Archive for the ‘Theatre’ Category

Obit watch: April 25, 2023.

Tuesday, April 25th, 2023

Harry Belafonte. THR.

Ron Faber. The THR obit concentrates on his stage career, but he did do a few movies and TV shows, including “The Exorcist”, “Law and Order”, and “Romeo Is Bleeding”.

Ginnie Newhart, Bob’s wife.

Ginnie and Bob were set up on a blind date by comedian Buddy Hackett (Ginnie was baby-sitting Hackett’s kids at the time).
“Buddy came back one day and said in his own inimitable way, ‘I met this young guy and his name is Bobby Newhart, and he’s a comic and he’s Catholic and you’re Catholic and I think maybe you should marry each other,’ ” she recalled in a 2013 interview.
They played pool at Buddy and his wife’s home the first time they met.
“It was just silly,” she said in 2005. “I was 20, 21, 21, and I think Bob was 32. And every time somebody would sink a ball in the pocket or whatever you’re supposed to do, [we’d] run around the table with our cue stick singing ‘Bridge on the River Kwai.’

They were married for 60 years.

Obit watch: April 19, 2023.

Wednesday, April 19th, 2023

Tiger McKee, noted firearms trainer. American Handgunner.

I never had the pleasure of taking a course from Mr. McKee, but I did read his AH columns and The Book of Two Guns: The Martial Art of the 1911 Pistol and AR Carbine. (Amazon says I bought that in 2008. Wow.) And I think I knew that he was doing custom Smith and Wessons, but those were probably out of my price range.

This is a bad loss. And 61 seems a lot closer these days.

(Hattip to pigpen51 on this.)

Carol Locatell, actress. Other credits include “M*A*S*H”, “The Pretender”, “The Bold Ones: The New Doctors”…

…and “Mannix” (“Desert Run”, season 7, episode 6.)

Almost a month ago, I posted an obit Lawrence sent me for Gloria Dea. Yesterday, the paper of record ran their own obit.

One of Ms. Dea’s last movie credits was in Ed Wood’s notoriously bad “Plan 9 From Outer Space” in 1957. She later sold insurance and then cars before settling back in Las Vegas.

IMDB. She’s credited as “Girl”.

Freddie Scappaticci.

During the Troubles (that is, the conflict in Northern Ireland), the British Army had a deep cover mole known as “Stakeknife”.

Stakeknife had penetrated the heart of the I.R.A.’s internal security unit, known as the Nutting Squad, a macabre sobriquet evoking the unit’s standard operating procedure — the execution of accused informers with two bullets to the “nut,” or head. Bodies were usually then dumped.

Mr. Scappaticci led that unit.

He was accused of overseeing the torture and killing of more than 30 suspected informers. If, at the same time, he was the British mole called Stakeknife, then he was a paid British agent killing fellow British agents.

There are a lot of people who believe he was Stakeknife. He consistently denied it.

Mr. Scappaticci may well have taken some of his secrets to his grave, shielding government intelligence and military handlers from one of the central moral conundrums of the case: Did the British state collude in the killings in order to protect Stakeknife’s identity?
British officials have described Stakeknife as the “golden egg” and “the jewel in the crown” of their infiltration of the I.R.A. They have said that intelligence he delivered alerted them to myriad I.R.A. operations, saving hundreds of lives.

In 2003, several British newspapers identified Stakeknife as Mr. Scappaticci. He denied the accusations publicly but then dropped out of sight. Several news reports said the British authorities had spirited him away, first to the Italian town of Cassino and then to a witness protection program in Britain.

There is an inquiry going on into Stakeknife. It’s been going on since 2016.

Mr. Boutcher, the head of the Stakeknife inquiry, promised on April 11 that investigators would publish an interim report on their findings this year. But families of victims greeted the news with skepticism.

Wikipedia entry. Why am I reminded of Whitey Bulger?

Obit watch: April 11, 2023.

Tuesday, April 11th, 2023

This is one I’ve been holding for a couple of days because I am lazy and shiftless: James Bowman. countertenor.

When Mr. Bowman started singing professionally in the 1960s, the countertenor — the highest of the male voices, working the same range as female contraltos and mezzo-sopranos — was something of a rarity on opera and concert stages. Alfred Deller, who died in 1979, was the go-to countertenor of the day, but his voice and his acting ability were said to have been limited.
“Bowman was a revolutionary talent,” the critic Rupert Christiansen, revisiting one of Mr. Bowman’s 1970s recordings, wrote in The Daily Telegraph of Britain in 2019, adding that “his technique brought a new power to the countertenor repertory.”

“A friend came up from London and told me that Benjamin Britten was holding auditions for ‘A Midsummer Night’s Dream,’” Mr. Bowman said, referring to Mr. Britten’s 1960 opera, whose Oberon role had originally been written for Mr. Deller. “This is sort of a fairy story — I’d never done anything onstage in my life, but I wrote to Britten and I said, ‘I think I am eminently suited to the role of Oberon.’”
He was invited to audition.
“I knew that you could barely hear the people who had sung the part before,” he said. “So I went to Covent Garden and I made a big noise and socked them between the eyeballs — and it worked! The next thing I knew I was on tour.”
Oberon became one of his signature roles. Mr. Britten wrote other works for him as well, including the part of Apollo in “Death in Venice,” the 1973 Britten opera.

Mr. Bowman was heard frequently in concert settings as well, and he had a knack for deploying his musical gifts to striking effect in famed performance spaces. Tim Page, writing in The New York Times about a two-hour concert of works by Handel recorded at Westminster Abbey in 1985, called his voice “unusually versatile and pleasing.” Twenty years later, also in The Times, Bernard Holland, after catching him in a “Messiah” at St. Thomas Church in Manhattan, said that Mr. Bowman “sang the countertenor parts with a voice and a dramatic personality able to command attention in a crowd.”
His performances and his dozens of recordings encouraged other singers to explore the countertenor repertory, and Mr. Winwood said he was always generous with advice and support for younger singers.
“He would think nothing of hiring a studio and arranging a meeting with young singers who he had never even met,” Mr. Winwood said by email, “and I’m pretty sure he would never charge for his time.”

“He was such a brilliant, instinctive singer and musician, a huge character and incredibly kind and generous,” Mr. Short wrote, “but my fondest memories will always be of him giggling and snorting loudly at something totally outrageous he’d just whispered in the ears of anyone standing close by.”

“We’re a down-to-earth bunch who just happen to like singing in a high register,” he told The Sunday Telegraph of Britain in 1996. “When I look around at my colleagues, I’m struck by how normal most of them are.”

Al Jaffee has passed at 102. THR. Tribute from Mad.

For those who don’t know, he was one of the great old-time “Mad Magazine” guys, perhaps most famous as the creator of the “fold-in” and “Snappy Answers to Stupid Questions”.

Al was named the Reuben Awards’ Outstanding Cartoonist of the Year in 2008 and was inducted into the Will Eisner Hall of Fame in 2013 and the Society of Illustrators’ Hall of Fame in 2014. He holds the Guinness World Record for the longest career as a comic artist, beginning with his first publication in Joker Comics in 1942 and continuing through his time at MAD until his retirement last year.

“I had two jobs all my life,” Jaffee told the Times upon his retirement. “One of them was to make a living. The second one was to entertain. I hope to some extent that I succeeded.”

Myriam Ullens. Noted here because this is an odd story.

She was a single mom and successful pastry chef when she went looking for investors to expand her business. One of the people she went to seek investment from was the billionaire Baron Guy Ullens de Schooten Whettnal (who apparently prefers “Ullens” as the short form).

They fell in love and married. The two of them got out of the business world and into philanthropy, founding (among other ventures) the Ullens Center for Contemporary Art in Beijing.

According to reports, Ms. Ullens and her husband were shot by her stepson while sitting in their car. Her husband was wounded in the leg.

According to the prosecutor’s statement, Nicolas attributed his actions to a family fight over money and said that moments before he shot his stepmother he had been arguing with her and his father at their home and had been asked to leave. He was being held in jail and has been charged with premeditated murder and violating weapons laws, the prosecutor’s office said.

For the record: NYT obit for Michael Lerner.

Elizabeth Hubbard, actress. She doesn’t have that many screen credits beyond the two soaps (“As the World Turns” and “The Doctors”) she was in, but she also did a fair amount of work on Broadway.

Obit watch: March 9, 2023.

Thursday, March 9th, 2023

Great and good FotB Borepatch sent over an obit from Military.com for Jack Holder, who died February 24 at the age of 101.

Mr. Holder was a WWII veteran and a survivor of Pearl Harbor.

The young sailor survived that day by diving into a ditch between airplane hangars to avoid getting strafed by a Japanese pilot.
He went on to fly as a flight engineer on a PBY at Midway, scouting for Japanese forces with squadron VP-23. He later flew missions over Guadalcanal, retrained on the new B-24 and completed his WWII service flying missions over the English Channel. All in all, the young man had himself quite an eventful war.

He wrote a memoir, Fear, Adrenaline, and Excitement which you can get from Amazon.

On the occasion of an honor flight that celebrated his 100th birthday in December 2021, Holder announced that the secret to his long life was “good heart exercise and two scotch and sodas every night.”
There was a party after the 2019 “Midway” screening at the STK Restaurant at the W Hotel, the kind of hip, contemporary joint that makes a lot of folks over the age of 50 uncomfortable. Holder was right at home and was one of the very last people to leave as the night wound down.
The Jack Holder I met was slyly funny, incredibly enthusiastic about meeting new people and very excited about the chance to talk to younger women. The bonus for him was that almost every single woman he met qualified as a younger woman.

The Notorious B.I.G. “B.I.G.” in this case is Bert I. Gordon, who passed away yesterday at 100. THR.

For those of you who don’t know, Mr. Gordon was a monster movie impresario.

Six months after the release of the popular “The Incredible Shrinking Man,” directed by Jack Arnold, American International Pictures distributed Mr. Gordon’s “The Amazing Colossal Man” (1957). Caught in a nuclear accident, the title character grows to 60 feet and is shot by the police in Las Vegas. Variety said the film’s technical aspects were “well handled,” and other reviews were generally positive.

I’ve actually never seen that, but I have the impression that it is pretty good.

In “Beginning of the End” (1957), a scientist (Peter Graves) uses radiation to make giant fruits and vegetables to end world hunger, but a plague of giant grasshoppers that has eaten the food invades Chicago and starts feasting on people. Lured into Lake Michigan with an electronic mating call, the grasshoppers drown. Mr. Gordon did the special effects in his garage, filming 200 grasshoppers jumping and crawling on photos of the city. Reviewers called the special effects absurdly obvious and the screenplay ludicrous.

Elements of the beach-party genre were combined with Mr. Gordon’s usual themes in “Village of the Giants” (1965). A substance called “goo,” produced with a boy’s chemistry set, causes gigantism in a gang of rocking teenagers, who become 30-foot delinquents running amok in a California town. More chemistry-set magic produces an antidote, and all returns to normal. The Los Angeles Times’s reviewer liked the special effects and the “endless views of healthy young torsos gyrating to the rhythms.”

We watched the MST3K version of this one fairly recently. It is not anywhere near as good as the NYT makes it sound.

Orson Welles, often desperate for money to finance his own films, starred in Mr. Gordon’s “Necromancy,” about a sinister man who wields mystical powers over a small town with rituals seeking to bring back the dead.
Ms. Lupino appeared in “The Food of the Gods,” one of three Gordon films loosely based on H.G. Wells tales, which portrayed people on an island fighting overgrown rats, wasps and chickens that have lapped up radioactive stuff that looks like pancake batter oozing from the ground. Vincent Canby of The New York Times called the film “stunningly ridiculous.”

His autobiography on Amazon.

All this was fodder for the hosts of the comedy series Mystery Science Theater 3000, which brought the Gordon canon to a new audience. “I watched it one time, and I didn’t like them making fun of [his work],” he said. “I take my films very seriously.”

Left out of most discussions I’ve seen: “Tormented”, which we also watched the MST3K version of. I don’t think it is as bad as “Village of the Giants”…

(Yeah, I might be a little unfair in referencing the MST3K versions. But for the ones I’ve seen, I’ll steal a line from Gene Siskel about another movie: “If the third reel had been the missing footage from Orson Welles’ The Magnificent Ambersons, this movie still would have sucked.”)

Chaim Topol, or just “Topal”, of “Fiddler on the Roof” fame. THR.

Other credits include both “The Winds of War” and “War and Rememberance”, “SeaQuest 2032”, “For Your Eyes Only”, and he played Dr. Zarkov in the 1980 “Flash Gordon”.

Obit watch: February 6, 2023.

Monday, February 6th, 2023

Charles Kimbrough.

Ignoring “Murphy Brown” for the moment, he was also in the original Broadway casts of both “Company” and “Sunday in the Park With George”, among other theater credits.

Interesting side note: in 2002, he married Beth Howland, who was also in the original Broadway cast of “Company”.

Pervez Musharraf, former ruler of Pakistan.

Harry Whittington, most famous as the man Dick Cheney shot.

As a lawyer and investor, Mr. Whittington was a fierce proponent of property rights. He repeatedly questioned the city of Austin’s use of eminent domain to acquire private property — some of it his own — for public purposes.

In 1979, Gov. Bill Clements appointed Mr. Whittington to the Texas Corrections Board (now the Board of Criminal Justice), where he was the only Republican on a nine-member panel that had tended to rubber-stamp everything prison managers wanted.
“It was time for somebody to question,” Mr. Whittington said in an interview with The Austin American-Statesman. “There was no other way I knew how to do it.”
He uncovered secrets that stunned him: drug-running by prison officials, no-bid contracts, families paying off guards to protect their loved ones. At meetings, he asked hard questions.
His tenacity led to the creation of a separate unit for developmentally disabled prisoners and an end to wardens’ using prisoners to punish other inmates.

Lawrence emailed an obit for Shlomo Perel, Holocaust survivor with an interesting story.

So this man poses as an Aryan in order to appease the insane, fanatical Nazi Herrenrasse machine, becomes a Nazi translator, is conscripted into the Hitler Youth, and then joins the German military. That’s a fraught path to take.

Fred Terna, also a Holocaust survivor. He became famous for abstract art inspired by his experience.

Mr. Terna’s art became his Holocaust testimony. In acrylic works like “In the Likeness of Fire” and “An Echo of Cinders,” he painted in reds, yellows, oranges and blues to illustrate the flames that incinerated Jews in crematories. In some paintings, he used sand pebbles to represent ashes.
“I know how the fire of a crematorium chimney casts flickering light on a barrack wall,” he wrote in 1984 for the Berman Archive at Stanford University, which documents American Jewish communities. “How does one paint the near certainty of violent personal annihilation? How does one paint, and then make a viewer want to stop, to look at a canvas, to react to it?”

I know that some people would like for me to include photos. Pretty much all of the time, the obits I link to include photos. I’ve always generally assumed that, if you were that interested in the obit, you’d click through to the link, and including photos here would make these entries longer (and possibly infringe on intellectual property rights). I am trying to make more of an effort to link to archived articles, so people don’t have to navigate paywalls.

What do you guys think? Am I wrong about this?

Obit watch: December 20, 2022.

Tuesday, December 20th, 2022

I have spent the past few days running around with Mike the Musicologist, so I haven’t really had a chance to post obits. Not that I’m complaining, but I did get a little behind.

Marion Smith, cave explorer.

…he was roundly considered the Greatest of All Time. He explored 8,291 separate caves — far more than anyone on record, ever. He climbed up and down some two million feet of rope.
He was especially taken with vertical caving: He descended more than 3,000 underground pits deeper than 30 feet, often dangling freely in the abyss on a rope no thicker than a thumb.

Mr. Smith developed a reputation as the guy who seemed to be everywhere, every weekend, constantly announcing new finds, pushing into unknown spaces without a whiff of fear. In 2014 he was pinned under a boulder for nine hours. Three years later he was hit in the temple by a fist-size rock that fell from 40 feet. In both cases he went to the hospital, and in both cases he was back underground within days.

In 1998 Mr. Smith was part of a team of cavers who discovered a 4.5-acre, 350-foot-tall underground chamber in East Tennessee they named the Rumble Room. They kept it secret for four years while they explored and mapped it, and they revealed it to the public only when a nearby town threatened to use an adjacent cave as part of a new sewage system.
“I didn’t want to let the cat out,” Mr. Smith told The Tennessean newspaper in 2002. “I wanted to keep it in the bag longer.”

Caves were his life, but exploring them was not his only passion. He was perhaps the world’s leading expert on the history of mining for saltpeter, a primary ingredient in gunpowder, which in the 19th century was often harvested from caves.
In the 2010s he joined with Joseph Douglas, a historian at Volunteer State Community College in Gallatin, Tenn., in a project to document the thousands of signatures left by Confederate and Union soldiers in Mammoth Cave, in central Kentucky. Mr. Smith was particularly taken with researching the men themselves, and he ultimately wrote about 80 miniature biographies.
“He called it the history of the obscure, but it took a great level of patience and attention to fine detail,” Dr. Douglas said in a phone interview.

Dino Danelli, drummer for the Rascals.

Sonya Eddy, actress.

Tom Browning, pitcher for the Cincinnati Reds.

On September 16, 1988, Browning tossed a perfect game against the Dodgers in a 1-0 victory, striking out Tracy Woodson to ensure his place in history.
Browning was 123-90 in his 12-season career, with his first 11 seasons in Cincy and two starts at the end of his career with the Royals. Browning was inducted into the Reds Hall of Fame in 2006.

Terry Hall, of The Specials and Fun Boy Three.

Stephanie Bissonnette. She was in “Mean Girls the Musical” and died at 32.

Obit watch: December 8, 2022.

Thursday, December 8th, 2022

Lawrence sent over an obit for Al Strobel, the one-armed man from “Twin Peaks”.

Representative Jim Kolbe (R-Arizona).

Sal Durante, historical footnote. He caught the ball from Roger Maris’s 61st home run.

Mills Lane. He was the ref in the Mike Tyson and Evander Holyfield 1997 fight (that was the ear biting one) and later went on to have a syndicated court show.

“Stomp”. 29 years off-Broadway.

“KPOP”. the musical. 17 regular performances on Broadway and 44 previews.

Since it began previews in October, the new musical has often made less than $200,000 a week, ranking among the lowest-grossing in weekly industry tallies. Capacity has remained fairly healthy but alongside a low average weekly ticket price. The quick closing means KPOP will not be able to benefit from the traditional boost in ticket sales that comes around the holidays and for which many shows hold out for.

I had forgotten about the associated drama: the NYT pretty much panned the show, the producers accused the NYT of racism, and the NYT basically responded with the bedbug letter.

“Wonder Woman 3”.

Obit watch: November 30, 2022.

Wednesday, November 30th, 2022

Jiang Zemin, former Chinese leader.

Michael Feingold, dramaturge and theater critic. I’m not sure I would have noted this otherwise, but the obit does quote some of his funnier lines. (My quoting those here does not indicate that I necessarily agree with his judgments, just that they made me chuckle.)

He once dismissed Andrew Lloyd Webber, whose music is often said to be derivative, with this line: “Webber’s music isn’t so painful to hear, if you don’t mind its being so soiled from previous use.”

“Every civilization gets the theater it deserves, and we get ‘Miss Saigon,’ which means we can now say definitively that our civilization is over,” he wrote. “After this, I see no way out but an aggressive clearance program: All the Broadway theaters must be demolished, without regard for their size, history or landmark status.”
He went on to list assorted other things that also needed to be done away with, including the staff of The New York Times (where the critic Frank Rich had praised the show). Also, he said, “Cameron Mackintosh and his production staff should be slowly beaten to death with blunt instruments; this year’s Pulitzer Prize judges in drama could be used for the job.” Those judges had, weeks earlier, given the drama Pulitzer to Mr. Simon for “Lost in Yonkers.”

He translated numerous European works for the American stage, especially those of Bertolt Brecht and Kurt Weill. His adaptation of the Brecht-Weill collaboration “Happy End” even made Broadway in 1977, with Meryl Streep and Christopher Lloyd in the cast. He shared Tony nominations for the book and for the score. He earned another Broadway credit in 1989 for his translation of another Brecht-Weill work, “Threepenny Opera.” His translation earned some favorable comments, but critics trashed the show, which featured the rock star Sting.

He was also an early advocate of August Wilson’s work.

Obit watch: October 12, 2022.

Wednesday, October 12th, 2022

Angela Lansbury. THR. Appreciation. Variety.

Everybody has something to say about this, and I don’t have anything profound to add.

Obit watch: October 11, 2022.

Tuesday, October 11th, 2022

Austin Stoker, actor. Other credits include “Riding with Death” (“Dimwitted, meaty guy foils criminals by turning invisible.”), “Airwolf”, “Lou Grant”, “Chopper One”, “McCloud”, and “Airport 1975”.

Lawrence sent over an obit from Publisher’s Weekly for Jill Pinkwater, author, illustrator, and spouse of Daniel Pinkwater.

Eileen Ryan. Credits include “Eight Legged Freaks”, “The Twilight Zone”, “Cannon”, and “Marcus Welby, M.D.”.

NYT obit for Nikki Finke, just for the record.

Obit watch: October 7, 2022.

Friday, October 7th, 2022

Judy Tenuta. THR.

Charles Fuller, playwright. He won a Pulitzer in 1982 for “A Soldier’s Play” (which was later adapted for film as “A Soldier’s Story”).

Günter Lamprecht, German actor.

Before “Berlin Alexanderplatz,” Mr. Lamprecht appeared in a number of Mr. Fassbinder’s films and television series, starting with the 1973 science fiction epic “The World on a Wire.” Mr. Lamprecht returned for the director’s breakthrough international hit, “The Marriage of Maria Braun,” but it was his herculean performance in “Berlin Alexanderplatz” that won Mr. Lamprecht the greatest praise of his career.

IMDB. For the record, he was in “Das Boot”.

Obit watch: October 4, 2022.

Tuesday, October 4th, 2022

Loretta Lynn. Alt link. THR.

Her voice was unmistakable, with its Kentucky drawl, its tensely coiled vibrato and its deep reserves of power. “She’s louder than most, and she’s gonna sing higher than you think she will,” said John Carter Cash, who produced Ms. Lynn’s final recordings. “With Loretta you just turn on the mic, stand back and hold on.”

In “Hey Loretta,” a wry 1973 hit about walking out on rural drudgery written by the cartoonist Shel Silverstein, she sang, “You can feed the chickens and you can milk the cow/This woman’s liberation, honey, is gonna start right now.” Silverstein also wrote the beleaguered housewife’s lament “One’s on the Way,” a No. 1 country hit for Ms. Lynn in 1971.

Survivors include a younger sister, the country singer Crystal Gayle; her daughters Patsy Lynn Russell, Peggy Lynn, Clara (Cissie) Marie Lynn; and her son Ernest; as well as 17 grandchildren; four step-grandchildren; and a number of great-grandchildren. Another daughter, Betty Sue Lynn, and another son, Jack, died before her.
She also leaves legions of admirers, women as well as men, who draw strength and encouragement from her irrepressible, down-to-earth music and spirit.
“I’m proud I’ve got my own ideas, but I ain’t no better than nobody else,” she was quoted as saying in “Finding Her Voice” (1993), Mary A. Bufwack and Robert K. Oermann’s comprehensive history of women in country music. “I’ve often wondered why I became so popular, and maybe that’s the reason. I think I reach people because I’m with ’em, not apart from ’em.”

Joan Hotchkis. A lot of theater work, and a fair number of TV credits. “The F.B.I.”, “My World and Welcome to It” (somebody needs to release that on home video), “Medical Center”, “Marcus Welby, M.D.”…

…and “Mannix”. (“To Draw the Lightning”, season 5, episode 22. “With Intent to Kill”, season 4, episode 17.)