Archive for the ‘Music’ Category

Obit watch: April 3, 2022.

Sunday, April 3rd, 2022

In no particular order of importance:

Bill Fries, also known as “C.W. McCall”. He’s been reported dead before, but this time it seems to be confirmed.

Mr. Fries was working as an ad executive at Bozell & Jacobs in Omaha in the 1970s, when he helped to create a series of television commercials for Metz Baking Company about a trucker named C.W. McCall hauling Old Home bread in an eighteen-wheeler and a gum-snapping waitress named Mavis at the Old Home Filler-Up an’ Keep On A-Truckin’ Cafe.
The ads — including one that ended with the tagline “Old Home is good buns” — became wildly popular and helped pump up Old Home bread sales as they told the story of a diesel-scented romance between Mavis and C.W., who spoke in a formidable twang voiced by Mr. Fries.

With a record deal from MGM, Mr. Fries spawned a cultural phenomenon with “Convoy,” an ode to renegade truckers driving across the country, written with Chip Davis, who had also written the music for the Old Home bread ads and who went on to found the group Mannheim Steamroller, known for its Christmas music.
Crackling with CB radio lingo, the song tells the story of the truckers Rubber Duck and Pig Pen who are “puttin’ the hammer down” as they thumb their noses at speed limits, industry rules and law enforcement officers — “bears” and “smokies” in CB parlance. Along the way, they end up leading 1,000 trucks and “11 longhaired friends of Jesus in a chartreuse microbus.”
Originally recorded merely as an album filler, “Convoy” tapped into the surging popularity of trucker culture and CB radio, which truckers used to communicate during long, lonely hours on the open road. It was part of a boom in trucking-themed country songs like “Roll On Big Mama” by Joe Stampley and “Willin’” by Little Feat.
“Convoy” spent six weeks at the top of the country charts and crossed into the top of the pop charts for a week, according to The World-Herald. More than 20 million copies of the single have been sold, according to Bozell. In 1978, Mr. Peckinpah turned the song into a movie, “Convoy,” starring Kris Kristofferson as Rubber Duck.

People who know me well know this story. For the rest: when I was younger (around the time “Convoy” was a hit) I owned a 45 RPM record (kids, ask your parents about 45 RPM records) of “Convoy” that I literally wore the grooves off of. (Kids, ask your parents about record players, needles, and grooves.)

We also owned an 8-track tape (kids, ask your parents…) with that song on it, that had the track break conveniently located at about the 2:27 point in that video.

Estelle Harris. Other credits include “Once Upon A Time In America”, “Mrs. Potato Head” in the “Toy Story” sequels, a guest appearance on a spinoff of a minor SF TV show from the 1960s, and “Futurama”.

Thomas F. Staley, who built up the Harry Ransom Center.

Dr. Staley, a scholar of James Joyce, arrived at the university in 1988. Over the next 25 years, he brought a literary sensibility and a competitive zeal to acquiring collections — and keeping them from going to universities like Harvard and Yale.
Stephen Enniss, who succeeded him as the Ransom Center’s director, said Dr. Staley had been adept at persuading university administrators, donors and the public at large to preserve literature that he saw as of lasting value.
“Tom’s enthusiasms became everyone’s enthusiasms,” Dr. Enniss said by phone.

Not long after being hired to run the Ransom Center, Dr. Staley learned that the archives of Stuart Gilbert, Joyce’s translator and friend, were available. According to The New Yorker, the papers, which cost the Ransom Center $265,000, came with an unexpected find: Joyce’s handwritten edits of the first chapter of “Finnegans Wake.” Dr. Staley estimated that those pages alone were worth $750,000.
In the 25 years that followed, he acquired the papers of dozens of literary luminaries, including Doris Lessing, Jorge Luis Borges, J.M. Coetzee, Penelope Lively and Isaac Bashevis Singer, as well as the archives of Robert De Niro and the Life magazine photojournalist David Douglas Duncan. Dr. Staley also continued to teach English.
When Dr. Staley visited the playwright Tom Stoppard at his home in England, he found his papers scattered in his study and in another building on his property. As Dr. Staley recalled to The Times, Mr. Stoppard told him, “What you want is mostly stuff I would throw away: notes on this and that.” But there were also drafts of his plays, notes on revisions and drawings of stage sets.
On another trip, to Arthur Miller’s house in Connecticut, Dr. Staley learned that in a box Miller thought had been filled with roofing nails, he had discovered valuable notebooks and a short story — the very type of items that help fill an archive. Although parts of Miller’s archive had been at the Ransom Center for decades, a formal deal to acquire the collection, for $2.7 million, was not made until 2017.

General Charles G. Boyd (USAF- ret.).

In 1966, General Boyd, who was a captain at the time, volunteered for a dangerous mission in Vietnam — attacking surface-to-air missile sites around Hanoi. After repeated passes through enemy fire, his F-105D plane was hit and set ablaze. He had to eject, and, shortly after landing in a rice paddy, he was captured.
He spent the next 2,488 days enduring torture, isolation, malnutrition and interrogation in various squalid prisons, including the so-called Hanoi Hilton; for 18 months, he was imprisoned in a cell next to the Navy flyer John S. McCain, who would go on to become a United States senator and presidential candidate.

After his release…

He swiftly ascended in the Air Force chain of command, becoming the only former prisoner of war from the Vietnam conflict to achieve four-star rank. He also served as director of plans on the Air Force staff and as commander of the Air University at Maxwell Air Force Base in Alabama. He finished his much-decorated 36-year Air Force career as deputy commander in chief of the United States European Command in Stuttgart, Germany, where he helped oversee the drawdown of forces at the end of the Cold War.
After he retired from the Air Force in 1995, he took on several civilian roles that built on his expertise in homeland security and foreign policy.
Among the most notable was his tenure as executive director of the U.S. Commission on National Security/21st Century, also known as the Hart-Rudman Commission, headed by former Senators Gary Hart and Warren Rudman. Barely eight months before the terrorist attacks of Sept. 11, 2001, the commission warned — in a report that was largely ignored — that the gravest threat to the United States was the likelihood that a terrorist attack would take place on American soil and would kill large numbers of people.

Barrie Youngfellow, TV actress. (“It’s A Living”. Other credits include some cop shows, “Fernwood Tonight”, “Emergency”, and “WKRP In Cincinnati”.)

Musical interlude.

Thursday, March 31st, 2022

I feel like it is time for one of those.

I have been resisting reading The Cartel (affiliate link) for reasons. I actually started to type those out here, but then reconsidered.

Anyway, I have been sort of flipping through it before I go to bed, and Winslow used a line from this song as an epigraph for one of the chapters. I had not heard of it, or Tom Russell, before, so I looked it up on Apple Music and liked it.

Tom Russell also did a cover of this song with Joe Ely, but I thought I’d throw up a version with just Ely. As Lawrence once put it, this is the greatest song ever written about a rooster.

I feel sure I have mentioned this song before, which I picked up from another blogger (I don’t remember who) but a search does not turn it up under the title or singer. In any case, I feel like it is worth mentioning here, because it seems to have recently become available digitally on Apple Music and Amazon (affiliate link) in “The Legacy Collection Volume 3: Damron Sings Henderson”. Previously, I could only find it on YouTube, and the CDs were unavailable.

“Pull your sights up to 800 and hold a yard left for the wind” makes me smile every time. It also reminds me of Lindy Cooper Wisdom’s poem, “Grandpa’s Lesson“.

…But ain’t many troubles that a man cain’t fix
With seven hundred dollars and a thirty ought six.

Obit watch: March 11, 2022.

Friday, March 11th, 2022

Emilio Delgado. He was most famous as “Luis” on “Sesame Street” (for 44 years), but he also did some other work: three of the “Law and Order” shows, a regular role on “Lou Grant”, “Quincy, M.E.”, and the good “Hawaii 5-0”, among other credits.

Elsa Klensch, of “Style With Elsa Klensch”.

Odalis Perez, former pitcher for the Braves and Dodgers (also the Royals and Nationals). He was 44: according to his family, he apparently fell off a ladder at his home.

Bobbie Nelson, sister of Willie Nelson and pianist and singer in his band.

“My little sister was always on the piano doing great music,” Nelson recalled on the “TODAY” show in November 2020. “I would sit there on the piano stool beside her and try to figure out what the hell she was doing. … Sister Bobbie is 10 times a better musician than I am,” he said.

(Hattip on this to FotB RoadRich.)

Obit watch: March 9, 2022.

Wednesday, March 9th, 2022

Conrad Janis, jazz musician and actor.

“Conrad Janis Is Glad to Live Three Lives,” the headline on a 1962 Newsday article read. At the time he was starring in the romantic comedy “Sunday in New York” on Broadway and, after the Friday and Saturday night performances, playing trombone with his group, the Tailgate 5, at Central Plaza in Manhattan. (On Sundays he’d trek to Brooklyn to play at the club Caton Corner.) When not onstage or on the bandstand, he could often be found at his father’s art gallery.
Sixteen years later he found himself on one of the most popular shows on television when he was cast on “Mork & Mindy,” which premiered in September 1978, as the father of Mindy (Pam Dawber), a Colorado woman who befriends an eccentric alien (Robin Williams). On Sundays during this period, he played in the Beverly Hills Unlisted Jazz Band at the Ginger Man, a club in Beverly Hills, Calif., whose owners included Carroll O’Connor of “All in the Family.”

In the movies, he played alongside some famous names: Ronald Reagan and Shirley Temple in the notoriously bad “That Hagen Girl” (1947), Charlton Heston and other prominent stars in “Airport 1975” (1974), Lynn Redgrave in “The Happy Hooker” (1975), George Burns in “Oh God! Book II” (1980).
He was on television from the medium’s earliest days, playing numerous roles in the late 1940s and ’50s, many of them on shows like “Suspense,” “Actor’s Studio” and “The Philco Television Playhouse” that were broadcast live. Some of those roles took advantage of his familiarity with musical instruments.

Among other credits, he did a few cop shows: “Baretta”, “Banacek”, “Cannon”. And he was a regular (“Palindrome”) on “Quark”.

Obit watch: March 8, 2022.

Tuesday, March 8th, 2022

Laurel Goodwin, actress.

She had a somewhat short career, possibly due to bad luck. Her first movie was “Girls! Girls! Girls!” with Elvis. She was in the first (rejected) pilot for a minor 1960s SF TV series, but was cut from the second one. In the meantime, she said she had turned down offers for two successful comedies.

Other credits include “Get Smart”, “The Beverly Hillbillies”, a 1978 TV mini-series based on Dashiell Hammett’s “The Dain Curse”…

…and “Mannix”. (“A Question of Midnight”, season 3, episode 5.)

Random gun crankery (plus: musical interlude!)

Friday, March 4th, 2022

I’m 99 44/100ths percent sure this is the gun I was talking about in yesterday’s post:

More from the museums.

I’ve been feeling like a little musical interlude is in order. So here you go:

Headline of the day.

Friday, February 25th, 2022

Paul Stanley: I Am Finally Ready to Embrace ‘Kiss Meets the Phantom of the Park’

Obit watch: February 25, 2022.

Friday, February 25th, 2022

Joe Wanenmacher, founder and owner of the Tulsa Arms Show, one of (if not the) largest gun shows in the world.

Mike the Musicologist and I have been lucky enough to attend a few of the Tulsa shows. The obit says that Mr. Wanenmacher had mostly handed off operational responsibilities to his other family members, but he still built the show into what it is today. Our hat is off to him.

(Hattip on this to our great and good friend David Carroll.)

Sandy Nelson, drummer and subject of one of the most interesting obits I’ve read in the NYT recently.

He had a big hit in 1959 with “Teen Beat”, which was based on a drum riff he heard in a strip club:

“While they were looking at these pretty girls in G-strings, guess what I was doing?” he told The Las Vegas Weekly in 2015. “I was looking at the drummer in the orchestra pit.”
“He was doing kind of a ‘Caravan’ beat,” he added, referring to a jazz standard. “‘Bum ta da da dum’ — small toms, big toms. That’s what gave me the idea for ‘Teen Beat.’”

He had a second big hit with “Let There Be Drums” in 1961. In 1963, he had a motorcycle accident and lost part of his right leg: he retrained himself to play the bass with his left leg.

He did a bunch of instrumental albums in the 1960s and 1970s, many of which featured covers:

“I think the worst version ever of the Rolling Stones’ ‘Satisfaction’ was done by me,” Mr. Nelson told L.A. Weekly in 1985, “and, oddly enough, it was a big seller in the Philippines. I guess they like squeaky saxophones or something.”

But he also continued to do experimental work:

His friend and fellow musician Jack Evan Johnson said that Mr. Nelson was especially proud of “The Veebles,” a whimsical five-track concept album released on cassette in 2016 that had an extraterrestrial sound and theme.
“It’s about a race of people from another planet,” he told The Las Vegas Sun in 1996, when the long-gestating project was just beginning to take shape. “They’re gonna take over the Earth and make us do nothing but dance, sing and tell dumb jokes.”

(I checked: there was a CD version of this, but it is out of print. Amazon and Apple Music do not show a digital version, though some of Mr. Nelson’s other work is available from both.)

Mr. Nelson acknowledged that he had not handled his early success well.
“I spent most of the money on women and whiskey, and the rest I just wasted,” he told The Review-Journal.

Mr. Nelson settled in Boulder City, Nev., in about 1987 and became a colorful local fixture, running a pirate radio station out of his house for about seven years before the FCC shut him down, Mr. Johnson said. And then there was the cave.

Yes. He dug a cave in his backyard.

The project took him 12 years.
“I got a ‘cave tour’ once,” Mr. Johnson said by email, “and it was quite something, precarious even — dug down at a very steep angle into the hard desert soil, with no kind of support structure whatsoever and just enough room to scoot down into it for a ways until the room opened up at the bottom.”
“He had an electric keyboard down there,” he added.

Kenny Burrough, wide receiver for the Houston Oilers during the 1970s.

Burrough, who famously wore No. 00 with the Oilers, played 11 seasons in Houston and made the Pro Bowl in 1975 and 1977. His 6,906 receiving yards still ranks third all-time in Houston Oilers/Tennessee Titans history behind only Ernest Givins (7,935) and Drew Hill (7,477). His 47 touchdowns ties him for second on the franchise list behind 1960s Oilers receiver Charley Hennigan.

Sally Kellerman. THR.

Other than the original “Hot Lips”, credits include a guest spot on an early episode of a minor 1960s SF TV series, “Back to School”, “T.H.E. Cat”, “Coronet Blue”, the legendary “Delgo“, and a whole bunch of other stuff…

…including “Mannix”. (“The Solid Gold Web“, season 2, episode 23. She plays a former love interest of Mannix.)

Obit watch: February 23, 2022.

Wednesday, February 23rd, 2022

Mark Lanegan, singer. (Queens of the Stone Age, Screaming Trees)

The Amazing Johnathan (John Edward Szeles).

Detroit native Szeles gained mainstream fame on Vegas headliner Criss Angel’s mid-2000s reality TV show “Mindfreak,” and often injected gonzo, faux-gore bits into his shows. Signature shock value moments included pretending to suck on his own dangling eyeball, slitting his wrists and spiking his own tongue.

The “alt-magician” gained further notoriety as the subject of a controversial 2019 Hulu documentary, “The Amazing Johnathan Documentary.” The film followed Szeles, then 60, as he mounted a comeback tour after defying his terminal illness diagnosis — and simultaneously dealing with an ongoing drug addiction.

Gary Brooker, of Procol Harum.

Arthur Feuerstein. He’s probably one of those people you’ve never heard of, but the obit fascinates me (for reasons that will become apparent shortly).

Mr. Feuerstein was a chess player. A really good chess player. How good?

Over his career, Mr. Feuerstein had a record of one win, one loss and three draws with Mr. Fischer.

More:

At the 1956 United States Junior Championship, he took third, behind Mr. Fischer. He then edged Mr. Fischer for the United States Junior Blitz Championship, in which each player had five minutes for the entire game.
The third Rosenwald tournament, played in October 1956 at the Manhattan Chess Club, is usually remembered because of Mr. Fischer’s remarkable win against Donald Byrne, Robert’s younger brother. But Mr. Fischer finished in a tie for eighth, while Mr. Feuerstein was third — just behind Arthur Bisguier, another New York prodigy, who had won the United States Championship two years earlier.
Then, in the 1957-58 championship, Mr. Feuerstein tied for sixth with Arnold Denker, a former champion, and Edmar Mednis, a future grandmaster. Mr. Fischer, who was then only 14, won the championship, beating Mr. Feuerstein in the process for the first and only time…

The NYT obit describes the 1950s as being “a golden age for the game in the United States, particularly in New York City”. It would probably have a limited audience, but I’d read a book about this time in the chess world.

Anyway, Mr. Feuerstein didn’t want to turn pro. He thought professional chess was “too unstable and too poorly paid”, so he went into the corporate world. But he continued to play as an amateur.

Then, one day in 1973, Mr. Feuerstein, his wife, and their dog were driving to their vacation home. They got hit by a semi.

The dog was killed. Mrs. Feuerstein broke her back and spent six weeks in a cast.

Mr. Feuerstein suffered a horrible head injury. The doctors on his case gave his wife an extremely negative prognosis.

Then one day Mr. Feuerstein woke up, pulled the breathing tube out and began trying to talk. A nurse called Alice, who rushed to the hospital. She found him playing chess with the neurosurgeon, who had also been called.
Years later, in a profile that appeared in 2012 in Chess Life, the magazine of the United States Chess Federation, the game’s governing body, Alice Feuerstein said her husband, after waking, did not even know what a toothbrush was. But, Mr. Feuerstein recalled, “I remembered everything about chess, even my openings.” He also recalled that he had won that game with the doctor.

This isn’t a miracle story. According to the obit, Mr. Feuerstein was never able to work full-time again.

But he did return to competition at something approaching his pre-accident ability, sometimes beating grandmasters, and he remained a master-level player into his late 70s.
He played his last tournament in October 2015, when he was nearly 80, and scored 50 percent, with one win, one loss and a draw.

Cancer got him at 86.

Obit watch: February 18, 2022.

Friday, February 18th, 2022

Jim Hagedorn, House member from Minnesota.

Gail Halvorsen, the original “Candy Bomber” from the Berlin Airlift. Instead of writing a fuller obit here, I’m going to point you to the much better one Borepatch wrote.

For the historical record: NYT obit for Ian McDonald.

Obit watch: February 13, 2022.

Sunday, February 13th, 2022

Ian McDonald, co-founder of King Crimson and Foreigner.

(Hattip: Lawrence.)

Lars Eighner. I’m not sure how many people outside of Austin recognize that name. For those long time Austinites, this should be a blast from the past.

Mr. Eighner lost his job and spent three years homeless on the streets of Austin with his dog. He wrote periodically for the “Austin Chronicle”, and eventually published Travels With Lizbeth about that experience. He published two other books after that, but those were less successful.

I’m going to put this last obit behind a jump. I’m noting it because it’s a sad sundae with chopped sad and a sad cherry on top.

(more…)

Obit watch: February 7, 2022.

Monday, February 7th, 2022

George Crumb, composer.

“Black Angels” (1970), one of Mr. Crumb’s best-known works and a reaction to the Vietnam War, was an early example of his imaginative eclecticism. It is scored for an amplified string quartet and features techniques such as tapping the strings with thimbles. A mournful fragment from Schubert’s “Death and the Maiden” string quartet is interrupted by fierce bow strokes and human shouts.
The grimly claustrophobic music of the first movement, “Threnody I: Night of the Electric Insects,” was deemed sufficiently scary to be used on the soundtrack for the horror film “The Exorcist.”

Other pieces were equally theatrical and sometimes featured ritualistic elements. A recording of whale songs made by a marine scientist inspired his “Vox Balaenae (Voice of the Whale)” for electric flute, cello and amplified piano (1971). The performers wear black half-masks; Mr. Crumb also specified that (where possible) the performance take place under blue lighting. He used various extended techniques, like strumming the piano strings with a paper clip, to create eerie sonorities.
Each movement of his orchestral piece “Echoes of Time and the River” (awarded the Pulitzer Prize in 1968) features processionals in which small groups of musicians move around the stage in patterns and directions specified in the score — requirements Mr. Crumb later acknowledged were rather impractical.