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Obit watch: September 23, 2021.

Thursday, September 23rd, 2021

Melvin Van Peebles.

A Renaissance man whose work spanned books, theater and music, Mr. Van Peebles is best known for his third feature film, “Sweet Sweetback’s Baadasssss Song,” which drew mixed reviews when it was released in 1971, ignited intense debate and became a national hit. The hero, Sweetback, starred in a sex show at a brothel, and the movie sizzled with explosive violence, explicit sex and righteous antagonism toward the white power structure. It was dedicated to “all the Black brothers and sisters who have had enough of The Man.”

…

In addition to making movies, Mr. Van Peebles published novels, in French as well as in English; wrote two Broadway musicals and produced them simultaneously; and wrote and performed spoken-word albums that many have called forebears of rap.
Over the course of his life he was also a cable-car driver in San Francisco, a portrait painter in Mexico City, a street performer in Paris, a stock options trader in New York, the navigator of an Air Force bomber, a postal worker, a visual artist and, by his own account, a very successful gigolo.

…

…Columbia Pictures then hired him to direct “Watermelon Man” (1970), a satirical comedy about a white bigot, played by Godfrey Cambridge, who turns into a Black man.
Columbia wanted Mr. Van Peebles to shoot alternative endings — one in which the protagonist becomes a Black militant, and another in which he discovers that it was all a dream. Mr. Van Peebles said he “forgot” to shoot the second ending.
Disliking working for a studio, he set out to be an independent filmmaker. To make “Sweetback,” for $500,000, he combined his $70,000 savings with loans, used a nonunion crew and persuaded a film lab to extend him credit.
The plot of the movie concerns a man who attacks two crooked police officers and then escapes as a fugitive to Mexico, vowing to return and “collect some dues.” Only two theaters, in Detroit and Atlanta, would show the movie at first, but it caught fire and for several weeks outgrossed “Love Story.” Its American box office exceeded $15 million (about $100 million in today’s money), a bonanza for an independent film at the time.

Barbara Campbell Cooke. She actually passed away in April at 85, but her family didn’t make an announcement until recently.

Their story started out as if lifted from one of his love songs. Sam Cooke was 18 and Barbara Campbell was only 13 when they met on the South Side of Chicago.

She married Sam Cooke in 1959 (or 1958, according to Wikipedia). When he died in 1964, she married Bobby Womack (who worked with Sam Cooke) three months later. He was 19, she was 29, and a lot of fans were not happy.

But it upset many people to see Mr. Womack, sometimes in Mr. Cooke’s clothes, squiring Mr. Cooke’s widow about. The couple received hate mail, including a package containing a baby doll in a coffin. At a Nancy Wilson concert, when Ms. Wilson introduced the couple sitting in the audience, the crowd booed. In his telling, Mr. Womack, goaded by his new wife, took to cocaine. He also began a sexual relationship with the Cookes’ daughter, Linda, by then a teenager. When Barbara found them in bed, she shot Mr. Womack, the bullet grazing his temple. (Ms. Cooke was not charged, according to Mr. Womack’s book.) They divorced in 1970.

The sad goes on. The Cookes had a son who died at 18 months. Ms. Cooke and Mr. Womack also had a son who strugged with addiction and killed himself at 21.

Bobby Womack experienced fame early on when the Rolling Stones covered his 1964 song “It’s All Over Now,” their first No. 1 hit. He died in 2014 at 70, but not before suffering other tragedies. Another son of his, Truth, died when he was a baby, and Mr. Womack’s brother Harry was murdered by a girlfriend.
“I don’t speak to Barbara no more,” Mr. Womack wrote in his memoir. “Linda doesn’t speak to her. Haven’t spoken to Cecil for years. No one speaks to no one.”

Al Harrington. He was “Ben Kokua” in the good 5-0 (his character replaced Kono), and was a surf shop owner in the bad 5-0. Also a couple of appearances on “Jake and the Fatman”, among other credits.

When Harrington left the show in 1975, he launched a second-act career as a Waikiki showroom headliner and recording artist known affectionately as “The South Pacific Man.” He retired from the stage in 1992, and spent the next 13 years living on the mainland doing film work in Utah and California.

Roger Michell, director. Most of his films were British, but he’s perhaps best known for “Notting Hill” (that Julia Roberts/Hugh Grant movie) and “Changing Lanes” (the Ben Affleck/Samuel L. Jackson movie).

Later films included Hyde Park on Hudson, a historical drama starring Bill Murray as President Franklin D. Roosevelt, and The Duke, a real-life art heist story starring Jim Broadbent and Helen Mirren that premiered at the 2020 Venice Film Festival.

NYT obit for George Holliday.

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Obit watch: September 22, 2021.

Wednesday, September 22nd, 2021

Loral I Delaney, well known dog trainer…and legendary trapshooter.

An animal lover who as a young girl kept as pets every creature from raccoons to skunks, Delaney at age 5 headlined her first dog act in 1943 at the Northwest Sportshow in Minneapolis.
When she returned to the same stage a year later, the Minneapolis Tribune gushed, “The tiny daughter of Fred Armstrong put her two beautiful black Labradors through a retrieving act that literally brought down the house.”
In the nearly six decades that followed, Delaney and her dogs would appear at sports shows from New York to Los Angeles. She often drove herself, pulling a trailer full of Labradors, setters, pointers and Chesapeake Bay retrievers.

…

Trapshooting brought Delaney still wider acclaim. The first time she competed at the Minnesota State Trapshoot at age 19, she won the women’s title, breaking 197×200. At the same competition, she won the handicap in a shoot-off with five men.
A member of the National Trapshooting Hall of Fame, Delaney was named to every All-American Trapshooting team from 1966 to 1981, with the exception of one year. She won the Women’s World Flyer Championships four times. She shot on the U.S. Women’s Trapshooting Team before women’s trapshooting was included in the Olympics. And she and Chuck won the husband-wife U.S. trapshooting title four times.
Delaney also won seven Grand American World Trapshooting Championships, include five years consecutively, and was the only woman to win more than two in a row and more than four total.

Bennie Pete, leader of the New Orleans brass band, the Hot 8.

The Hot 8 began playing for tips on Bourbon Street and in Jackson Square, in the heart of the French Quarter. They performed outside a housing project in the Central City neighborhood, where people sat down with bags of crawfish and bottles of Abita beer to listen. Mr. Pete once found himself leading a jazz funeral for a dog.
“He was a popular dog for one of the popular musicians,” he told Esquire magazine in 2014, “and they threw a big second-line parade through the streets for him. They’d make a reason to party.”
By 2000, the Hot 8 had established itself as part of a vanguard of young brass bands that were upholding the jazz and funk traditions of New Orleans yet playing with a contemporary sound. The Hot 8’s repertoire included songs by the Specials and Marvin Gaye, and the band incorporated rap and hip-hop into its style. The musicians led second lines on Sundays for social aid and pleasure clubs; crowds formed at night to watch them play in bars in the Treme neighborhood.

Post Katrina, the Hot 8 led the effort to keep New Orleans’s musical heritage intact.

Two months later, the Hot 8 regrouped to lead the first jazz funeral in New Orleans after the storm. The band played with donated instruments, and members of the procession wore salvaged pieces of finery. The parade, which honored a celebrated chef, Austin Leslie, started at Pampy’s Creole Kitchen in the Seventh Ward before ambling to the former site of Chez Helene, where a sign greeted the marchers: “We won’t bow down. Save our soul.”
As despair weighed on the city, the Hot 8 began performing at evacuation shelters and emergency medical centers. They drove around in a van, stopping to jam for crowds until little second lines formed, before heading to another part of town. It wasn’t long before they became local heroes.
“Bennie wanted to play for these people to give them that New Orleans love that was missing,” his wife said. “He and the band got busy spreading the culture around.”

They were featured in Spike Lee’s “When the Levees Broke” and got a record deal.

Released in 2012, “The Life & Times Of …” was nominated for a Grammy Award as best regional roots music album. The group released “Tombstone,” a sister album also based on the theme of remembrance, the next year. The Hot 8 was also featured on a 2015 compilation album, “New Orleans Brass Bands: Through the Streets of the City,” on the Smithsonian’s Folkways label.
“Everything kind of worked,” Mr. Pete told Esquire. “Yeah, we are the Hot 8 who went through these things, but we’re still here, and this is who we are after the storm.”

…

But even as music returned to New Orleans after the storm, the Hot 8 endured more misfortune. Their snare drummer, Dinerral Shavers, was shot dead in his car in December 2006. It was only the latest in a series of tragedies for the band.
In 1996, the trumpet player Jacob Johnson was shot in the head at his home. In 2004, the trombonist Joseph Williams was killed in an encounter with the police. And just after Katrina, the trumpeter Terrell Batiste lost his legs in a road accident.

Mr. Pete was 45 years old. He died from complications of COVID and sarcoidosis, according to his family.

Willie Garson, from “Sex and the City”.

In addition to the “Sex and the City” movies, Mr. Garson worked with the Farrelly brothers in some of their films, including “Kingpin” (1996), “There’s Something About Mary” (1998) and “Fever Pitch” (2005).
He also played Lee Harvey Oswald three times, in the film “Ruby” (1992) and on the TV shows “Quantum Leap” and “MADtv.”

Saadi Yacef. He was a major figure in the Algerian revolt.

Mr. Yacef became involved in opposition movements while still a teenager and in 1954 joined the Front de Libération Nationale, the F.L.N., the leading nationalist organization during the war for independence. The war lasted from 1954 to 1962, ending with the country’s liberation from France.
He became the organization’s military chief in Algiers in 1956, ordering bombings and other guerrilla attacks until his arrest by French paratroopers the next year in the part of the city known as the casbah. He was sentenced to death.
“While I was in prison the executions were always done at dawn,” he told The Sunday Herald of Glasgow, Scotland, in 2007, “so when I saw the sun coming through the prison bars I knew I was going to live through another day. But I was very certain that I would be executed.”

Charles de Gaulle eventually freed him. And then he went on to act in Gillo Pontecorvo’s “The Battle of Algiers”.

With a script based on his book, he met with Mr. Pontecorvo, who was said to have been considering his own movie about the Algerian War, one that he hoped would star Paul Newman as a French paratrooper turned journalist. Mr. Yacef and his backers nixed that idea, and Mr. Pontecorvo found Mr. Yacef’s script propagandistic, but they continued to talk. Mr. Yacef arranged to bring Mr. Pontecorvo and his screenwriter, Franco Solinas, to Algiers for an extended stay so they could study up on the revolution, see locations where the fighting had occurred and meet people who had fought.
The resulting movie, filmed in Algeria with Mr. Yacef as a producer, had its premiere at the Venice Film Festival in 1966 and caused a sensation for its startling realism. Some scenes, especially of bombings, looked so authentic that the film in its initial showings was preceded by a disclaimer saying that no newsreel footage had been used.

I have “The Battle of Algiers” but haven’t watched it yet. It is a tough sell for the Saturday Night Movie Group, especially since I sort of forced them to watch another movie about the Algerian revolt (“Lost Command“, based on The Centurions by Jean Lartéguy).

Posted in Guns, History, Music, Obits | Comments Closed

Obit watch: August 29, 2021.

Sunday, August 29th, 2021

Ed Asner. THR. Variety.

Stipulated: he was a cranky old liberal whose politics drove me up a tree.

But: Lou Grant.

He made a point of largely avoiding comedy — out of fear, he said in a 2002 appearance at Vanderbilt University, and because “in those days you got discovered by doing the drama shows as a guest star.” But he agreed to audition for “The Mary Tyler Moore Show” because, as he said in an Archive of American Television interview, Lou Grant “was the best character I’d ever been asked to do” in either television or film.
Lou was a hard-drinking, straight-shooting, short-tempered journalist who had tender emotions but did not plan to show them; a strong aura of professional and personal integrity; a fear that he had outlived his era; and “a great common core of honor,” as Mr. Asner told Robert S. Alley and Irby B. Brown, the authors of “Love Is All Around: The Making of ‘The Mary Tyler Moore Show.’”

416 credits in IMDB as an actor. That’s impressive. And he did do more than a few cop shows, including both the good and bad “Hawaii 5-0”, but never a “Mannix”.

(Here’s an IMDB list of people with over 300 acting credits. Mr. Asner is listed at #92, but the list hasn’t been updated and his count is off. Also, many of the people ahead of him are either porn actors or voice actors: Mel Blanc comes in at #9 with 1,220 credits. Eric Roberts and James Hong are the first two non-porn, not primarily a voice actor, people I recognize: Roberts with 638 credits and Hong with 444 to date.)

(What about “Up”? No comment. I’ve never seen it.)

There are times when I just want to quote the entire NYT lead: not because I’m lazy (though I am) but because they encapsulate the obit so perfectly, anything I could say would be superfluous.

Inge Ginsberg, who fled the Holocaust, helped American spies in Switzerland during World War II, wrote songs in Hollywood and, in a final assertion of her presence on earth, made a foray into heavy metal music as a nonagenarian, died on July 20 in a care home in Zurich. She was 99.

Seriously, just go read this one.

For the historical record, obits from the paper of record for:

William G. Clotworthy.

Lloyd Dobyns.

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Obit watch: August 25, 2021.

Wednesday, August 25th, 2021

Charlie Watts. THR. THR 2. BBC.

I am slightly tempted to make “never call me your drummer again” a “leadership secret of a non-fictional character” – indeed, someone on Hacker News cited this as an example of managing a high-performing team – but I can’t condone punching a cow-orker. Even if they do suffer from “lead singer’s disease”.

Buckie Leach, coach of the US women’s foil team. Lee Kiefer, one of his team members, became the first US woman to win an individual gold at the most recent games.

Mr. Leach was killed in a motorcycle accident.

Leach was riding alone on a trip from Colorado Springs to New York City when his motorcycle struck a deer on a rural road in Pike Township, about 50 miles northwest of Philadelphia, according to the Pennsylvania State Police. The police did not describe the nature of his injuries but said he was wearing a helmet at the time, about 6:35 p.m.

Lloyd Dobyns Jr., noted NBC news correspondent. He’s another one of those NBC news guys I remember from when I was young.

I intended to note this a few days ago, but it got past me: Igor Oleksandrovych Vovkovinskiy passed away at 38. Mr. Vovkovinskiy was the tallest man in the United States: 7 feet, 8 inches.

Posted in Music, Obits, Sports, TV | Comments Closed

Obit watch: August 24, 2021.

Tuesday, August 24th, 2021

Bill Clotworthy. You almost certainly never heard of him, but you’ve seen his work.

Or, perhaps more accurately, you haven’t seen his work.

Mr. Clotworthy was a long time “standards and practices executive” – in other words, a network censor – for NBC. His nickname was “Doctor No”.

Censors are “hard working, dedicated professionals trying to make television acceptable to a large and culturally diverse audience and, not incidentally, to keep the FCC and the U.S. Congress off the backs of their employers,” he wrote.

…

In a 2002 interview, Clotworthy described one SNL sketch that never made it to air:
It revolved around “a bunch of guys in a fraternity house trying to light farts,” he recalled. “You didn’t see anything, but you heard the voiceover and then there was this big explosion, and Joe Piscopo was dressed as Smokey the Bear, and he came out and said that should be a lesson to everyone — don’t fart with fire.”
He said he was OK with it but was overruled by his boss.

…

After his retirement, Clotworthy became a prolific author and lecturer who traveled the U.S. to conduct research for his books on George Washington and first ladies and for his guidebooks to presidential homes, libraries and notable sites. He was an enthusiastic genealogist for more than 50 years.

Those sound really cool. Amazon doesn’t list them, but there is a Kindle edition of Saturday Night Live: Equal Opportunity Offender: The Uncensored Censor.

Stretching the definition of an obit here, but: there was an unveiling ceremony for Dorothy Parker’s tombstone on Monday.

The story of Dorothy Parker’s ashes is almost as weird as the story of Evita’s body. After her death, her ashes sat in a crematory for six years, then in a filing cabinet in the former office of her (retired) lawyer. In 1988, her ashes were turned over to the NAACP (“In her will, she bequeathed her estate to Martin Luther King Jr., and upon King’s death, to the NAACP.“)

The NACCP set up a memorial outside their headquarters in Baltimore. But when they moved in 2020, the organization returned the ashes to her family, who reburied them in Woodlawn Cemetery.

The New York Distilling Company in Williamsburg issued a commemorative gin to pay for the headstone.
Along with the gin, mourners left red roses near Parker’s grave, which lies next to those of her parents and grandparents.
The family plot is in a section of the 400-acre cemetery that includes the graves of writers such as Herman Melville and E.L. Doctorow — as well as a man dubbed “The Father of Mixology,’’ 19th century New York City bartender Jerry Thomas.

Brian Travers, founding member of UB40. Brain tumor got him at 62.

Marilyn Eastman, “Helen Cooper” in “Night of the Living Dead”.

Posted in Books, History, Movies, Music, Obits, TV | Comments Closed

Obit watch: August 22, 2021.

Sunday, August 22nd, 2021

Tom T. Hall. THR.

Known to his fans and fellow musicians as “the Storyteller,” Mr. Hall was among a small circle of Nashville songwriters, including Kris Kristofferson, Roger Miller and others, who imbued country lyrics with newfound depth and insight in the 1960s and ’70s. As his nickname suggests, he was a skilled narrator, although he told his stories less through the unfurling of linear plots than through the presentation of one-sided conversations or interior monologues that invited listeners into the lives of his often conflicted protagonists.

…

Backed by lean, uncluttered arrangements typically played by first-call Nashville session musicians, Mr. Hall’s songs were both straightforward and closely observed, forcing listeners to look at the world, and their preconceived notions about it, in a new light. Concerned with everyday lives and struggles, Mr. Hall’s concise, understated tales had the impact of well-wrought short stories. (He also wrote two volumes of short fiction and two novels.)

…

In Mr. Hall’s career as a recording artist, which spanned more than two decades, he placed a total of 54 singles on the country charts. He also released more than three dozen albums, including two bluegrass projects: “The Magnificent Music Machine,” a 1976 collaboration with Bill Monroe, and “The Storyteller and the Banjoman” (1982), with Earl Scruggs.

…

In 2015, music legend Bob Dylan singled out Hall for some harsh criticism in a rambling speech at a MusiCares event. He called Hall’s song, “I Love,” “a little overcooked,” and said that the arrival of Kristofferson in Nashville “blew ol’ Tom T. Hall’s world apart.”
The criticism apparently confused Hall, as he considered Kristofferson a friend and a peer, and when asked about Dylan’s comments in an 2016 article for American Songwriter magazine, he responded, “What the hell was all that about?”

Don Everly.

The most successful rock ’n’ roll act to emerge from Nashville in the 1950s, Mr. Everly and his brother, Phil, who died in 2014, once rivaled Elvis Presley and Pat Boone for airplay, placing an average of one single in the pop Top 10 every four months from 1957 to 1961.
On the strength of ardent two-minute teenage dramas like “Wake Up Little Susie” and “Cathy’s Clown,” the duo all but single-handedly redefined what, stylistically and thematically, qualified as commercially viable music for the Nashville of their day. In the process they influenced generations of hitmakers, from British Invasion bands like the Beatles and the Hollies to the folk-rock duo Simon and Garfunkel and the Southern California country-rock band the Eagles.
In 1975 Linda Ronstadt had a Top 10 pop single with a declamatory version of the Everlys’ 1960 hit “When Will I Be Loved.” Alternative-country forebears like Gram Parsons and Emmylou Harris were likewise among the scores of popular musicians inspired by the duo’s enthralling mix of country and rhythm and blues.
Paul Simon, in an email interview with The Times the morning after Phil Everly’s death, wrote: “Phil and Don were the most beautiful sounding duo I ever heard. Both voices pristine and soulful. The Everlys were there at the crossroads of country and R&B. They witnessed and were part of the birth of rock ‘n’ roll.”

Tony Mendez, David Letterman’s “Cue Card Boy” and star of “The Tony Mendez Show”.

Posted in Music, Obits, TV | Comments Closed

Obit watch: August 16, 2021.

Monday, August 16th, 2021

Michael Thomas, author. (“Green Monday”.)

Nanci Griffith, noted folk singer.

While Ms. Griffith often wrote political and confessional material, her best-loved songs were closely observed tales of small-town life, sometimes with painful details in the lyrics, but typically sung with a deceptive prettiness. Her song “Love at the Five and Dime,” for example, tracks a couple’s romance from its teenage origins when “Rita was 16 years/Hazel eyes and chestnut hair/She made the Woolworth counter shine” through old age, when “Eddie traveled with the barroom bands/till arthritis took his hands/Now he sells insurance on the side.”
The song was a country hit in 1986 — but for Kathy Mattea, not for Ms. Griffith. Similarly, while Ms. Griffith was the first person to record “From a Distance,” written by Julie Gold, the song was later a smash hit for Bette Midler.
Ms. Griffith sometimes affected a folkie casualness toward mainstream success. She told Rolling Stone in 1993 that she didn’t mind that Ms. Mattea had the hit version of “Love at the Five and Dime”: “It feels great that Kathy has to sing that for the rest of her life and I don’t.”

…

Ms. Griffith was a living link not just to earlier songwriters, but also to the music of Ireland (she played with the Chieftains) and Texas (she toured with the surviving members of Buddy Holly’s band, the Crickets).

Donald Kagan, historian. I never met him, but he sounds like someone whose books I want to read.

Professor Kagan was considered among the country’s leading historians. His four-volume account of the Peloponnesian War, from 431 B.C. to 404 B.C., was hailed by the critic George Steiner as “the foremost work of history produced in North America in the 20th century.”
He was equally renowned for his classroom style, in which he peppered nuanced readings of ancient texts with references to his beloved New York Yankees and inventive, sometimes comic exercises in class participation, like having students form a hoplite phalanx to demonstrate how Greek soldiers marched into combat.
A strong believer in the timeless virtues of Western civilization and the need for countries to project power in a lawless world, Professor Kagan was often categorized as a conservative. He more or less agreed: He called himself a “Harry Truman Democrat,” but by the late 1960s he had come to believe that the Democratic Party, and much of the academic world, had drifted too far to the left.
He was hard to pin down, though. He disliked Richard Nixon and, more recently, Donald Trump, but he was a fan of Reagan, whose commitment to a strong military and willingness to confront the Soviet Union seemed to him to embody the Greeks’ “mental and intellectual toughness in confronting the human condition.”

…

Professor Kagan fell in love with Cornell, especially the collegiality of its faculty. But in 1969, when armed Black students took over an administration building, demanding the creation of an Africana studies center and amnesty for fellow students who had been disciplined for an earlier protest, the university’s decision to negotiate with them struck him as a capitulation to violence. Months later he decamped for Yale. The crisis at Cornell was, he later said, the worst experience in his life.
Though he at first admired Kingman Brewster, Yale’s president, for his stand against campus radicalism, in 1974 Professor Kagan publicly criticized him after the university canceled a speech by William Shockley, a Stanford physicist and Nobel Prize winner who believed that Black people were genetically inferior. Professor Kagan strongly disagreed with Shockley’s views, but he believed the university should be exposing students to challenging points of view.
In response to that criticism, Mr. Brewster asked the historian C. Vann Woodward to write a report about campus speech, and later adopted many of its proposals that lined up with Professor Kagan’s views.

…

Professor Kagan’s passion for ancient Greece informed another of his great loves: sports. He liked to say that one root of his contrarian nature was that as a child in 1930s Brooklyn, he was a Yankees fan in a sea of Dodgers caps. Among his greatest moments, he said, was the year Yale asked him to serve as acting athletic director, a job he relished even as he continued to teach history.
He saw baseball as a Homeric allegory, one in which a hero — the batter — ventures from home and must overcome unforeseen challenges in order to return. That view set up one of his most celebrated articles: a withering review in The Public Interest of the columnist George Will’s book “Men at Work: The Craft of Baseball” (1990).
“This is the fantasy of a smart, skinny kid who desperately wants to believe that brains count more than the speed, power and reckless courage of the big guys who can play,” Professor Kagan wrote.

Posted in Books, History, Music, Obits | 3 Comments »

Obit watch: August 11, 2021.

Wednesday, August 11th, 2021

Alex Cord. He may have been best known as “Archangel” in “Airwolf”, but he had a significant body of work going back to the 1960s. No “Mannix”, but a lot of other cop shows, and multiple appearances on “Fantasy Island”, among other credits.

Patricia Hitchcock. Yes, Alfred’s daughter.

Born on July 7, 1928 in the UK to famed film director Alfred Hitchcock and his infamously loyal wife, Alma Reville, the legendary duo’s offspring would go on to appear in a string of her pop’s projects including “Stage Fright” (1950), “Strangers on a Train” (1951) and the aforementioned “Psycho” (1960). She also guest-starred in 10 episodes of the classic TV anthology series “Alfred Hitchcock Presents,” from 1955 to 1960.

She had a few other credits, but retired in the 1970s.

Tony Esposito, Hall of Fame goalie for the Chicago Blackhawks.

Walter Yetnikoff, legendary head of CBS Records.

In one of his first acts as president, Mr. Yetnikoff somewhat reluctantly let Ron Alexenburg, the head of CBS’s Epic label, sign the Jacksons. Epic had wrested the group from Motown Records (which retained the rights to the group’s original name, the Jackson 5), and though Mr. Yetnikoff wasn’t overly impressed with the Jacksons’ initial albums for Epic, he cultivated a relationship with the group’s key member, Michael, supporting the young singer’s interest in expanding into solo work.
In 1982, that encouragement resulted in “Thriller,” still one of the top-selling albums in history.

…

Other megahits released during Mr. Yetnikoff’s tenure included Meat Loaf’s “Bat Out of Hell” in 1977, the ambitious Pink Floyd double album “The Wall” in 1979, Mr. Springsteen’s “Born in the U.S.A.” in 1984, Mr. Jackson’s “Bad” in 1987 and a series of hit albums by Mr. Joel, including “The Stranger” (1977) and “Glass Houses” (1980).

Unfortunately, he was one of those people who didn’t just have issues: he had a lifetime subscription and a complete run of bound volumes.

…his ascension was accompanied by numerous affairs, which he detailed, along with his substance abuse, in his autobiography. Other record executives from the period wrote their stories, too, but Mr. Yetnikoff’s was in a class by itself. It was, Forbes said, “a portrait of such out-of-control megalomania that any music executive today, no matter how egotistical or ruthless, has to look better by comparison.”

…

In 1990, Mr. Yetnikoff, having offended too many people with his outrageous behavior, was dismissed by Sony, the company that at his urging had bought CBS Records only three years earlier. He had gone into rehab in 1989 and kicked the booze and drugs that had been his more or less daily diet throughout his reign, but getting clean didn’t make him any more tolerable.

…

Tommy Mottola, once a friend and later, as Mr. Yetnikoff’s successor at CBS Records, viewed as an enemy, put it this way in his own autobiography, “Hitmaker: The Man and His Music” (2013): “The treatment center had removed the alcohol and drugs from Walter’s life — but not the underlying problems that Walter had been using them to anesthetize.”

Brian Mulheren. He was the man in the NYPD in the 1970s and 1980s. Specifically, and to quote the NYT, he was a “veteran detective who as an audacious, deft and indefatigable one-man emergency management liaison between City Hall and the New York Police and Fire Departments became known as ‘Mr. Disaster’ and the ‘Night Mayor’…”

Mr. Mulheren played an outsize role for a first-grade detective. He was armed with a gold shield, but his uniform, such as it was — it typically consisted of a rumpled beige trench coat and a crumpled Irish tweed hat — was devoid of the stars and bars that define status on the police force.
Yet by sheer force of personality and the connections he had cultivated, he was deferred to by city commissioners and by police supervisors who outranked him when he arrived, often first, at the scene of a crisis in his black Lincoln Town Car, which was crowned with a forest of antennas that linked him to every emergency radio frequency in the city.
In the 1970s and ’80s, he served as City Hall’s wake-up call when an officer was shot or a firefighter was felled. Before the city established a full-fledged emergency management department, he seamlessly and almost single-handedly coordinated interagency strategies.
“He was one of those rare people who kept the N.Y.P.D. and the Fire Department together,” John Miller, the Police Department’s deputy commissioner for intelligence and counterterrorism, said in an interview. “He basically created the organized response to chaos that we replicated and have used ever since.”

…

Mr. Mulheren was credited by Officer Steven McDonald’s family with saving his life when he was shot in Central Park by a teenage bicycle thief in 1986 and rushed in a patrol car to Metropolitan Hospital, where doctors said he was unlikely to survive.
In 2016, Mr. McDonald told Columbia, the Knights of Columbus magazine, that he vividly remembered Mr. Mulheren’s dauntless intervention.
“You might think he’s not going to make it, but we’re going to Bellevue,” Mr. Mulheren announced on his own initiative, according to “New York’s Finest,” a forthcoming book by Michael Daly.
“He had no rank or high station but stepped forward and said, ‘No, he’s not going to die; he just needs a second chance,’” Mr. McDonald recalled. “I believe that was the Holy Spirit speaking through Brian to everyone there. Just like that like they loaded me up on a special ambulance and flew down to Bellevue Hospital, where they saved my life by the grace of God.”

…

In another emergency, when a firefighter was overcome and no ambulance was immediately available, Mr. Mulheren was said to have commandeered a city bus, told the passengers to debark and ordered the driver to take the injured man to the hospital.
Serving mostly under Mayors John V. Lindsay, Edward I. Koch and David N. Dinkins, Mr. Mulheren, a police buff since childhood, insinuated himself into the department’s decisions to buy smaller patrol cars to economize on gas; change their color from green, black and white in the early 1970s to “grabber blue” with white accents to make them more visible and less intimidating; modernize lights and sirens; air-condition the cars; and improve radio communications. He also encouraged the Fire Department to requisition a hyperbaric oxygen therapy chamber to treat burn victims.

He was 73 years old, and passed away due to COPD. His family attributes his condition to inhalation of debris at the WTC site after the 2001 attacks.

Posted in 1970s, Cops, Law, Movies, Music, NYPD, Obits, Sports, TV | 1 Comment »

Obit watch: August 9, 2021.

Monday, August 9th, 2021

It was a busy weekend, and I’ve got a backlog. I hope I don’t miss anybody.

Markie Post. THR. Variety.

Damn. Said it before, I’ll say it again: “Night Court” was a swell show, and she was part of what made it swell.

Trevor Moore, comedian (“The Whitest Kids U Know”).

Jane Withers, actress.

In her first major movie role, in 20th Century Fox’s “Bright Eyes” (1934), the 8-year-old Jane played a spoiled rich kid who wanted a machine gun for Christmas and took a ghoulish delight in sending her dolls to the hospital. She was the antidote to the movie’s star, Shirley Temple, the always cheerful, always obedient, always smiling orphan.

She did other movie and TV work, including “Giant”, and played “Josephine the Plumber” in the Comet commercials.

Bobby Bowden, football coach.

“When I was at Alabama the bumper stickers read ‘Beat Auburn,’ he recalled in “The Bowden Way” (2001), his book on leadership written with his son Steve. “When I was at West Virginia they read ‘Beat Pitt.’ When I came to F.S.U., the bumper stickers read ‘Beat Anybody.’”
Bowden’s Seminoles beat most everybody. He coached Florida State to national championships in 1993 and 1999 and his teams finished in the top five of the Associated Press rankings every season from 1987 to 2000. The Seminoles were unbeaten in bowl games from 1982 to 1995.

He was, for a period of time, the coach with the most wins in college football. I phrase it that way, though, because this was after the NCAA vacated 111 of Joe Paterno’s victories over the Penn State scandal:

But in January 2015, as part of a settlement in a lawsuit brought by Pennsylvania officials, the N.C.A.A. agreed to restore Paterno’s victories, returning him to the No. 1 spot.

Coach Bowden now ranks second, with 377 career wins.

Paul Cotton, of Poco.

Mr. Cotton joined Poco, replacing the founding member Jim Messina in 1970, just in time to appear on the group’s third studio album, “From the Inside” (1971). Produced by Steve Cropper, the guitarist with the Memphis R&B combo Booker T. & the MGs, the project signaled a new artistic direction for the band, maybe nowhere so much as on the three songs written by Mr. Cotton.
Rooted more in rock and soul than in the country and bluegrass that had hitherto been the group’s primary influences, Mr. Cotton’s sinewy, blues-inflected guitar work and brooding baritone vocals on songs like the ballad “Bad Weather” greatly expanded Poco’s emotional and stylistic palette.

Herbert Schlosser, TV executive. Among other accomplishments: “Saturday Night Live” and “Laugh-In”.

Jon Lindbergh. Yes, he was Charles Lindbergh’s son, but he led an interesting life of his own.

He didn’t go into aviation like his father: instead, he became a pioneer of undersea research.

After college, he did postgraduate work at the University of California San Diego and spent three years as a Navy frogman, working with the Underwater Demolition Team. He appeared as an extra in the television series “Sea Hunt” and had bit parts in a few movies, including “Underwater Warrior” (1958).
He also worked as a commercial deep-sea diver and participated in several diving experiments. They included a 1964 project in the Bahamas called “Man-in-Sea” in which a submersible decompression chamber devised by Edwin Link allowed divers to stay deeper under water for longer periods.
As part of that project, Mr. Lindbergh and Robert Sténuit, a Belgian engineer, set a record by staying in a submersible dwelling for 49 hours at a depth of 432 feet, breathing a mixture of helium and oxygen that allowed them to swim outside the dwelling without harm despite the enormous pressure of the water above. Mr. Sténuit wrote an account of the experiment in the April 1965 issue of National Geographic.
Mr. Lindbergh was also involved in the development and testing of the Navy’s Alvin deep-ocean submersible, which he used during the recovery of the hydrogen bomb in the Mediterranean. An American bomber had hit a refueling tanker in midair and dropped four hydrogen bombs, two of which released plutonium into the atmosphere, though no warheads detonated.
He later helped install Seattle’s water treatment system in icy waters as deep as 600 feet. Finding that he liked the area, he bought a secluded Georgian-style home on Bainbridge Island in the mid-1960s and raised his family there. He later farmed salmon in Puget Sound and in Chile as part of an emerging aquaculture industry and sold the fish to airlines and restaurants.

…

Charles Lindbergh lived long enough to see Jon flourish in his career and was relieved that his son had not followed him into aviation. “He removed any burden of his own career from his son’s shoulders,” Mr. Berg wrote in his biography, by telling Jon that much of what had first attracted him to aviation in the 1920s no longer existed.
“Thirty years ago, piloting an airplane was an art,” Charles Lindbergh told his son, but it no longer seemed like an adventure.
Rather than become a flyer, Charles Lindbergh added, “I think I would follow your footprints to the oceans, with confidence that chance and imagination would combine to justify the course I set.”

Nach Waxman. He founded Kitchen Arts and Letters, a Manhattan bookstore specializing in food related books.

In one instance, Mr. Waxman counseled Citibank on its banquet menu for the Venezuelan finance minister; in another, he found Indigenous recipes from New Guinea for the American Museum of Natural History’s dining room during an exhibition on rain forests.
“He could make helpful recommendations, obtain the very cookbook you needed, search for out-of-print editions and discuss the authors,” said Florence Fabricant, a food and wine writer for The New York Times.
Mr. Waxman once said that about two-thirds of his customers were culinary careerists purchasing professional tools. “Knives are one tool,” he told The Times in 1998. “Books are another.”

…

“It’s really the professional business that’s the gratifying business,” Mr. Waxman told The Times in 1995. “People who are expanding their skills and the scope of their work. I will tell you, when the lease was up a few years ago, I gave serious thought to moving the store to a second floor somewhere just to make it a place for motivated people, not casual drop-ins. The people who come here have a language in common.
“Just sitting and selling books is boring,” he said. “It’s making change and putting books in bags. What’s fun is helping people solve their problems.”

Posted in 1970s, Books, Movies, Music, Obits, Sports, TV | 1 Comment »

Obit watch: July 29, 2021.

Thursday, July 29th, 2021

Supplemental: NYT obit for Dusty Hill.

City Journal tribute to Jackie Mason. (Hattip: Lawrence.)

Ron Popeil.

The quirky products certainly sounded like inventions Americans could live without — an Inside-the-Shell Electric Egg Scrambler, spray-on fake hair in a can, the Pocket Fisherman (“the biggest fishing invention since the hook … and still only $19.95!”), and the counter-size Showtime Rotisserie & BBQ (“Set it and forget it!”), one of his biggest successes.
His redesigned 1975 Veg-O-Matic is enshrined in the Smithsonian’s American Legacies collection alongside the Barbie doll, and comedian Dan Aykroyd vigorously parodied both salesman and machine in Bass-O-Matic skits on “Saturday Night Live” in the 1970s.

“I’ve gone by many titles: King of Hair, King of Pasta, King of Dehydration, or to use a more colloquial phrase, a pitchman or a hawker,” Mr. Popeil said in 1995. “I don’t like those phrases, but I am what I am. Pick a product, any product on your desk. Introduce the product. Tell all the problems relating to the product. Tell how the product solves all those problems. Tell the customer where he or she can buy it and how much it costs. Do this in one minute. Try it. You know what it sounds like? It comes out like this: Brrrrrrrrrrr.”

George Rhoads. I had not heard of him previously, but his work sounds really cool.

Mr. Rhoads’s colorful “audio-kinetic ball machines,” which evoked the workings of watches and roller coasters, were built of comically designed tracks and devices like loop-the-loops and helical ramps, and were usually six- to 10-feet high. Scores of the machines have been installed in children’s hospitals, malls, science museums and airports and elsewhere in a dozen countries, but mostly in the United States and Japan.
“Each pathway that the ball takes is a different drama, as I call it, because the events happen in a certain sequence, analogous to drama,” he said in an interview in 2014 with Creative Machines, which makes ball machines based on and inspired by his designs. “The ball gets into certain difficulties. It does a few things. Maybe there’s some conflict. They hit or they wander, whatever it is and then there’s some kind of dramatic conclusion.”
One of his most frequently viewed machines, “42nd Street Ballroom,” was installed in 1983 in the lobby of Manhattan’s Port Authority Bus Terminal, where it remained. Eight feet tall and eight feet wide, the sculpture shows its plates spin, its levers flip and its 24 billiard balls roll down ramps. As was typical of his machines, numerous balls move independently, letting gravity guide them and, when they reach the bottom, they are returned to the top by a motorized hoist.

Joey Jordison, drummer and founding member of Slipknot.

Rick Aiello, actor. (“Do The Right Thing”, lots of TV credits including “18 Wheels of Justice”)

For the record, he was Danny Aiello’s son.

Posted in Music, Obits, TV | Comments Closed

Obit watch: July 28, 2021 (supplemental)

Wednesday, July 28th, 2021

I am seeing reports that Dusty Hill of ZZ Top has passed, but I have not yet found a reliable source for this.

I’ll update here if I do find one.

Edited to add: short preliminary obit from the Statesman. Variety.

EtA2: NYPost.

EtA3:

Posted in Music, Obits | Comments Closed

Obit watch: July 21, 2021.

Wednesday, July 21st, 2021

Rick Laird, noted musician.

The guitarist John McLaughlin called Mr. Laird in 1971 with an invitation to join a group he was forming with the goal of uniting the jazz-rock aesthetic — which Mr. McLaughlin had helped establish as a member of Miles Davis and Tony Williams’s earliest electric bands — with Indian classical music and European experimentalism.
The new ensemble, the Mahavishnu Orchestra, which also featured the drummer Billy Cobham, the keyboardist Jan Hammer and the violinist Jerry Goodman, became one of the most popular instrumental bands of its time. It released a pair of studio albums now regarded as classics for Columbia Records, “The Inner Mounting Flame” (1971) and “Birds of Fire” (1973), and one live album, “Between Nothingness & Eternity” (1973).

After leaving Mahavishnu, he went on to tour with other artists and did one solo album. But he decided in 1982 that he needed a backup career path. So he became a professional photographer. (The NYT says that he did continue to write and perform music, but none of it has been “officially released”.)

My feelings about baseball are well known, but I did want to highlight the passing of Marjorie Adams. She spent a lot of time researching and lobbying for her great-grandfather’s (Daniel Adams) place as a founding father of baseball.

Making the case for her great-grandfather, who was known as Doc (he came by his nickname legitimately, having received a medical degree from Harvard in 1838), became Ms. Adams’s consuming passion. She advocated for him on a website, at conferences, at meetings of the Society for American Baseball Research (SABR) and at vintage baseball festivals, where fans play and celebrate the sport, as if it were the 19th century. She nicknamed herself Cranky, for “cranks,” a period term for fans.
“Baseball is the national pastime,” she said in an interview in 2014 with SABR’s Smoky Joe Wood chapter. “It’s important that the historical record is correct.”
That record was a lie for a long time, according to John Thorn, baseball’s official historian. Abner Doubleday was for many years falsely cited as baseball’s inventor. And Alexander Cartwright, who played a role in the sport’s evolution, was credited on his plaque at the Hall of Fame in Cooperstown, N.Y., with some of the innovations that, it turned out, were actually conceived by Adams.

…

Doc Adams began playing for the pioneering New York Knickerbockers Base Ball Club in 1845. While with the team, he created the shortstop position — as a relay man from the outfield, not a fielder of ground balls and pop flies. He made his most critical contributions to the game in 1857 at a rule-making convention of which he was chairman.
There he codified some of the fundamentals of the modern game, setting the distance between bases at 90 feet, the length of a game at nine innings and the number of men per side at nine.

Posted in History, Music, Obits, Photography, Sports | Comments Closed

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