey Mickey” in 1981.

David Birney.

Mr. Birney’s theater career began in earnest in 1965, when he won the Barter Theater Award, enabling him to spend a season acting in shows at the prestigious Barter Theater in Abingdon, Va. He moved on to the Hartford Stage Company in Connecticut, and in 1967 he played Antipholus of Syracuse in a New York Shakespeare Festival production of “A Comedy of Errors.”
Mr. Birney made his Broadway debut two years later in Molière’s “The Miser.” And in 1971 he starred in a Broadway production of J.M. Synge’s “The Playboy of the Western World” at the Vivian Beaumont Theater at Lincoln Center. Mr. Birney played Christy Mahon, who enters an Irish pub in the early 1900s telling a story about killing his father.

Over the rest of his theatrical career, Mr. Birney played a wide variety of roles, including Antonio Salieri, as a replacement, in Peter Shaffer’s “Amadeus” on Broadway; Benedick in “Much Ado About Nothing” at the McCarter Theater in Princeton, N.J.; Hamlet at the PCPA Theaterfest in Santa Maria, Calif.; and James Tyrone Jr. in Eugene O’Neill’s “A Moon for the Misbegotten” at the Miniature Theater of Chester, Mass.

He also did a lot of TV work, including a recurring role on the first season of “St. Elsewhere”. Credits other than “Bridget Loves Bernie” include one of the spin-offs of a minor SF TV show from the 1960s, “FBI: The Untold Stories”, the good “Hawaii Five-0”, Serpico on the “Serpico” TV series, “McMillan & Wife”, and “The F.B.I.”

Ron Galella, photographer and historical footnote. He was one of the early “paparazzi” – indeed, it seems to me that he was one before the term came into common use.

He was perhaps most famous for relentlessly photographing Jacqueline Kennedy Onassis.

Mrs. Onassis waged a running court battle with him throughout the 1970s and early ’80s, testifying in one court hearing that he had made her life “intolerable, almost unlivable, with his constant surveillance.” Mr. Galella in turn claimed the right to earn a living by taking pictures of famous people in public places.
In 1972, a judge ordered him to keep 25 feet away from Mrs. Onassis and 30 feet away from her children. A decade later, facing jail time for violating the order — hundreds of times — Mr. Galella agreed never to take another picture of them. And he never did.

Reviewing “Smash His Camera,” a 2010 documentary about Mr. Galella, the critic Roger Ebert articulated the ambivalence many felt toward him, whether or not they knew the name of the photographer behind the memorable pictures he took. “I disapproved of him,” Mr. Ebert said, “and enjoyed his work.”

Obit watch: April 21, 2022.

Thursday, April 21st, 2022

Robert Morse, actor. THR. Other credits include “How to Succeed in Business Without Really Trying” (both the Broadway musical and the film version), “Night Gallery”, “Trapper John, M.D.”, “Wild Palms”, the 1985 “Twilight Zone” revival, and a short called “Why I Live at the P.O.” based on the Eudora Welty story.

Dede Robertson, Pat Robertson’s wife.

CNN+. NYT

Obit watch: April 7, 2022.

Thursday, April 7th, 2022

Eric Boehlert.

A frequent commentator on television and radio, as well as a prolific writer, Mr. Boehlert never shied away from searing critiques of what he saw as bias in the mainstream press and the circular impact of media on politics.
After more than a decade as a senior fellow at Media Matters for America, a left-leaning media monitoring group, Mr. Boehlert had in recent years started his own newsletter, Press Run, as a vehicle for his commentary.

According to reports, he was hit by a train while bicycling.

Justice John Michalski, “an acting justice of the [New York] State Supreme Court”.

But last month, Justice Michalski came under renewed scrutiny, and his cases were once again reassigned, after federal and state investigators raided his home. He had not been charged with any crime, but he had drawn the authorities’ attention because of his ties to Peter Gerace Jr., the owner of a strip club in Cheektowaga, another Buffalo suburb.
Mr. Gerace was charged in federal court in Florida last year with sex trafficking, drug distribution and bribery of a former Drug Enforcement Administration agent. He denies the charges, and the case has since been transferred to the Western District of New York.
The former agent, Joseph Bongiovanni, has been charged with bribery, obstruction and conspiracy. An indictment detailing the charges against the two men says that Mr. Bongiovanni’s associates included people “he believed to be members of, connected to or associated with” organized crime.
Another man identified in the indictment as having links to organized crime is Michael Masecchia, a longtime Buffalo schoolteacher now facing up to life in prison after pleading guilty to gun and drug charges.

According to reports, the judge committed suicide. He had tried to kill himself last year on the same day Mr. Gerace was indicted.

Rae Allen, actress. Other credits include “Lou Grant”, “Soap”, and “The Untouchables”.

Obit watch: March 9, 2022.

Wednesday, March 9th, 2022

Conrad Janis, jazz musician and actor.

“Conrad Janis Is Glad to Live Three Lives,” the headline on a 1962 Newsday article read. At the time he was starring in the romantic comedy “Sunday in New York” on Broadway and, after the Friday and Saturday night performances, playing trombone with his group, the Tailgate 5, at Central Plaza in Manhattan. (On Sundays he’d trek to Brooklyn to play at the club Caton Corner.) When not onstage or on the bandstand, he could often be found at his father’s art gallery.
Sixteen years later he found himself on one of the most popular shows on television when he was cast on “Mork & Mindy,” which premiered in September 1978, as the father of Mindy (Pam Dawber), a Colorado woman who befriends an eccentric alien (Robin Williams). On Sundays during this period, he played in the Beverly Hills Unlisted Jazz Band at the Ginger Man, a club in Beverly Hills, Calif., whose owners included Carroll O’Connor of “All in the Family.”

In the movies, he played alongside some famous names: Ronald Reagan and Shirley Temple in the notoriously bad “That Hagen Girl” (1947), Charlton Heston and other prominent stars in “Airport 1975” (1974), Lynn Redgrave in “The Happy Hooker” (1975), George Burns in “Oh God! Book II” (1980).
He was on television from the medium’s earliest days, playing numerous roles in the late 1940s and ’50s, many of them on shows like “Suspense,” “Actor’s Studio” and “The Philco Television Playhouse” that were broadcast live. Some of those roles took advantage of his familiarity with musical instruments.

Among other credits, he did a few cop shows: “Baretta”, “Banacek”, “Cannon”. And he was a regular (“Palindrome”) on “Quark”.

Obit watch: January 21, 2022.

Friday, January 21st, 2022

Marvin Lee Aday, also known as “Meat Loaf”. THR. NYPost. IMDB.

(I can’t confirm it now, but I remember a legend that the NYT did a story about Meat Loaf…and, as is their custom on second and subsequent reference, referred to him as “Mr. Loaf”.)

Edited to add 1/22: Since I posted this obit, the NYT has added a note to their coverage discussing the “Mr. Loaf” story. They assert it is not true. And apparently he preferred to be called “Meat”:

In 1971, Meat Loaf was cast in the Los Angeles production of the musical “Hair.” He later joined the original LA Roxy cast of “The Rocky Horror Show” in 1973, playing the parts of Eddie and Dr. Everett Scott. After the success of the musical, Meat Loaf was asked to reprise his role as Eddie in the 1975 film adaptation, “The Rocky Horror Picture Show,” which became one of the most beloved cult films of all time.

Later, Mr. Steinman was trying to write a post-apocalyptic musical based on “Peter Pan,” but, unable to secure the rights for the tale, he turned the work into “Bat Out of Hell,” bringing in Meat Loaf to give the songs the style and energy that made them hits. The title track alone is a mini-opera in itself, clocking in at nearly 10 minutes and featuring numerous musical breakdowns. The album’s seven tracks also included the songs “Two Out of Three Ain’t Bad” and “Paradise by the Dashboard Light.”

In 2013, he told The Guardian that he was definitely retiring from music after another farewell tour. “I’ve had 18 concussions,” he said. “My balance is off. I’ve had a knee replacement. I’ve got to have the other one replaced.” He wanted to “concentrate more on acting,” he added, since “that’s where I started and that’s where I’ll finish.”

According to his autobiography, Meat Loaf was born on Sep. 27, 1947, but news reports of his age varied over the years. In 2003, he showed a reporter from The Guardian newspaper a passport featuring a birth date of 1951 and later said about the discrepancy, “I just continually lie.”

Obit watch: January 14, 2022.

Friday, January 14th, 2022

Terry Teachout, critic, blogger, playwright, cultural commentator, and biographer, passed away yesterday.

“About Last Night” blog. WSJ (through archive.is). National Review.

I wrote briefly about him and his blog when his wife died. I was still an irregular follower – I tried to check in once a week – but I knew he had found a new love and was excited about that. This seems especially unfair.

On Twitter, he described himself as a “critic, biographer, playwright, director, unabashed Steely Dan fan, ardent philosemite.”

Though he led a sophisticated life of culture in New York, Mr. Teachout retained some of his small-town earnestness. “I still wear plaid shirts and think in Central Standard Time,” he wrote in his memoir. “I still eat tuna casserole with potato chips on top and worry about whether the farmers back home will get enough rain this year.”

I never met Mr. Teachout, though I would have liked to. He seems like one of those good decent people whose passing leaves a void in the world.

Edited to add: tribute from Rod Dreher.

Obit watch: December 22, 2021.

Wednesday, December 22nd, 2021

Sally Ann Howes.

She was most famous as “Truly Scrumptious” in “Chitty Chitty Bang Bang”. She did some TV work, including “Mission: Impossible” and “Run For Your Life”.

She also did a fair amount of theater:

Ms. Howes moved to New York in 1958 when she married the composer-lyricist Richard Adler and made her Broadway debut in Lerner and Loewe’s “My Fair Lady.” She replaced the original star, Julie Andrews, in the role of Eliza Doolittle, the smudged Cockney flower girl who is transformed by the demanding speech lessons of Professor Henry Higgins to a radiant lady from a draggletailed guttersnipe.

Ms. Howes toured Britain in 1973 in “The King and I,” and the United States in 1978 in “The Sound of Music.” In the 1970s and 1980s, she sang operettas like “Blossom Time” and “The Merry Widow” in American regional theaters. A half-century after her triumph as Eliza Doolittle, Ms. Howes toured the United States in 2007 in “My Fair Lady,” playing Mrs. Higgins, the mother of Henry Higgins. It was her 64th year in show business.

Obit watch: November 27, 2021.

Saturday, November 27th, 2021

Stephen Sondheim. THR (I love the Meryl Streep “don’t f–k it up” story). Variety.

I am not the person who should be writing this. I am hoping that the person who should be writing this will send me something I can use here.

But what little I know about musical theater, I know because Mike the Musicologist introduced me to it…by playing me lots of Sondheim’s work.

NYT interview conducted last Sunday. It sounds like he was in full possession of his facilities until the end, and didn’t have any more complaints than the average 91 year old would.

MtM sent me this last night. I confess, I haven’t watched all of it yet (it is over two hours). But: this is the complete original production of “Pacific Overtures“, recorded on June 9, 1976 for broadcast in Japan.

“Pacific is, I think, the least appreciated of Sondheim’s shows, and is probably his most brilliant one.”

I often say, when people die, that the world is a smaller, colder, lesser place. I mean that: there are people whose contributions are so great or important or enlightening or just so much damn fun that, when they die, they leave a hole in the world. Richard Feynman. Ricky Jay. Stephen Sondheim.

Obit watch: November 17, 2021.

Wednesday, November 17th, 2021

Still playing catch up on obits. Please to excuse the shortness here.

Terence Wilson, of UB40.

Graeme Edge, of the Moody Blues.

Clifford Rose, noted actor with the Royal Shakespeare Company. He also did some movie and TV work, including “Doctor Who”.

Geir Vegar Hoel, Norwegian actor. Lawrence and I knew him from “Dead Snow“, a fun little horror movie about Nazi zombies.

Obit watch: November 8, 2021.

Monday, November 8th, 2021

Camille Saviola, actress.

Onstage, she was best known for originating the role of Mama Maddelena, a spa manager, in the original production of “Nine,” the Arthur Kopit-Maury Yeston musical about a film director having a midlife crisis, which opened on Broadway in May 1982 and ran for almost two years. She was featured in a comic number, “The Germans at the Spa.”
But she wasn’t limited to comedy. In 2005, for instance, she starred in a production of “Mother Courage and Her Children,” Bertolt Brecht’s famed antiwar play, in Pasadena, Calif.

She also did some TV and movie work, including multiple appearances on a spinoff of a minor SF TV show from the 1960s.

JoAnna Cameron. Lots of TV work as well, including “The Bold Ones: The New Doctors”, “Columbo”, and most famously, “Isis” on the Saturday morning series.

Aaron Feuerstein. Some of you may remember him from 1995, when he was in the news.

Mr. Feuerstein owned Malden Mills, which made Polartec fabric.

Then, on the night of Dec. 11, 1995, a boiler in one of the factory’s five hulking plants exploded. The shock wave knocked out the state-of-the-art sprinkler system Mr. Feuerstein had just installed, and 45-mile-an-hour winds blew the ensuing fire to three other buildings. The blaze burned for 16 hours, injuring more than 30 workers.
Three days later, most of the plant’s 1,400 workers lined up to receive their paychecks, figuring it might be their last from Malden Mills. Mr. Feuerstein joined them. He handed out holiday bonuses and then announced an even greater gift: He would immediately reopen as much of the plant as he could, replace the buildings he had lost and continue to pay the idled workers for a month — a promise he later extended twice.
Working nonstop, he and his workers got the surviving building, the finishing plant, back in operation just one week later. Mr. Feuerstein bought an empty factory nearby to hold new equipment. By the first weeks of January, hundreds of his employees were back at work. And just 20 months later he opened a gleaming new $130 million complex.

But no good deed goes unpunished, and Mr. Feuerstein’s rebuilding efforts left Malden Mills saddled with debt, even as Polartec sales soared in the late 1990s. In 2001 the company went into bankruptcy; it emerged, two years later, with a restructuring plan that stripped Mr. Feuerstein of his management roles. His attempt to buy the company back was rejected by the new board, and he left in 2004.

Malden Mills did not survive long after Mr. Feuerstein left. The new owners moved Polartec production to New Hampshire and Tennessee in the late 2000s, and in December 2015 — on the eve of the 20th anniversary of the fire — announced that the factory would close at the end of the year.

Obit watch: November 3, 2021.

Wednesday, November 3rd, 2021

Linda Carlson, actress.

She was the TV station owner on “Newhart” and a judge on “Murder One”, among other roles. I was not aware there was a 1993 “Beverly Hillbillies” movie, nor did I know there was an attempt at an “African Queen” TV series. She also did an episode of “Space: Above and Beyond” and appeared in “Honey, I Blew Up The Kid” for those of you looking for genre credits.

Pat Martino, jazz guitarist. This is a little outside of my usual beat (ha!) but it sits at a point I find fascinating: the relationship between music and the brain.

In 1967, when he was in his early 20s, he released his first album, “El Hombre,” on the Prestige label, and a series of well-regarded records followed. At the start of his career he often drew comparisons to earlier jazz guitarists like Wes Montgomery, but by the 1970s he was forging his own sound. “Pat Martino: Breaking Barriers Between Rock & Jazz,” a 1975 headline in The San Francisco Examiner read.
On a tour supporting his first albums for Warner Bros., “Starbright” (1976) and “Joyous Lake” (1977), Mr. Martino began experiencing frequent headaches and seizures, something he had dealt with occasionally since childhood. One seizure came while he was onstage in France in 1976.
“I stopped playing and stood there for about 30 seconds,” he wrote in his autobiography, “Here and Now!” (2011, with Bill Milkowski). “During these moments of seizure, it feels like you’re falling through a black hole; it’s like everything just escapes at the moment.”

Cutting to the chase, he had brain surgery, but was left with total amnesia.

“When you don’t remember something, you have no idea of its existence,” he wrote. “And upon awakening after the surgery, I remembered nothing.
“But it wasn’t a disorienting feeling,” he continued. “If I had known I was a guitarist, if I had known those two people standing by my bedside in the hospital were in fact my parents, I then would’ve felt the feelings that went along with the events. What they went through and why they were standing there looking at me then would’ve been very painful for me. But it wasn’t painful because to me they were just strangers.”
His parents helped him relearn his past, showing him family photographs and playing him his own albums. Picking up the guitar again was another form of memory recovery.
“I had to start from Square 1,” he told The Edmonton Journal of Alberta, Canada, in 2004. “But once I made the decision to try, it activated inner intuitive familiarities, like a child who hasn’t ridden their bicycle for many years and tries to do so again to reach a destination. There are moments of imbalance, but it’s subliminal, and it emerges after some mistakes, and then it strengthens.”
By the mid-1980s he was performing again. Jon Pareles, reviewing one performance, at Fat Tuesday’s in Manhattan in 1986, found Mr. Martino as virtuosic and unpredictable as ever.

In his autobiography, he described the process of recovering the ability to play.
“As I continued to work out things on the instrument,” he wrote, “flashes of memory and muscle memory would gradually come flooding back to me — shapes on the fingerboard, different stairways to different rooms in the house. There are secret doorways that only you know about in the house, and you go there because it’s pleasurable to do so.”
The records he made after his surgery included “All Sides Now” (1997), on the Blue Note label, an album on which he shared tracks with other famed guitarists, including Mr. Paul. Two of his albums, also on Blue Note, were nominated for Grammy Awards, “Live at Yoshi’s” (2001) and “Think Tank” (2003).
His surgery and the recovery period, Mr. Martino said, changed what he was after in his music.“It used to be to do everything I possibly could to become more successful in my craft and my career,” he told the Edmonton paper. “Today, my intention is to completely enjoy the moment and everything it contains.”

Obit watch: October 29, 2021.

Friday, October 29th, 2021

Richard Hammer, author. He wrote two books on the My Lai massacre:

Mr. Hammer’s account of the My Lai slaughter in 1968, “One Morning in the War: The Tragedy of Son My” (1970), was frequently reviewed alongside one by Seymour M. Hersh, who had broken the story — “My Lai 4: A Report on the Massacre and Its Aftermath.” (The village of Son My included the hamlet of My Lai.)
“Richard Hammer — knowing perhaps that Hersh had the jump on him — tried to put the incident in perspective and thereby ended up writing the better book,” the book critic Christopher Lehmann-Haupt wrote in The New York Times.“He took the time,” he added, “to explain the gradual depersonalization of the Vietnamese in American soldiers’ eyes — to make us understand how even women and children begin to seem hated and dangerous.”
Mr. Hammer followed up that book with another centered on the massacre, “The Court-Martial of Lt. Calley,” which John Leonard of The Times numbered among “a handful of public-affairs books published in 1971 that people will be reading a generation from now.” William Styron, writing in The Times Book Review, called it “an honest, penetrating account of a crucially significant military trial.”

Mr. Hammer also wrote and narrated the film “Interviews With My-Lai Veterans” (1970), which won an Oscar for best documentary (short subject).

Additionally, he was a two-time winner of the Edgar award for “best fact crime” for books unrelated to My-Lai: The CBS Murders: A True Account of Greed and Violence in New York’s Diamond District and The Vatican Connection: The True Story of a Billion-Dollar Conspiracy Between the Catholic Church and the Mafia (affiliate links).

Viktor Bryukhanov, the guy who took the rap for Chernobyl.

After serving five years in prison, Mr. Bryukhanov returned to government service in Ukraine to head the technical department in its Economic Development and Trade Ministry.

It really was a different country, wasn’t it?

Sonny Osborne, of the Osborne Brothers.

Best known for their 1967 hit “Rocky Top,” the Osborne Brothers pioneered a style of three-part harmony singing in which Bobby Osborne sang tenor melodies pitched above the trio’s other two voices, instead of between them, as was the custom in bluegrass. Sonny Osborne sang the baritone harmonies, with various second tenors over the years adding a third layer of harmony to round out the bright, lyrical blend that became the group’s calling card.
The Osbornes broke further with bluegrass convention by augmenting Mr. Osborne’s driving yet richly melodic banjo playing — and his brother’s jazz-inspired mandolin work — with string sections, drums and pedal steel guitar. They were also the first bluegrass group to record with twin banjos and, more alarming to bluegrass purists, to add electric pickups to their instruments, abandoning the longstanding practice of huddling around a single microphone.

This is in the NYT article, and I’ve posted this before, but fark that: I’m in the mood right now for some insurrectionist music.

Eleonore von Trapp Campbell, of the von Trapp family.

Mrs. Campbell’s father, Capt. Georg von Trapp, and his first wife, Agathe Whitehead von Trapp, had the seven children who were the basis for the singing family. Maria Kutschera married the captain after Agathe von Trapp died.
Georg and Maria von Trapp had three children, who were not depicted in the movie; Mrs. Campbell was the second. Early on, she sang soprano as a member of the Trapp Family Singers, who performed in Europe before World War II and, after fleeing Nazi-occupied Austria in 1938, continued to do so in the United States and internationally.

Martha Henry. She was 83.

For the last role of her long career, Martha Henry, one of Canada’s finest stage actors, played the character in Edward Albee’s “Three Tall Women” known simply as A. Mr. Albee’s character description reads in part, “a very old woman; thin, autocratic, proud, as together as the ravages of time will allow.”
As Ms. Henry took to the stage at the Stratford Festival in Ontario in August to begin the play’s two-month run, the cancer she had been dealing with for more than a year was well along. She used a walker in the first shows. In September she performed the role from a wheelchair, soldiering on in the demanding part through the final performance, on Oct. 9.

David DePatie, co-creator (with Friz Freleng) of “The Pink Panther”.

George Butler, documentary filmmaker. Among his credits: “Pumping Iron”, aka “the movie that made Arnold Schwarzenegger a star”.

NYT obit for Val Bisoglio.

In an interview with The Daily News of New York in 1977, when he was early in his run on “Quincy” (he eventually appeared in the vast majority of the show’s 148 episodes), Mr. Bisoglio gave himself a nickname of sorts that was a reference to his “Quincy” role but could well have applied to much of a career in which he specialized in making a memorable impression in a brief amount of time.
“Whenever the writers find they’re a little short of time after they wrap up the case,” he explained, “they write in a little scene at the restaurant. It’s only one minute or two, at the most. So I’m the one- or two-minute man.”