Dr. Justin O. Schmidt. He was an entomologist, and you may actually have heard of him.
Dr. Schmidt invented the “Pain Index for Stinging Insects”.
He ranked, from 1 to 4, the pain caused by the stings of 80 types of bees, wasps and ants that he had encountered, and gave vivid descriptions of what they felt like.
Anthophorid bee, Level 1: “Almost pleasant, a lover just bit your earlobe a little too hard.”
The bullhorn acacia ant, Level 1.5: “A rare, piercing, elevated sort of pain. Someone has fired a staple into your cheek.”
Red-headed paper wasp, Level 3: “Immediate, irrationally intense and unrelenting. This is the closest you will come to seeing the blue of a flame from within the fire.”
Bullet ant, Level 4: “Pure, intense, brilliant pain. Like walking over flaming charcoal with a 3-inch nail in your heel.”
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“He was one of the most insatiably curious people I’ve ever met,” Stephen Bachmann, a colleague at the Hayden center and a close friend, said in a telephone interview. “He questioned everything and didn’t suffer fools, especially administrators.”
Martha Hunter, a professor of entomology at the University of Arizona, where Dr. Schmidt was an adjunct scientist, called him “an amazing natural historian” with an extensive knowledge of the plants of the Sonoran desert, in addition to stinging insects.
“The story is that Justin once grabbed a tarantula hawk, just to see what the sting would be like,” she said. “It’s the last thing I would do.”
The tarantula hawk, a kind of wasp, ranked a 4 on the pain index:
“Blinding, fierce, shockingly electric. A running hair dryer has just been dropped in your bubble bath.”
David Lindley, noted musician. He did a lot of session work:
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He is best known for his work with Mr. Browne, with whom he toured and served as a featured performer on every Browne album from “For Everyman” (1973) to “Hold Out” (1980). His inventive fretwork was a cornerstone of many of Mr. Browne’s biggest hits, including the smash single “Running on Empty,” on which Mr. Lindley’s plaintive yet soaring lap steel guitar work helped capture both the exhaustion and the exhilaration of life on the road, as expressed in Mr. Browne’s lyrics.
Mr. Lindley’s guitar and fiddle could also be heard on landmark pop albums like Ms. Ronstadt’s “Heart Like a Wheel” (1974), which included the No. 1 single “You’re No Good,” and Rod Stewart’s “A Night on the Town” (1976), highlighted by the chart-topping single “Tonight’s the Night (Gonna Be Alright).”
Ever on the hunt for new sounds and textures, Mr. Lindley had “no idea” how many instruments he could play, as he told Acoustic Guitar magazine in 2000. But throughout his career he showed a knack for wringing emotion not only from the violin, mandolin, banjo, dulcimer and autoharp, but also from the Indian tanpura, the Middle Eastern oud and the Turkish saz.
Ed Fury. He has a fair number of credits in IMDB, mostly small roles, including “The F.B.I.”, “The Wild Women of Wongo”, “The Magician”, and a minor SF TV show from the 1960s.